Oct 042011
 

Got a tip this morning from our favorite Finnish Night Elf, Fireangel. She advised that a Finnish band called Profane Omen had just released a new music video for a song called “Wastehead”. With a song title like that, I figured it was a tailor-made theme song for moi. So I watched the video. It opens with a hella good scream. Made me think about the fact that lots of metal songs start with screams, or roars — just a good ol’ vocal eruption, like the singer is trying to turn his body inside out. I can’t immediately think of any other genre of music where that happens. So fuckin cool.

After the vocal Vesuivus, Profane Omen proceeds to just rock the fuck out. As Fireangel correctly pointed out, the music is both melodic and intense, with a mix of harsh screaming and clean vocals. It’s a blistering slice of thrash ‘n’ roll with a catchy chorus, and it’s from Finland, which means even if you don’t love it, you will respect it. Also, it’s from Finland.

“Wastehead” appears on the band’s third full-length album, Destroy!, which was released by Spinefarm Records in Finland last week and will be issued in the rest of Europe and in North America . . . someday. Catch the “Wastehead” video (and one more older video) after the jump. As I watched the chick in this vid, I was thinking she looked like she’d just read one of Phro’s reviews. Continue reading »

Oct 032011
 

I don’t have any scientific way of knowing the musical tastes of the people who visit this site, just rough guesses. My rough guess is that most of the music in this post will be on the outer edge of the comfort zone of most visitors, or maybe outside it altogether. But since I’m starting with Krisiun, maybe that will buy me some leeway from all our necrovorous readers on the final four entries in this round-up. And if it doesn’t, well, I’ve got teflon skin, so you can piss on me in the comments and it will roll right off, no harm done.

I admit that Krisiun is more down the middle of my own comfort zone, too, but for me, the outer edges of the zone are way out there, as the spectrum of this music proves. So, in addition to the new song from Krisiun, I found something to like about all the other new songs included in this post — from Censura (Ireland), The Browning (U.S.), Whitechapel (U.S.), and Subrosa (U.S.). Two of these new songs, by the way, are captured in well-made music videos, and so maybe you’ll be distracted by the moving pictures, though I hope you’ll get something out of the music, too.

KRISIUN

The three, mean-ass, Brazilian death-metal overlords in Krisiun have a new album on the way. Called The Great Executioner, it will be released by Century Media in Europe on October 31 and in the U.S. on November 1. About 10 days ago, Krisiun released a song from the album called “The Will To Potency”. Somehow, I missed it until this past weekend. It’s stupendous, titanic, mind-bending. It lashes together strikingly proficient technical musicianship, bursts of head-spinning melody, guitar solos so white-hot as to melt lead, and the voraciously unclean vocal roars we all know and love so well. And wait ’til you hear the song’s intro. Limber up your neck muscles and hear this (right after the jump): Continue reading »

Oct 022011
 

“They say not to anthropomorphize — not to think of them as having feelings, not to think of them as being able to think — but late at night I like to imagine that they are killing; that another deer has gone down in a tangle of legs, tackled in deep snow; and that, once again, the wolves are feeding. That they have saved themselves, once again. That the deer or moose calf, or young dumb elk is still warm (steam rising from the belly, as that part which contains the entrails is opened first), is now dead, or dying.

“They eat everything, when they kill, even the snow that soaks up the blood.

“This all goes on usually at night. They catch their prey from behind, often, but also by the nose, the face, the neck — whatever they can dart in and grab without being kicked. When the prey pauses, or buckles, it’s over; the prey’s hindquarters, or neck, might be torn out, and in that manner, the prey flounders. The wolves swarm it, then. They don’t have thumbs. All they’ve got is teeth, long legs, and — I have to say this — great hearts. (more after the jump  . . .) Continue reading »

Oct 012011
 

I spent some time yesterday catching up on metal news over the last week and came across an assortment of videos I thought were worth sharing.

The first one is footage of the almighty Goatwhore playing a club in Fort Walton Beach, Florida on September 16. What makes this video worth sharing is that they’re playing a NEW SONG, called “Beyond the Spell of Discontent”, and it’s a smokin’ hot piece of black ‘n’ roll. The video quality isn’t great, but the sound is pretty good. I’ll have the vid of that song for you after the jump; video of the band’s entire set can be viewed here.

The second video is a clip of Insomnium playing “The Gale” and “The Mortal Share” at the 2010 Summer Breeze Festival. The band linked to this video on their FB page last night, which is how I found it. Again, the video quality isn’t pro-standard, but the sound is decent, and it’s fucking Insomnium, and I’m getting tremendously tumescent in anticipation of their new album, so yeah. (Okay, this video isn’t exactly new, but I’m going with it anyway.)

The third video is a recent official release by a Finnish band called Grendel for the song “Apocalyptic Rain”. I wasn’t familiar with Grendel before seeing the video, but I likey the song — it’s a headbanging blast of melodic death metal. The video, which is organized around a game of Russian Roulette, proves two things: (1) the guys in this band weren’t very lucky that night; and, as if we needed more proof, (2) dudes will do almost anything for a chick with big knockers.

Last, but not least, I have a recently posted MetalInjection video of Revocation performing “Conjuring the Cataclysm” live. I always have a shit-ton of fun at Revocation shows, and I really like this song, so there. Continue reading »

Oct 012011
 

(TheMadIsraeli confesses to a guilty pleasure.  The jury is deliberating his sentence.)

Ok… we all have guilty pleasures, right?  I’m not the only one, right?  Inside all of us is that total douche who listens to Circa Survive and masturbates to his poster of “The Rev” directly across from his bed TO SOME DEGREE OR ANOTHER.  Right?  You do that, don’t you?

So at the risk of losing all respect and reverence (begging the question how much I had to begin with), I present to you: Guilty pleasures.  So who is my band of choice for this first installment?

Death By Stereo.

So, who is Death By Stereo?  Well, the band started out as a hardcore punk outfit, but guitarist Dan Palmer joined them, and after 2 albums they apparently decided that the hardcore punk sound sucked on its own and decided they needed to re-vamp themselves.  After the band decided to take a small break and regroup, they unleashed their third album, Into The Valley Of Death.  Suddenly, they were taking the sounds of punk, thrash, hardcore, melodeath, metalcore, and pop and mixing them together into one cohesive sound.  I mean, just look at their list of primary influences. (after the jump . . .) Continue reading »

Sep 292011
 

Long story short, but I haven’t had much time for blogging over the last week. Fortunately, Phro, TheMadIsraeli, and Andy Synn have stepped up with lots of reviews and . . . a box o’poops? The truncation of my blogging time will continue through the weekend, but I’m still hoping to find time for a few odds and ends — such as this post.

These four videos randomly came my way from different sources. The first two are new, the second two are older, but all four feature music capable of inflicting head trauma, which is the kind of metal I prefer. The perpetrators are Truth Corroded (Australia), Trollfest (Norway), Vomitory (Sweden), and Lecherous Nocturne (U.S.). Let’s get to it:

TRUTH CORRODED

Truth Corroded is a band whose music I hadn’t heard before seeing the video featured in this post. Their new album Worship the Bled was released on September 16 in Europe and Japan by a Belgian label called Ultimhate Records. It features the hard-working Kevin Talley (Daath, Misery Index, Six Feet Under, Chimaira) on session drums as well as a guest appearance by Jonas Kjellgren of Scar Symmetry, who also mixed and mastered the album. The pretty artwork you see above was designed by Killustrations, whose work has also graced the covers of albums by bands such as Aborted and Dew Scented. (more after the jump . . .) Continue reading »

Sep 272011
 

Norwegian black metal band Taake will be releasing their fifth full-length album, Noregs Vaapen, on November 1 in the U.S. on Dark Essence Records. It hit the streets in Europe on September 20, and we’re planning a review of it. It includes guest appearances by some signal names of the black metal elite, including Nocturno Culto (Darkthrone), Attila Csihar (Mayhem), Demonaz (Immortal), and Skagg (Gaahlskagg, Deathcult), as well as producer and Vulture Industries frontman Bjørnar E. Nilsen.

To begin whipping the faithful into a froth of anticipation for the album, today Taake premiered a music video for a track from the album called “Nordbundet” on the website of a Norwegian radio station called Pyro. The video is a mix of expertly filmed and edited live concert footage and scenes of the countryside around Taake’s hometown of Bergen filmed by Taake’s frontman Hoest — snow-covered firs and mountains, grey skies, isolated cabins, panoramas both beautiful and harsh.

The song itself is one I’ve had on repeat play this morning. It’s got a head-thumping, rock-style beat reminiscent of some of Darkthrone’s more recent efforts, charged with irresistible riffing. Near the end, it transitions into a blaze of memorable tremolo’d melody. And, of course, Hoest’s vocals are absolutely scalding. Very cool song, very cool video. Watch it after the jump (and prepare to headbang). Continue reading »

Sep 262011
 

In May of this year, NCS writer TheMadIsraeli introduced us to a Moscow band called Kartikeya, and included links for downloads (here). Apart from the stunningly good (and quite different) death metal to be found on the band’s latest album, Mahayuga, that album also featured remarkable artwork by a Russian artist, “Mstibog” Kirenkov. We included a lot of his album art with TheMadIsraeli’s review.

Yesterday I found out that on October 1, a label called Grailight Productions will be releasing a new limited edition Kartikeya “single” titled Durga Puja, and it will include the amazing artwork of Mstibog once again. Up above is the cover, depicting the ten-handed war goddess Durga.

The new single will include covers of songs by Sepultura and Melechesh, re-recorded and re-arranged versions of songs from Kartikeya’s first album The Battle Begins, a live version of a song called “The Path”, and a brand new song, “Durga Puja”, which was mixed/mastered by the producer Logan Mader (Soulfly, Gojira, Divine Heresy, W.A.S.P., DevilDriver, etc.). After the jump, you can see the track list.

Also after the jump you can hear Kartikeya’s cover of “Triangular Tattvic Fire” by Melechesh. It’s a blowtorch blast of wonderfully vicious, hard-charging, eastern-tinged, blackened death metal and it sounds fantastic.  I’m really looking forward to this single. Continue reading »

Sep 252011
 

The Greenery is a band from Long Beach, California. They released their debut album Spit and Argue on July 24 via Prosthetic Records. I haven’t heard the whole thing, just three songs, two of which have already been turned into music videos. Those three songs are refreshing, that is, if you find it refreshing to be sucker-punched in the gut and then kicked in the head with steel-toed boots while you’re writhing on the floor.

The Greenery play in-your-face, old-school, hardcore punk with an authentic sound and a blast furnace of venomous attitude. The music takes me back to the days before I got into metal and spent my time getting head-butted by a pretty steady diet of punk music. The songs are fairly short and don’t include the downtuned, chug-heavy riffage of more modern hardcore. They kick the door down, shoot you full of adrenaline, throw you around the room, and then bolt out before you quite know what hit you.

I haven’t kept up with this scene, and we don’t write about it much at NCS, so this will seem like a random selection of music, but what can I say? It kicketh my ass and eviscerateth my gutses, and so I’m sharin’ it.

After the jump, I’ve got two music videos that are a blast to watch (and hear) and then a third track that eases up on the pacing but loses none of the righteous antagonism (and thanks to TheMadIsraeli for feeding me these links.) Continue reading »

Sep 252011
 

Long ago, some religions declared the seventh day of the week a day of rest, and in many countries that day became Sunday. Here at NCS, Sunday is a day of evisceration. It’s not really a special day, because every day of the week is a day for evisceration. Because, really, a day without a pile of steaming guts is like a day without sunshine. Am I right? Of course I am.

To begin the eviscerating process, here is Goretrade, from Columbia.

The song: “Dead Man Walking”

The album: Mistaken Conception (July 2010)

http://www.myspace.com/goretrade
http://www.facebook.com/goretrade

(Thanks for the tip Israel.)