Nov 262011
 

I grew up in Texas, I used to work there, and I still go back to the state for work. I’ve been to Ft. Worth a handful of times in the last 10 years. It’s in the North Central part of the state, a region that gets attacked by tornadoes, especially in the late spring and early summer of each year. It’s part of a broad north-south belt, extending as far north as Minnesota, that’s called Tornado Alley.

I was in an office building in downtown Ft. Worth during tornado season one year when an announcement came over the PA system in the building telling everyone to move away from the windows and into the building’s interior, because a tornado was headed toward downtown. Of course, the first thing I did was run to the windows to see if I could spot it. It was doubly stupid because, walking to that job, I had seen windows in high-rise office buildings throughout downtown boarded up with plywood because of damage caused by the last twister.

Looking out, I saw a massive wall of black that extended from the horizon up into a rank of equally black clouds, and I could actually see that wall moving — quickly — toward the downtown area. As it turned out, the tornado veered away from the area where I was and ripped the hell out of other buildings and homes. It still scared the living shit out of me.

Wild//Tribe is from Ft. Worth. Maybe Ft. Worth’s violent weather has something to do with the music that Wild//Tribe plays, because they’re like a sonic Tornado Alley, a fast-moving wall of black, a roaring, out-of-control, violent, whipping storm of hardcore Texas punk noise. Continue reading »

Nov 252011
 

(In late October, Becoming the Archetype and Bloodguard embarked on an NCS co-sponsored mini-tour of England called BEARDING THE UK.  Bloodguard’s Andy Synn recorded portions of the tour for posterity, and we’ve got his tour video after the jump, along with this diary of the experience.)

Well, the short tour with Becoming The Archetype (plus one extra date with Abgott, just for some drastic contrast) was both remarkably eventful and extremely good fun.

We knew it would be a good time when, having collected our awesome van (christened the Guard-Van for the duration of the tour) from Cambridge we realised, approximately 20 minutes down the road, that we had in fact accepted the keys and driven away with the vehicle without actually… paying for it. It’s always good to start a tour with a bit of accidental automotive theft!

Anyway, we did eventually organise leaving the necessary hire fee for the van, precluding the involvement of the police, and Ed and I set out to collect BTA from Liverpool airport. Simple enough right?

Well after almost an hour of waiting after their flight had landed and disembarked there was still no sign of the band. But then I received a phone call… from the immigration authorities. Who were refusing to let the band enter the country in the fear that they’d be taking hard-earned cash from the pockets of good British metal bands. However, some quick talking by yours truly, coupled with a very pleasant and helpful representative on the other end of the line, saw the band released and allowed to enter their ancestral homeland. Continue reading »

Nov 242011
 

I bet all of the non-U.S. readers of NCS and other U.S.-based metal blogs are getting sick of reading about Thanksgiving and turkey. Don’t worry, because by nightfall, many of your U.S. compatriots will be sick, too, having stuffed themselves with too much traditional grub and fallen into tryptophan comas, unable to rouse themselves even to go to the bathroom, and therefore wallowing in their own waste. Wallowing in my own waste is actually one of the highlights of Thanksgiving Day for me, but I realize that it’s uncomfortable for other people.

Where was I? Oh yeah. V-Day. “V” is for Vektor and Vildhjarta. “V” is also for “Vhat the vuck? Vhy did I eat so much vucking turkey? Vould someone kill me now?”

Vektor and Vildhjarta have new albums. They are both veddy good. Ve vill have re-Views soonish. But for now, ve have streams of both albums. So, U.S. readers will have good music to ease the pain emanating from their distended abdomens. And non-U.S. readers will have good music to ease their other pains, because life is inherently painful, and therefore we all have pain of one kind or another (except for me, because I will soon be happily wallowing in my own waste). This is actually the true meaning of Thanksgiving: what Americans are really doing today is expressing thanks for not being in more pain than they are already in.

Where was I? Oh yeah. Vektor and Vildhjarta. Go HERE to stream Vektor’s Outer Isolation and go HERE to stream Vildhjarta’s Måsstaden. And in other news, someone finally uploaded Vildhjarta’s “Dagger” video to YouTube so we no longer have to experience frustration trying to play the thing from Metal Hammer’s wonky player. That video is after the jump.

Also after the jump: two Vektor songs from Outer Isolation that you can stream right here in case you missed them earlier, and a collection of older Vildhjarta stuff for streaming right here, too. Continue reading »

Nov 242011
 

D-Fe was a band who had an 11-year run from June 1997 to October 2008. As far as I can tell from what little English-language writing is available, they were based in Paris. They created a kind of metal unlike anything else I’ve heard, fusing together Afro-Caribbean rhythms with extreme metal and adding stylistic elements from lots of other genres besides. Sometimes the music has a nu-metal vibe, but much of it sounds like a tribal form of death metal and grindcore.

The lyrics are apparently a kind of Caribbean dialect spoken on the island of Guadalupe, plus an African dialect spoken in Cameroon, plus French, plus who knows what else. I have no idea what the words mean, but the band’s now-dormant MySpace page (here) says “D-Fe was nervous and violent (and sometimes dark), because the band wanted to sensitize the public about different problems of the African continent and its Diaspora.”

As you can see from the photo above, they wore masks or African tribal paint and dressed in an assortment of styles, both urban and somewhat more traditionally African. They also had an exotic-looking female singer who shared vocal duties before the band ended their run. I got intrigued about this band as much by the visuals as by the music, and the two come together in a video you can see right after the jump. Don’t be misled by the music in the first minute and a half; the shit does get heavy and crazy after that intro. Continue reading »

Nov 232011
 

In October, then first-time NCS guest contributor The Baby Killer gave us his review of the new album by the wonderfully inventive and technically mesmerizing Blotted Science. The album is called The Animation of Entomology, and the songs were recorded as soundtracks for movie clips featuring . . . bugs. We previously posted the first of those movie clips — an excerpt from the 2005 remake of King Kong set to the sounds of a Blotted Science song called “Cretaceous Chasm”. One of the best music videos of the year, imho.

Now we have two more of these bug-filled Blotted Science clips — just in time for Turkey Day! To quote the band’s introduction to the most recent clip: “With everyone sitting down to eat their Thanksgiving turkey tomorrow, I can’t think of anything better to go with the stuffing, cranberry sauce, mashed potatoes, dinner rolls, and pumpkin pie, than a swarm of roaches…” Well now, I couldn’t have said it any better myself.

The most recent video offering is a song called “Ingesting Blattaria”, which accompanies a clip from that moving 1982 art film, Creepshow. In case you were wondering, “blattaria” is the scientific name for the order that includes the 4,500 known species of cockroaches. The second video is a clip from Slither (2006), with a Blotted Science song called “Vermicular Asphyxiation” as the musical score.

In both cases, the music syncs perfectly (and ingeniously) with what’s on-screen. The alien slugs slither in Slither, and so does the music. The roaches hungrily scamper and swarm in Creepshow, and so does the Blotted Science score. This shit is fucking great! Watch both of the new vidz after the jump. Bon appetit! Continue reading »

Nov 232011
 

As I write this, it’s very early on a Wednesday morning. I just finished watching Abigail Williams, Hate, Keep of Kalessin, and Mayhem at El Corazon in Seattle. All four bands were excellent. The highlights of the evening were new songs from Abigail Williams (quite different from anything I’ve heard from the band before, and I think the best work they’ve yet done) and an absolutely mind-boggling performance by Hellhammer, the drummer of Mayhem.

The third highlight of the evening was getting to spend time with Fredrik Huldtgren and his girlfriend. Fredrik is the vocalist of a Swedish band called Canopy, which has been a favorite at NCS for a long time, and he happens to be in town visiting, just in time for some truly ass-sucking Seattle weather — somewhat offset by a very badass night of metal.

Spending time with Fredrik put me in mind of three bands, all of whom I like a lot. There’s a connection between them, but rather than explain it, I’d rather let you guess, or simply wonder. The three bands are Canopy, Obitus, and Lifelover. If you don’t know the music of these bands, then there are some worthwhile discoveries for you after the jump.

With luck, I’ll wake up in a few hours and think of something more to bring your way on an NCS Wednesday. And if the site just appears to be frozen for the rest of the day, you’ll know it’s because my bed has swallowed me whole, like a python chowing down on a wayward dog. Continue reading »

Nov 222011
 

Earlier this month, we reported plans by German tech-metallers Obscura to self-release a collection of previously undistributed demo tracks and new cover songs. It will be called Illegimitation and will include four songs from the band’s 2003 demo, three pre-production versions of songs recorded in 2006 following a tour with Suffocation (including an early version of “Incarnated”, which ultimately appeared on Cosmogenesis (2009)), and covers of songs by Death, Atheist, and Cynic that the band recorded earlier this year.

The band is raising money for the production of the album in both CD and LP formats as well as associated merch through Kickstarter; pledges starting at $5 will get you a range of stuff from a digital download of the album on up. You can get there via this link.

Today, the band put up two of the 2003 demo tracks on their Facebook bandpage for streaming: “…And All Will Come To An End” and “Crucified”. More about those songs, plus a chance to stream one of them here, after the jump.

Also after the jump: One of our favorite metal bands, Living Sacrifice, will be releasing a DVD during the week of December 9 called In Finite Live. It’s a professionally shot and edited, multi-camera performance by the band in Pomona, California, plus six more songs performed in the band’s hometown of Little Rock, Arkansas. The DVD also includes bonus goodies, and it’s available for pre-order for ten bucks here. After the jump, we’ve got two song-clips from the DVD. Stay with us . . . Continue reading »

Nov 212011
 

Oh hell yeah, baby, Semargl is back with another video! Long-time NCS readers know that I have a real weakness for this Ukrainian band, despite the fact that they are not trve, kvlt, grimm, krieg, brootal, or even terribly serious. Despite the corpsepaint and spikes, they’ve never really pretended to be any of those things either. And now, after further evolution of their sound, they’ve abandoned all pretense (what little of it once existed), titling their next album Satanic Pop Metal, which has pretty much been their style of music for quite some time.

Satanic Pop Metal will be the band’s fifth album and it will be released on a not-yet-disclosed date by the German label Twilight-Vertrieb. I expect nothing less (and nothing more) than a bouncy, hook-laden, groove-infused good time, with a dollop of nasty on top and dripping down the sides. It will be finger-lickin’ good, though I don’t know where their fingers have been.

The new official video is a live performance of “Join In Fire”, which will be appearing on the new album. The performance was filmed at a Halloween Night show in Kiev last month. In addition to the new album, Semargl plans to release a live DVD next year that will also include this clip. More metal bands should have black-clad dancers named Alina and Olga. Watch Alina, Olga, and Semargl have some fun after the jump.

Continue reading »

Nov 202011
 

Nah, just kidding. I didn’t really see you naked this weekend. I just wanted to get your attention. And by the way, those of you who felt a little thrill at the idea of me seeing you naked, please don’t send me photos of you in the nude; I’m pretty sure you’re the ones I do NOT want to see naked.

What I did see were new videos that I thought were worth sharing. Still catching up on what I missed while on vacation, I found:

  • A new official video from Chthonic for the song “Quell the Souls in Sing Ling Temple” from the band’s latest album, the excellent Takasago Army (reviewed at NCS here); it was posted to YouTube on November 17 (thanks to TNOTB for this one)
  • A video of Textures performing “Consonant Hemispheres” on Dutch television on November 18; the song is from the band’s 2011 album Dualism (reviewed at NCS here)
  • A video of Vader performing “I Am Who Feasts Upon Your Soul” at a club in Liverpool, England, on November 10; the song is from Vader’s latest album Welcome To the Morbid Reich (reviewed at NCS here)
  • “A new fan-filmed video of Italy’s Hour of Penance performing a scorching new song called “Sedition Through Scorn” (posted on November 15)
  • “A new video for the song “Dagger” from Vildhjarta’s new album Masstaden, which hasn’t yet been reviewed at NCS — but will be soon; I’m putting this one last because the site that’s streaming it hasn’t devoted enough bandwidth to make this thing play reliably

All these videos are available after the jump. Get naked and watch them. Continue reading »

Nov 202011
 

Since returning from my vacation late Friday, I’ve been catching up (sporadically) on metal developments while I was away. Quite a few of them turned out to involve Devin Townsend. He is as multi-talented and as exuberantly creative as anyone working in metal today, and as I’ve learned again recently, his live shows are also fan-fucking-tastic. So, I pay attention when I see anything new about him, and I’m collecting in this post all of the recent items I saw — though DT is both so prolific and so unpredictable that I may well have missed something.

ITEM ONE

The first item is captured in the poster above. No sooner did DT finish his four-night series of special shows in London last week (one of which our own Andy Synn reviewed here) than he announced another very special London show — though this one is nearly a year off in the future. This one he’s billing as the biggest show he has ever done and the culmination of his entire career. It will involve “an art exhibition, actors, Ziltoid, stilt walkers, fire breathers” and a host of guest musicians “playing music that has never been attempted due to the size of the songs and the need for certain things“. The extravaganza will happen on October 27 at the Roundhouse, and tickets went on sale last Friday. Details are available here.

By the way, for poor schmoes like me who are too distant from London to make this show, it will be filmed for DVD.

After the jump, I’ve got three more items, and all of them are listening experiences. Continue reading »