CLEAN SINGING (THAT RAWKS): NEW VIDEOS FROM MAMMOTH MAMMOTH, BEASTWARS, AND THE SORROW

 Exceptions to the Rule, RANDOM FUCKING MUSIC  2 Responses »
Oct 262012
 

I’m drowning in new videos. Beginning late yesterday, this is the third in a row of posts I’ve written for the site that consist of nothing but videos. But as much as I’d like to finish other things I’m working on, I continue to be distracted by the moving pictures and the quality sounds.

This post is full of Exceptions to the Rule around here, because all three of the new vidz collected in this post include (to varying extents) clean vocals. But all three songs have grabbed me, and I hope they’ll grab you, too. The first two are from down-under bands we’ve previously covered at NCS — Mammoth Mammoth (Australia) and Beastwars (New Zealand) — and the third is from a band I don’t think we’ve ever mentioned before, The Sorrow (Austria).

MAMMOTH MAMMOTH

I first came across Mammoth Mammoth back in May when they released their last video, which was for the title track to their third album Hell’s Likely (featured here). Since then, Napalm Records have picked up the album and will be releasing it on November 23 worldwide (order here).

I’m enjoying the album cover. I’m also enjoying the new video for “GO”, which includes a nice tip of the hat at the video’s beginning to Gojira’s “Vacuity” video and also features the same delectable woman who graces the album cover in her birthday suit (though she’s somewhat more clothed in the video). Continue reading »

MORE NEW VIDEOS: PIG DESTROYER’S “THE DIPLOMAT” AND FEAR FACTORY’S “THE INDUSTRIALIST”, PLUS “MR. FROSTY MAN” AND “THE ORIGIN OF CREATURES”

 RANDOM FUCKING MUSIC  3 Responses »
Oct 262012
 

Yesterday we devoted our last post to videos, and now two more new ones have premiered, one from Pig Destroyer and one from Fear Factory. One is “The Diplomat”, one is “The Industrialist”. Plus we have a fantastic Evil-Dead-goes-claymation video (“Mr. Frosty Man”) and a brilliant animation from The Netherlands (“The Origin of Creatures”) that puts a post-apocalyptic spin on the Tower of Babel parable. The music for these two isn’t metal, but the videos sure as fuck are.

PIG DESTROYER

Book Burner, the latest album from the almighty Pig Destroyer, came out in North America via Relapse on Monday of this week. Today saw the premiere of a new music video for one of the longer songs from the album, “The Diplomat”.

When this song had its debut in September, lyricist/vocalist JR Hayes said (here) it was “about the origins of human conflict and how if you look back through history, we’ve never really gotten along.” He explained: “You’re always wrapped up in the time that you’re living in, and right now there’s war and suffering and despair and economies collapsing, but if you look back in history, that’s the way it’s always been.” Can’t really argue with that, can you?

As for the sound of the song, Scott Hull used an opening riff that he had originally written for his other band Agoraphobic Nosebleed five or six years ago, and as he has noted, “The pace of the riff informs the tone and the tempo of the whole song.”

As for the “squawkier” and “angular” riffs toward the end? He was listening to a lot of Gorguts.

The song itself is excellent — and so is the new video. It was directed by Phil Mucci from Doomsday Entertainment, who also directed High On Fire’s killer “Fertile Green” video, as well as many others. It’s an allegorical tale that puts a different spin on the opening of Kubrick’s 2001: A Space Odyssey, with a gray-suited, arms-dealing motherfucker in place of the monolith. The colors are amazing, by the way. Watch it right after the jump. Continue reading »

VIDEOGRAPHY: ANTROPOMORPHIA, RED FANG, AND MONSTER ROLL

 RANDOM FUCKING MUSIC  12 Responses »
Oct 252012
 

Would you like some quality video entertainment? You would? Well, then, you’ve come to the right place, because I happen to have three clips right here that I think you’ll enjoy.

ANTROPOMORPHIA

Antropomorphia are a Dutch band whose new Metal Blade release, Evangelivm Nekromantia, really snuck up on me. The clues were there, as was a promo sitting in my in-box, and I just missed all of it until last night, when I watched the band’s recent official video for a track from the album named “Psuchagogia”.

The song burrowed under my skin immediately. It’s an occult-flavored form of death metal, reminiscent at times of Behemoth, with heavy use of tremolo guitar, demonic vocals, and a thundering beat. Halfway through, there’s a slow, very cool instrumental break with the bass taking the lead, and in the video, a ritual then reaches its defining moment in the drinking of blood from a skull, with relish.

Though “psuchagogia” doesn’t appear to be a word found in the dictionary, “psychogogia” is a Greek word meaning the leading of the soul and was used in its original context to describe a ritual of raising souls from the dead. Just so you know.

One word about the album art before we turn to the killer video itself: If those three skeletons in red and the shrouded figure in purple ring any bells, it’s because the band wanted to pay homage to the cover of Death’s Scream Bloody Gore. Continue reading »

SEEN AND HEARD: HELLISH OUTCAST, BLASPHEMOPHAGHER, RWAKE, MOMENTUM

 Free Shit, Metal News, RANDOM FUCKING MUSIC  1 Response »
Oct 242012
 

Here’s another round-up of things I saw and heard over the last 24 hours that I didn’t have room to include in yesterday afternoon’s post (the one that included new offerings from Aeon, Tardive Dyskinesia, and Zubrowska): New videos from Hellish Outcast (Norway) and Rwake (U.S.), new Paolo Girardi artwork and bittersweet news about Blasphemophagher (Italy), and a new song from Momentum (Iceland).

HELLISH OUTCAST

Please tell me you already know about this band.  If you can’t tell me that, then please read Andy Synn’s review of their 2012 album, Your God Will Bleed. It included such gems as this:

“Not only do Hellish Outcast not do black metal, they also don’t do nice. Or comfortable. Or anything less aggressive than a rabid pit-bull that’s been force-fed a diet of sand and barbed wire. In fact, this album is so damned aggressive, so utterly hate-filled, that it should come with a warning label along the lines of:

Danger – the levels of testosterone and aggression on this album could cause permanent damage to your underlying genetic structure.”

Or maybe you read Andy’s review and skipped the music because you wished to preserve your current genetic structure. If so, then you’ll probably want to skip Hellish Outcast’s brand new official video for “Djinn”. Since I already have a mutated genetic structure, I dived right in.

Fuckin’ love this song, from the skin-flaying death/thrash start straight through to the infernal melodic slow-down at the end. Video accompaniment is live performance footage from the Inferno Fest, edited by the band’s vocalist Thebon (Keep of Kalessin).  Prepare to be mutated. Continue reading »

AEON, TARDIVE DYSKINESIA, AND ZUBROWSKA

 RANDOM FUCKING MUSIC  6 Responses »
Oct 232012
 

I found many new metallic abominations to like over the last 24 hours, too many to shoehorn into a single post. So I’ll make a start with this batch of sharp spiky European offerings from Aeon (Sweden), Tardive Dyskinesia (Greece), and Zubrowska (France). Don’t touch, now, or you may draw back a bleeding stump.

AEON

Still loving the fantastic album art up above, by  Kristian “Necrolord” Wåhlin. It’s for Aeons Black, the fourth album from Sweden’s Aeon, which Metal Blade will release on Nov 19 in Europe and Nov 20 everywhere else. As previously reported, the title track is available for free download here. You can also catch an official lyric video for the same song at the end of KevinP’s recent NCS interview of the band’s founding guitarist Zeb Nilsson at this location.

Today’s news is that another song from Aeons Black premiered today. It’s streaming at Metal Hammer’s web site. The song is the album’s first track, “Still They Pray”. It’s lacerating, the kind of death metal that leaves skin in tatters. Go here to listen, and then come back and thank us for pointing you in that direction. Continue reading »

CHECK OUT MESHUGGAH’S NEW VIDEO: “DEMIURGE”

 RANDOM FUCKING MUSIC  No Responses »
Oct 222012
 

Meshuggah has debuted a new live performance video for their track “Demiurge” from the stunning 2012 album Koloss.

The video was produced by Scion A/V Metal — Scion A/V has definitely been on an awesome metal roll lately. The video combines a host of cool camera angles — including footage from mini-cam’s mounted on the mic and the instruments – and it’s very well edited. The performance was filmed at Meshuggah’s show at Terminal 5 in New York City lasy May. The vid was shot and edited by Anthony Dubois and had its premiere this morning on DrumMagazine.com.

This is definitely worth seeing — and you can do that right after the jump. Continue reading »

SUNDAY SAVAGERY, WITH ENSLAVED, XEHANORT, FISTULA, AND CATS MATING

 Album Reviews, RANDOM FUCKING MUSIC, SHORT BUT SWEET  15 Responses »
Oct 212012
 

The loris compound at NCS HQ has been in turmoil. They apparently expected me to leave grubs for them before I left town last week, and they resorted to cannibalism while I was gone. Must have been a ritualistic aspect to it, because I found them chanting over those big eyeballs of the dead, which had been collected like marbles in a shallow pit.

I thought they would just fast, and some of them had gotten pretty hefty so I figured that wouldn’t be a bad thing. Actually, to be brutally honest, I just fuckin’ forgot to leave food.

Anyway, they’re in a feisty mood, because I guess uncooked loris doesn’t taste as good as grubs. I don’t understand their language, but I’m pretty sure they were chanting something about impaling me on greased spikes. I’m glad I reinforced the fencing and electrified it last month. All my efforts to reason with them seem to have fallen on deaf ears, so I’ve had to resort to stern disciplinary measures.

I’ve been playing them some savage new music I discovered recently, using the compound’s megajoule PA system. It’s causing blood to come out of their ears, but instead of getting docile, it’s causing them to headbang. Very slowly. Because they’re lorises, aren’t they?

I thought I’d share the music with you, too. Not that you need disciplining, of course. Unless you do.

ENSLAVED

Thanks to a tip from MaxR (Metal Bandcamp), I started the lorises off with Enslaved providing a live cover of Led Zeppelin’s classic “Immigrant Song” on the Norwegian TV show Trygdekontoret on October 17 2012. It’s a goddamn glorious cover, with the band blackening the song and then ending it by dropping down into a doomy breakdown with Ice Dale spinning off a psychedelic guitar solo. I thought it was generous of me to give those slow creatures something to watch as well as hear. Continue reading »

WHERE AM I?

 RANDOM FUCKING MUSIC  4 Responses »
Oct 202012
 

I think I’m back home after a week of being here, there, and everywhere. I woke up disoriented, jet-lagged, and thinking about the lyrics to “Once In A Lifetime” (Talking Heads). Was that my beautiful wife in bed next to me? Is this my beautiful house I’m in? Letting the days go by, let the water hold me down. Letting the days go by, water flowing underground. Into the blue again . . .

I’ll get my shit together before the day is out, but at the moment the shit is kind of scattered and incoherent. After a week of having not much time to call my own, I’m also way fuckin’ behind on the metal. A lot of catching up to do, a lot of new music to hear, a lot of gibberish to write. But I ought to make a start right now, shouldn’t I?

For example: Yesterday our friends at The Monolith turned on the site and made it go live. If you haven’t checked out that site, you should give it a whirl. A couple of very good dudes who’ve been slumming here at NCS after The Number of the Blog shut down — groverXIII and DGR — will be writing over there now, as will a bunch of other folks from other blogs who we’ve gotten to know and admire since we started NCS. We wish all of them much success with the new venture.

I also heard some new tracks that I thought you might enjoy, from ILSA, Devolved, and Rage Nucleaire.

To begin, I saw that CVLT Nation has started streaming a new ILSA track from their new album Intoxicantations (to be released by Baltimore’s A389 Recordings on Nov 23). I fuckin’ love the artwork for the album, which was created by ILSA’s drummer, Joshy: Continue reading »

A FRIDAY FLOOD OF NEWS AND MUSIC: MORS PRINCIPIUM EST, BLUT AUS NORD, SOREPTION, XENOCIDE, THE FEVERED

 Metal News, RANDOM FUCKING MUSIC  3 Responses »
Oct 192012
 

For me, where I’m currently located, Friday has barely begun, but it has already brought a flood tide of news and music that I think are worth sharing. So much, in fact, that the only way I can squeeze it all into a single post is to cut my own verbosity to a trickle. This is painful, of course, because it goes against the grain. But I will do my best to be brief.

MORS PRINCIPIUM EST

In late July, I posted a bunch of news about this excellent Finnish band, which included the fact that they were finally recording a new album after many long years following the release of 2007′s Liberation = Termination. And then in August, I learned the album’s title (…And Death Said Live), I found out it would be released this December (on AFM Records), I found the cover art (which you can see above), and I posted about all that news.

At that point I also learned from the band that the album will include guest appearances from shredders Ryan Knight of The Black Dahlia Murder and Jona Weinhofen of Bring Me the Horizon and I Killed the Prom Queen.

And today, finally, we have music from the album. Or to be more precise, Metal Injection has music from the album — a song named “Destroyer of All”. The song kills. Go HERE to listen, and then please come back and give us your reactions. Continue reading »

NOTHNEGAL VIDEO: “SINS OF OUR CREATION”

 Exceptions to the Rule, RANDOM FUCKING MUSIC  2 Responses »
Oct 192012
 

July 4, 2010. That was the day I first wrote about Nothnegal. Looking back at that post I realize how damned wordy I was. And you know that as long-winded as I am, when I say something is wordy, I mean it goes on and on and on.  And on.

I was really pumped up about that band, in part because they were from The Republic of the Maldives and in part because the music on their debut EP (Antidote of Realism) was so fuckin’ good.  Since then, they recorded a debut album (Decadence), which was released by Season of Mist in January 2012. That album featured drums by Kevin Talley (Dååth) and keyboards by Marco Sneck (Kalmah).

Decadence took me somewhat by surprise, given what I was expecting after Antidote. The album is primarily mid-paced, heavy-chugging melodic death metal with significant use of Sneck’s keyboards to lend the whole affair a sci-fi aura. The biggest surprises were two tracks near the end of the album — “Sins of Creation” and “Singularity” — which replaced the raspy growls that accompanied the rest of the music with strong clean vocals (by Affan) that would have been right at home in a power metal band.

Today, the band released an official video for “Sins of Creation”. It’s animated, it’s science fiction, and I thought it was a blast to watch. And it reminded me that “Sins of Creation” is really not a bad song, and that because of my prejudices about vocals I didn’t really give it a fair chance when I heard the album the first time. Continue reading »

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