Deafheaven’s new album Sunbather will be released by Deathwish on June 11. Today the band premiered the 10-minute title track on a site called Fader. I like it very much. A transporting astral symphony with vocals by a man being turned inside out. This is it:
Previously, the band debuted another track from the album named “Dream House”. I already wrote about it here; I like it, too. It’s now available on YouTube. And this is it: Continue reading »
(NCS writer Andy Synn still seems to be under the impression that the best way to promote his band Bloodguard is to praise the competition. Go figure.)
So you’re all still voting for us on that Bloodstock poll, right?
I only ask because we’ve been selected as part of a limited number of bands to compete for a slot on that ever-so-badass Northern Darkness Festival which Islander posted about a little while back, and might be needing some more votes for that pretty soon…
So in return for your continued loyalty here’s three more cool bands, one of whom I was already aware of, another I discovered through the competition entries, and the third… well we’re doing some dates with the third band next month, so there’s a little bit more of a self-serving agenda behind their inclusion!
UNDER BLACKENED SKIES
Situated firmly on the thrashier end of the Melodic Death Metal spectrum, Under Blackened Skies (pictured above) are a real workhorse of a band who I’ve seen live several times now, and who always bring their A game. Impressively tight, yet with a savage sound always teetering on the edge of chaos, they’re the sort of band I could see Carnal Forge fans falling head over heels in love with. Continue reading »
Here are two new videos that appeared over the last 24 hours. Get your melodic death metal on.
DARKANE
The new album from Sweden’s Darkane is named The Sinister Supremacy. It’s their first album in five years and features the return of vocalist Lawrence Mackrory, who last appeared with Darkane 14 years ago on their debut album Rusted Angel. The album also includes eye-catching cover art courtesy of former Soilwork member Carlos Holmberg. It will be released by Prosthetic Records on June 28 in Europe and July 2 in the U.S., and it’s available for pre-order at this location.
Yesterday gave us the premiere of the album’s title track in the form of a lyric video. The words feature such loving phrases as “Violence is all I can see”, “I feed on your fear”, and “Murder is all that I crave”. But don’t worry, there are words of comfort as well, such as these: “In blood red ecstasy devoured by lunacy / This malicious demonocracy / Death resides in me”.
Okay, the words may not have much touchy-feely in them, but what about the music? Continue reading »
(NCS contributor Austin Weber returns with another two-part feature on underground bands. Today he reviews the latest releases from Boreworm (US) and Divine Realm (Canada).)
More and more bands are opting to go the label-free route, which has helped many to get their music out there, but unfortunately means they don’t have a PR campaign behind them like they would from a label. This series is dedicated to those kinds of bands. Part Two will come tomorrow, with a definitive prog focus.
Boreworm – Black Path
When Scorned Deity came to my attention through a post here at NCS, I instantly mused to myself that hopefully a band of their caliber would be part of a thriving scene with other like-minded bands. Soon after, I heard about Boreworm, another bright young act from Michigan who confirmed that good things are happening there. Boreworm’s take on blackened death metal has all the fury of Hate Eternal but truly shines through because of their sad melodic flirtations and a knack for knowing when to break up the madness with slower passages.
The heaving darkness and bite of black metal emerges in layers throughout, with its appearence lending Black Path a uniquely sinister vibe. They also extend the influence to grimly make-over deathcore breakdowns with faster drumming or reverberating chords that give a lingering, atmospheric black metal feel. Continue reading »
I concede that I may get more excited about metal on a daily basis than most fans because my tastes are perhaps more wide-ranging than average. The diversity of metal is one of its great attractions to me, and so today I’ve gotten excited about the three items in this post that are dramatically different from each other. As the French say, Vive la différence.
This post includes two new songs (one captured on video) and one new video for a song released earlier this year. The bands are A.M.S.G. (Canada), Dreamshade (Switzerland), and Mendel (The Netherlands).
A.M.S.G.
A.M.S.G. (“Ad Majorem Satanae Gloriam”) are a “Holocaustik Canadian Terrorist Black Metal” band from Edmonton, Alberta, Canada. If you couldn’t guess already, they are not your friend.
The mastermind behind A.S.M.G. is Angelfukk Witchhammer, a member of Gloria Diaboli as well as the now-defunct Rites Of Thy Degringolade and Ouroboros, and the band also includes drummer Kaos Abhorrer. I happened upon them last fall and reviewed (here) their 2010 EP, The Principle Of Evil Becomes The Ideal Of The Promethean, which I liked a lot. Continue reading »
When it comes to technical death metal, Gorguts occupies a place in rarified air. It has gone through several iterations divided by long periods of inactivity, with legendary vocalist/guitarist Luc Lemay being the only constant. The band’s last album, From Wisdom To Hate, was released 12 years ago, but word surfaced about four years ago that Lemay was reviving Gorguts yet again — this time with the line-up filled out by drummer John Longstreth (Dim Mak, Origin, The Red Chord, Skinless, etc., etc.); bassist Colin Marston (Dysrhythmia, Indricothere, Behold… The Arctopus, Krallice); and guitarist Kevin Hufnagel (Dysrhythmia, While Heaven Wept).
And then in February of this year we learned (and reported) that Gorguts have signed with Season of Mist and will be releasing their extremely long-awaited fifth studio album later this year.
And then last night I found a video that had just been posted on YouTube. It’s a performance by the current Gorguts line-up at their only Canadian show in 2012 — the Trois–Rivières Metalfest at the Bâtisse Industrielle venue in Quebec on October 12. The song is “Stiff and Cold”, from the band’s 1991 debut album Considered Dead.
The video was filmed with 6 cameras, and it looks and sounds really good. If you want a taste of what this combined line-up of all-star talent is capable of doing, watch it next. You’ll be glad you did. Continue reading »
In Dread Response are an excellent New Zealand metal band that we’ve mentioned a couple times in the past, but not recently — and it’s past time that we checked in with them again. TheMadIsraeli reviewed their debut album From the Oceanic Graves in August 2011 (here). We miserably failed to review their second full-length, Embers In the Spiritless Void, but our NZ blog sister Steph Metal did name that release as one of the 10 best 2011 metal albums from Down Under in a guest feature we published in January 2012. Here’s what Steph had to say about it:
Aggressive death metal with overarching melody and faultless musicianship, In Dread Response have been building a steady following in New Zealand since the release of their debut album in 2008. Songs like “Through Chasms” demonstrate their attention to details – lyrics that weave graven images in your mind, relentless double kick and layers of riffs that create drama and tension, and almost classical solos that deliver exactly what they promise.
Thanks to a tip from NCS supporter Booker, I’m pleased to tell you that as of yesterday In Dread Response made Embers available as a free download in a .zip file that also includes hi-res images of the entire CD album booklet (and it’s a feast for the eyes that includes paintings by the stupendous John Martin). But that’s not all . . . Continue reading »
On December 22, 2011, David Gold died in an automobile collision near Barrie, Ontario, at the age of 31. With his death, so died Woods of Ypres — the doom/black metal band that he co-founded and of which he was the sole consistent member over the course of five albums and assorted other releases. But of course the music of Woods lives on in the lives of the band’s passionate fanbase.
As we reported last July, a woman named Steph LeDrew organized a musical tribute to Gold and Woods, recruiting a large number of bands to record covers of Woods songs. Yesterday, the tribute album — Heart of Gold: A Tribute To Woods of Ypres — was finally released and is now available for purchase on Bandcamp as a digital download for $10. At one point the project was soliciting PayPal donations to that gave donors the option of receiving a 2-CD physical version of the album, though the option to buy a physical format doesn’t currently appear on the Bandcamp page.
The album was mastered by Dan Swanö in Sweden and includes cover songs by 19 different bands or band members, including Novembers Doom, Panzerfaust, Amaranth, and members of Woods, Thrawsunblat, and Into Eternity. The full track list and album stream appear later in this post. But I first want to highlight one song in particular, because it was recorded by a long-time favorite of this site — Sweden’s Canopy. Continue reading »
I’m no social anthropologist, but there still seems to be something of a divide between punk and hardcore, on the one hand, and metal on the other. Decades ago, the divide was like an ocean between them — a storm-tossed ocean marked by outright hostility. I saw that first-hand. As time passed, of course, there’s been a lot of cross-polinization, the lines have blurred, and I don’t sense that the hostility has survived. But I still don’t know many people who are equally avid fans of all three genres.
I’m as guilty as anyone. I listen mainly to metal and only dabble randomly in those other genres; I definitely don’t feel well-educated any more on what’s happening there. But every now and then I’ll come across bands with crossover styles, who lean more toward the punk or hardcore side of things than what I usually listen to, that really get my blood racing. By sheer chance, that happened to me yesterday with three bands . . . and here they are. In order, they move from more metal to less . . .
CHILDREN OF GOD
I have CVLT Nation to thank for this discovery. They recently premiered this Orange County band’s official video for “Unrelenting Storm” off their 2013 debut album We Set Fire To the Sky. The video is really well-executed — a beautifully filmed black-and-white band performance interspersed with images of death and destruction. And as for the song itself, “Unrelenting Storm” is an apt title. It’s kind of a Converge-Meets-Neurosis blend of vitriolic hardcore and groaning sludge, with a segment that’s almost atmospheric and meditative, too. I like it a lot. Continue reading »
I recently plastered this album cover by Chris Moyen on our site in an EYE-CATCHERS post, for obvious reasons. It’s the cover for The Fleshland, the new album by Japan’s Coffins, which is one I’ve been eagerly anticipating. The album will be released by Relapse Records in NorthAm on July 9 (and can be pre-ordered here).
Yesterday the band premiered a lyric video for a song from the album named “The Vacant Pale Vessel”. I was really thrilled to see that they had named a song for me. I didn’t realize they even knew who I was!
I was even more thrilled when I heard the song. My gawd, it just oozes illness — a festering, suppurating mass of death-doom. It’s rancid and raw, and it compels the head to bang and the bodily fluids to leak in slow congealing flows from every orifice as the organs liquify. And oh my, that guitar solo . . . and the crushing dirge that follows it . . . and the horrifying vocals . . . and, just everything. Listen to it after the jump. Continue reading »