IHSAHN + DEVIN TOWNSEND and STRAY FROM THE PATH

 RANDOM FUCKING MUSIC  4 Responses »
May 302012
 

Ihsahn’s fourth solo album, Eremita, is scheduled for release on June 19.  Almost a month ago, I received from Candlelight Records a link that allows me to stream the album, but not download it. I know the label isn’t singling me out or implying that NCS is untrustworthy, but I have a hard time listening to an album when I have to be tethered to my computer to do it. I’m constantly moving between safe houses, and so I need to be able to listen on my music player. Consequently, I still haven’t heard Eremita.

But I’m no less interested in the album, in part because it’s Ihsahn and in part because of the line-up of guest artists: drummer Tobias Ornes Andersen (Leprous), saxophonist Jorgen Munkeby (Shining – Norway), guitarist Jeff Loomis (ex-Nevermore), and vocalists Devin Townsend, Einar Solberg (Leprous), and Heidi S. Tveitan (Star of Ash).

Yesterday, Guitar World began streaming a song from the album called “Introspection”, which features guest vocals by Devin Townsend. I heard it for the first time through that stream (see above re moving between safe houses). I have mixed feelings about the song. Continue reading »

NEW KARTIKEYA ON THE WAY!

 Metal News, RANDOM FUCKING MUSIC  1 Response »
May 292012
 

What a nice way to start this new day . . . seeing a video of Kartikeya rehearsing a new song called “Vayu”.  No vocals yet, but man, this sounds very fucking nice.  It appears that this will be released as a single on June 22, and will feature guest appearances by Keith Merrow and Aleksandra Radosavljevic. Should be interesting, to say the least.

Check out the video after the jump.  And if, by some remote chance, you don’t know about Kartikeya already, click this link and read one of our 5,000 previous posts about the band. Continue reading »

MEMORIAL DAY MATTERS

 Off Topic, RANDOM FUCKING MUSIC  21 Responses »
May 282012
 

Here in the U.S., it’s Memorial Day, a national holiday established long ago to commemorate the men and women who have died while serving in the United States Armed Forces.

Even though my own long-dead father was himself a decorated Marine Corps vet and my brother-in-law is a veteran of the Gulf War, I’m embarrassed to admit that it took me a while to separate my feelings about people who served in combat from my feelings about the wars in which they served — or about war in general. About the only time I feel warlike is when I’m listening to warlike metal. I think the last war that was worth fighting (for my country) was the one in Korea, and sometimes I’m not even sure about that one.

I did finally realize what should be obvious to people smarter than me — that soldiers and sailors and airmen do not start wars or decide which wars are worth fighting. They simply do their duty, and they become maimed, suffer mental trauma, and die because of decisions made by others who put them in harm’s way. They deserve to be honored for reasons that have nothing to do with whether the causes in which they sacrifice themselves are worth their sacrifices. They deserve to be remembered and supported even when the conflicts in which they have served are insupportable.

Memorial Day should be a day not only for remembering the dead but also for remembering the living — not only people who are currently serving in the Armed Forces but also veterans. The U.S. has done a piss-poor job of supporting its military veterans. Our government is willing to spend trillions of dollars to finance wars and huge defense establishments, but what we spend to support people after they’ve served their purpose and been discharged — especially those who have been disabled during their service — is shameful. Continue reading »

NEWS ABOUT A BUNCH OF BANDS ON COMPLETELY OPPOSITE ENDS OF THE METAL SPECTRUM

 Metal News, RANDOM FUCKING MUSIC  9 Responses »
May 282012
 

(Here’s a round-up of recent news and music from DemiGodRaven about Katatonia, Æther Realm, Fear Factory, Shadows Fall, and The Browning.)

Katatonia’s new album: Dead End Kings (August 27th)

Over the past two weeks Katatonia have done a pretty interesting publicity bit on their Facebook page by putting up a picture of what looked like a dead tree branch in some snow and then slowly adding letters and more to the branch, eventually revealing that it was something more of a dead shrub and that the letters would spell an album title and release date for the group’s new upcoming disc.

Now they’ve completed the whole picture, and yes, it’s got branches on it alright, but it is something more than that. It’s looks like a dead bird wearing a crown, and the album title for their new disc will be Dead End Kings. It has an August release date, appearing a day later in the US than in Europe, but the difference of a day really isn’t that huge when you have the internet essentially spreading everything around at light speed. The moment anything from this album is out I’m sure it’ll be all over youtube, so if you have to wait a day you can find solace in at least streaming the songs that way. The image for you folks to check out is above, all Facebook banner-styled. Continue reading »

HYPERBOREAN GETS THE 300 TREATMENT

 RANDOM FUCKING MUSIC  No Responses »
May 272012
 

Hyperborean is a three-man melodic black metal band from Sweden.  Although the band came into being more than a decade ago, they didn’t release a debut album (on Abyss Records) until last year, following three demos recorded between 2002 and 2005. Despite having the chance for an advance listen to that album (The Spirit of Warfare) and later seeing an 8-out-of-10 review of it in Decibel magazine, I failed to seize the opportunity.

I have a bad habit of constantly moving on to the next new thing, trying to keep this site current or even ahead of the release curve, and spending almost no time going back to music I missed when it was new. And so it was with The Spirit of Warfare. But yesterday I came across a fan-created video that drove me to learn more about the band and has convinced me to make time for the album amidst the sea of new promos and releases.

The video combines a song from The Spirit of Warfare with excerpts from Zack Snyder’s 2007 movie version of Frank Miller’s comic book mini-series, 300. It’s not the first time someone has used excerpts from 300 as visuals for a metal song, but this combination is especially fitting because the Hyperborean song (clocking in at almost 10 minutes) is “The Last Stand of Leonidas and the Battle of Thermopylae”. It’s also a thoroughly winning combination.

Hyperborean aren’t a typical Scandinavian black metal band. They seem to have no use for the usual trappings of corpse paint and spikes, and their songs aren’t devoted to satanic or occult or pagan subjects. Instead, The Spirit of Warfare takes its inspiration from the historical record of human violence, with references in the well-written lyrics (available here) to the World Wars and, of course, to the stand of the 300 Spartans against Xerxes’ army at the pass of Thermopylae. Continue reading »

THE RE-UNITING OF AUGURY’S ORIGINAL LINE-UP IS AN AUGURY OF GOOD THINGS TO COME

 Metal News, RANDOM FUCKING MUSIC  5 Responses »
May 262012
 

There are times when I catch myself about to say that Quebec is the current tech-death capital of the world, and then I’m reminded by things like the new song from Nile which premiered yesterday that such a claim would be an overstatement. But not by a lot. Quebec seems loaded up with excellent tech-death bands — including Cryptopsy, Gorguts, Neuraxis, and Beyond Creation — and Augury is certainly near the head of the pack.

Their first two albums, Concealed (2004) and Fragmentary Evidence (2009), were both true mind-benders of progressive technical metal, dazzling in their complexity and ever-changing styles, both imminently memorable and satisfyingly brutal.

I had the great pleasure of seeing the band perform twice in 2010 (and reviewed those performances here and here), once on The American Defloration Tour with The Black Dahlia Murder and again on the Panic Over North America Tour with Soilwork. Vocalist and co-lead guitarist Patrick Loisel was especially impressive, perhaps even more so because he’s older than your average death metal frontman and in his day job he teaches history and science.

At the time of those tours, Augury was playing without fretless bassist Dominic ‘Forest’ Lapointe and drummer Étienne Gallo, both of whom were members of Augury when the band recorded Concealed and Fragmentary Evidence. Lapointe had left in February 2010 to focus on another band, Montreal’s Beyond Creation, whose amazing 2011 debut, The Aura, we reviewed here. If you want to have your mind blown by some six-string fretless bass shred, check out this video we featured at NCS of him doing a playthrough of Beyond Creation’s “Omnipresent Perception”. Continue reading »

THE HOWLING WIND: “OF BABALON” AND “THE MOUNTAIN VIEW”

 Metal News, RANDOM FUCKING MUSIC  No Responses »
May 252012
 

I went back and re-read my May 2010 review of The Howling Wind’s last album, Into the Cryosphere, and I cringed a little at how much I had loaded it up with ice metaphors: “Massive distorted riffs that alternately race like an avalanche, chug, or relentlessly trudge forward with the grinding power of a glacier in motion. Guitar leads that establish chilling melodies, as if reverberating off the walls of icy caves. Bleeding solos that howl like inversion winds across a blasted tundra. Icy vocals that hold out no hope of mercy . . . .”  And shit, there was even more . . .

Even though I’m slightly embarrassed to read what I wrote, I do remember vividly how hard that album knocked me down. The intensity of my enthusiasm simply exceeded the limits of my literary skills. When I started hearing rumblings of a new album in the works, I got excited all over again — and now we’ve finally received details about the release, plus a new song.

The Howling Wind’s next album will be titled Of Babalon, it was recorded by Colin Marston (Krallice, Dysrhythmia, Gorguts), it has a cool album cover, and it’s scheduled for release by Profound Lore on July 17. This week Profound Lore also started streaming the fifth track on the album, a song called “The Mountain View”. Continue reading »

ENTOMBED: “AMOK”, RE-RECORDED

 RANDOM FUCKING MUSIC  13 Responses »
May 252012
 

Almost five years have passed since Entombed released their last album, Serpent Saints – The Ten Amendments. Two days ago, the band finally released a new recording in Sweden, and it’s available for download as of today in the U.S. And what have the band given us after five years of creative hibernation? A re-recording of a song from Serpent Saints called “Amok”.

This “new” single is the result of a collaboration between Entombed and Ninetone Records, a Swedish rock/metal label that has released albums by Soreption, Corroded, and a bunch of other bands whose names I don’t recognize. I don’t know know whether Entombed and Ninetone have plans for something more than the “Amok” single — such as a new album or EP. I guess we’ll find out in due course.

The artwork for the new single is sort of a re-issue as well. It’s a stylized painting of a moth called “Instar” that was created by the super-talented Dan Seagrave (and still seems to be available here as a limited edition print if you’ve got $95 you don’t know what else to do with). As used for the sleeve of this single, it bears a resemblance to the cover of a 1995 album — also called Amok — by the now-defunct but highly influential Finnish band Sentenced. (who were the lead subject of an NCS feature during our Finland Tribute Week series in late 2010). Based on a post by Entombed on their Facebook page, this appears to be coincidental — but man, what a coincidence.

As mentioned, the new single is a re-recording. I haven’t yet found any explanation of why Entombed picked “Amok”, among all the previous songs they could have chosen, for a new recording. it’s a puzzle, especially since the band’s membership hasn’t really changed significantly since they recorded “Amok” for Serpent Saints (bassist Victor Brandt has joined the ranks since then, with former bassist Nico Elgstrand moving to guitars).

Whatever the reason, it’s definitely a different take on the song. Continue reading »

WINTERFYLLETH: “THE GHOST OF HERITAGE” RE-ISSUE

 Metal News, RANDOM FUCKING MUSIC  8 Responses »
May 242012
 

In September 2010 I went on a MISCELLANY expedition (posted here), and one of the bands I discovered was Winterfylleth, from Manchester in the UK. At the time, they were on the verge of releasing an album called The Mercian Sphere, and another web site had started streaming a track from the album — “A Valley Thick With Oaks”. Stunning song, and it led me to get the album and begin following the band.

Two days ago Candlelight Records re-issued Winterfylleth’s 2008 debut album, The Ghost of Heritage. The songs on the re-issue have been remastered by Colin Marston , the multi-instrumental member of Krallice, Dysrhythmia, and Gorguts. Candlelight also commissioned the new album artwork you see above.

When the band originally created The Ghost of Heritage, they recorded two songs that weren’t included on the album when Candlelight released it in 2008 — “The Ruin” and “The Honour Of Good Men On The Path To Eternal Glory”. Both of those songs as they were originally recorded in 2008 are now included as bonus tracks for the re-issue. The only reason I can imagine why these songs were left off the album originally is their length. The album was 49 minutes long without them, and those two songs would have added another 18+ minutes.

But that’s truly the only reason I can think of, because the songs are great. Admirers of The Mercian Sphere will recognize the titles of the two bonus tracks, because re-worked versions of both appeared on that album. Continue reading »

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