Feb 272020
 

 

Once gain I’m resorting to the round-up format I use when I’ve run out of time to provide my own scintillating commentary about each of the new songs and videos I’ve chosen to throw your way. For the most part, you’ll just have to listen and then imagine how eloquent and evocative I would have been.

In compiling today’s large selection, which is presented in alphabetical order, I had assistance from my colleague DGR. In fact, he recommended six of the 11 items you’ll find here.

 

ABYSMAL DAWN

This new Abysmal Dawn track, “The Path Of The Totalitarian“, is the second single from the band’s new album Phylogenesis, out April 17th on Season Of Mist. Continue reading »

Feb 222020
 

 

I’m about to drive to Portland with friends to take in a mainly acoustic show by Austin Lunn (Panopticon), Aerial Ruin, and Mike Scheidt of Yob. That means I probably won’t have a SHADES OF BLACK column on Sunday, though I’ve already written a premiere for that day, so we won’t leave you completely lonesome tomorrow. As for today, I’ve resorted to the “Overflowing Streams” format because there are SO MANY new songs and videos I’ve been enjoying that I didn’t want to cut the list back, and don’t have time to write about them.

Almost everything here surfaced over the last 48 hours. Perhaps needless to say, there’s a lot of variety on offer. I don’t expect anyone (but me) to get a kick out of all this, but hopefully you’ll find at least one or two things to like. Continue reading »

Feb 202020
 

 

Did you enjoy the musical chocolates in Part 1 of today’s round-up? I hope you did, and Ii hope you’ll like what’s next, which continues following the theme of diversity that was evident in the first installment.

WHITE NIGHTS

One look at the cover art (above) for White Nights‘ debut EP, Into the Lap of the Ancient Mother, gave me an inkling that it wasn’t going to be the kind of music I usually expect from Iron Bonehead Productions — and it isn’t. Actually, there are two different covers, one for the CD edition and one for the vinyl edition. Here’s the other one: Continue reading »

Feb 202020
 

 

Imagine that you like chocolates (might not take any imagination). Imagine finding yourself in a giant chocolate store that’s offering free samples of hundreds of confections. No way you can try everything, and your stomach would explode even if you could. And then some friends walk in who’ve already tried a lot of what’s on offer and point out the really good stuff. Problem solved!

That’s kind of how today’s two-part round-up came together. Enjoy all the chocolates!

DESTROYED IN SECONDS

Here’s a band that most of the core group of hooligans at NCS really like, I think due in part to the band’s performance at Maryland Deathfest 2018, which most of us got to see. I received or saw messages from a lot of them soon after Destroyed In Seconds previewed the title track from their new album Divide and Devour, which they’re releasing on April 24th. It kicks a lot of ass. Continue reading »

Feb 182020
 

 

I’m scurrying this morning, so I’ll dispense with introductory comments and get right to the music I’ve chosen for this round-up — but did you see Mitchell Nolte‘s fantabulous artwork on the cover of Aborted’s new three-track EP? Of course you did — how could you miss it? The EP is called La Grande Mascarade [sic], with a release date of April 17th.

MEDICO PESTE

I’ve previously spilled some demented words here about the truly demented first song and video (“God Knows Why“) presented in advance of the release of Medico Peste‘s new album, ב :The Black Bile. Now I can’t resist crowing again about this Polish black metal band because another song from the album has escaped out into the world. Continue reading »

Feb 152020
 

 

Six songs and videos yesterday, tracks from six more bands today. If I can manage six more tomorrow, we’ll have a sequence that marks that bestial number so near and dear to the hearts of metal fans. It’s good to have goals.

BENEATH THE MASSACRE

My, my, has it really been eight years since the last Beneath the Massacre album? Such a lot has happened in the world at large and in the narrower world of extreme metal in all those years. What has this Montréal band been up to in the meantime, and more importantly, what has happened to their musical proclivities? We are learning the answers now, as the clock ticks down to the release of their new album Fearmonger on February 28th, almost exactly eight years after Incongruous. Continue reading »

Feb 142020
 

 

On Valentine’s Day 2011 (here) I provided a 600-word history of the holiday going back to the Roman celebration of Lupercalia, interspersed with efforts to explain why Valentine’s Day is metal. Re-reading it this morning, I nearly passed out from the tedium.

On Valentine’s Day 2012 (here) I posted an NCS “lonely hearts” column in which I answered a variety of e-mails from women offering to video-chat with me (soapy and fresh out of the shower), people trying to sell me products that would give me “robust bone-ons”, others who wanted to have my children (I proposed to send ampules of love juice and suggested names for the kiddos), and a few broken-hearted people looking for help (I told them to just go ahead and kill themselves). The Comments were funnier than what I wrote. I’m more grown-up than that now (yeah, right).

As far as I can tell, I haven’t made an effort since then to organize any kind of holiday-related theme for the music I’ve posted on Valentine’s Day, though I’ve usually make some kind of (usually snarky) comment about the day, typically related to how commercialized the holiday is. In case you were wondering, this year the National Retail Federation reports that those celebrating Valentine’s Day in the U.S. plan to spend a record average of $196.31, up 21 percent over last year’s previous record of $161.96, and that total spending is expected to total $27.4 billion, up 32 percent from last year’s record of $20.7 billion.

Isn’t that heart-warming? Continue reading »

Feb 122020
 

 

One week has passed since I posted the last of these round-ups, and dozens of new songs have emerged since then that I’d happily throw your way, in addition to the many dozens I haven’t foisted upon you from preceding weeks. However, it turns out that I had overlooked new tracks from some of my favorite bands, discovering those only two days ago. I can’t resist including them here, along with a few newer discoveries.

HEAVEN SHALL BURN

We seem to have fallen off the radar screen of Century Media, because we haven’t received a single press release about the new album by Heaven Shall Burn, whose many previous releases we’ve covered with religious fervor. Even worse, none of my NCS compatriots breathed a word to me about the fact that three songs from the new album have debuted for public consumption. I had to find out about them yesterday via a YouTube side-bar. What is the world coming to? Well, I know it’s going to shit, I just didn’t know it was this shitty. Continue reading »

Feb 112020
 

 

(Comrade Aleks has brought us not quite a premiere, but close to it, a sharing of a re-recorded track by the founder of diSEMBOWELMENT, which he introduces as follows.)

Being formed in 1989, Melbourne, Australia’s diSEMBOWELMENT turned out to be one of death-doom metal’s obscure pioneers with their own original sound. The band was active for just four years, but they managed to get a deal from Relapse, and their one and only full-length album Transcendence Into The Peripheral remains one of those innovative albums which is usually mentioned as a “must hear” release.

In 2019, Renato Gallina, the founder behind diSEMBOWELMENT, felt a powerful urge to re-visit the track, “Nightside of Eden“, which was featured on this one and only album. Gallina (as he has stated) was always “incredibly dissatisfied with this version” and has told us that it “was the weakest and most regretful moment on the album”. Almost three decades later, the track, as he stated, “has been re-contextualised and is finally true to how it was originally meant to sound”. Continue reading »

Feb 042020
 

 

I see that the last time I posted one of these new-music round-ups was on January 18th. After that the series became a casualty of my work on our Most Infectious Song list and our daily schedule of premieres, plus some other distractions. Now that I’ve finished the rollout of that song list I’m hoping to get back to a more regular featuring of newly revealed songs and videos, beginning with this post.

While SEEN AND HEARD was on hiatus, of course, a ton of new stuff surfaced, and catching up isn’t realistic. I haven’t even been very good about watching what has come out, though I did notice new songs from Vader (here), My Dying Bride (here), and The Black Dahlia Murder (here), among the bigger names out there. Please feel free to share your thoughts about those in the Comments, or about anything else I’ve overlooked, but I’m going to re-start this column with a few bands less-heralded than those.

SOLOTHUS

Last December we published an interview by Comrade Aleks with Kari Kankaanpää, vocalist of the Finnish doom-death band Solothus, that occurred just a few weeks after the band had finished their third album, which follows by four years their tremendous 2016 full-length No King Reigns Eternal. In that interview Kari summed up the essence of the band’s sound as “Candlemass meets Bolt Thrower“, and offered some hints about what the new album would present: “What you loved in No King Reigns Eternal is there, but with an even more refined and heavy sound! There is a lot more variation, but yet we keep the same recipe as always. I am very proud of how our upcoming third album sounds — it will be a blast when you hear it!” Continue reading »