Jul 052018
 

 

Sometimes when you have no plan, the plan makes itself. A guiding hand intervenes, or if you’re not superstitious, you nod your head at the pleasures of serendipity and synchronicity.

I didn’t plan to make this post, but in searching for new music I happened, by a fortunate chance, to listen to the music in this post in the exact same order as I’m presenting it here. And it all seemed to fit together in a way that spawned the title of this post.

PLOUGHSHARE

Literature of Piss was the 2017 debut EP of this band from Canberra, Australia. In Offal, Salvation is the band’s 2018 debut album. “The Urinary Chalice Held Aloft” is the name of one of the tracks on the album. Perhaps you begin to get a sense of the band’s worldview. Continue reading »

Jul 032018
 

 

(Our Caribbean-born but recently U.S.-based friend Vonlughlio rejoins us with a review, born of unusual enthusiasm, of the new album by the Pennsylvania band Injurious, whose new album was released on July 1st by Lord of the Sick Recordings.)

It has been a while since I had the opportunity to do a small write-up for NCS. This time around I would like to introduce you to the band Injurious from Pennsylvania, USA. This is the solo project of Mr. Joe Anthropophagi (Abolishing the Ignominious, Disgruntled Anthropophagy, Manipulated Calamity, Ex-Animals Killing People). The first release was back in 2017 with the promo that consisted of two songs: “Execrable Hierarchy Diminishing the Worthless” and “Immersed into Cycles of Enmity”. That promo was highly praised in the BDM community and showcased Joe’s already high level of musicianship. The man is just pure talent.

Just last week the EP,Abominable Extermination through Uncanny Passages was released via Lord of the Sick Recordings, and that’s all I have been listening to. This is one EP that’s just full of hatred, from the blast-beats and twisted riffs to with vocals, which successfully transmit this felling to the listener. For me, it’s the best BDM EP of 2018. Continue reading »

Jul 022018
 

 

From the catacombs of the Portuguese black metal underground Signal Rex has unearthed Graves, presenting their blasphemous debut demo, Unholy Desecration, on cassette tape as a prelude to the band’s debut album coming later this year — and we’re presenting a full stream of the demo today.

As the label says, Unholy Desecration triggers memories of the French Légions Noires, of the Portuguese Black Circle, and of raw Finnish black metal from the past couple of decades. But while devoted to certain recognizable traditions, Graves‘ devotion isn’t slavish. Their own talent shines through with mortifying vibrancy. Continue reading »

Jun 262018
 

 

This is a collection of three short reviews of three short releases that I recently encountered, one from an old favorite, the others from newer projects. If you’re not a fan of death and black metal, you might want to spend your time elsewhere. If you are, there are some ghastly treats in store for you here.

INTO DARKNESS

To begin, I have the latest release from an Italian band whose every release I’ve written about —  their 2012 debut demo (here), their 2013 demo Cosmic Chaos (here), their 2013 EP Transmigration of Cosmic Creatures Into the Unknown (here), their 2014 split with Ghoulgotha (here), and their 2015 split with Profanal (here). And now there’s a new one, and I’m keeping my record of slavish devotion intact. Continue reading »

Jun 252018
 

 

I try to be as honest as I can be in writing about music at our putrid site, but in the case of the Canadian progressive/technical death metal band Bookakee, I need to be brutally honest: Knowing very little about their previous musical output before listening to the group’s new album, Ignominies, I was initially quite skeptical. Maybe “put off” would be even more accurate.

The band’s name, coupled with their outlandish full-body make-up, their reported use of gory props on stage, and the PR brandishing of the band as “Montreal’s answer to GWAR“, made me suspicious. Rightly or wrongly, I glumly surmised that the music wouldn’t be worth taking seriously — that no matter how much fun their live shows might be, this would be a band who relied more on gimmickry than song-writing or performance skill. (The fact that I’m not a huge GWAR fan undoubtedly played a role.)

Having listened to Ignomonies despite all my misgivings, I am here to confess, with some embarrassment but without reservation, that I couldn’t have been more wrong. And if you happen to be approaching the album with a similar judgmental skepticism, hear me out — and then by all means hear this album through the full stream we’re premiering today in advance of its release by Transcending Records on June 29th. Continue reading »

Jun 252018
 

 

The allure of Oltretomba’s new album L’Ouverture Des Fosses is difficult to explain, and to be honest, its twisted mechanics may prove to be most alluring to those whose minds are already unbalanced. Or perhaps I should just speak for myself. “Nihilistic black doom, languishing eternally in the psychic realms of the half-dead” is the way Caligari Records describes the music. It is an unsettling combination of primitive and futuristic (or alien) ingredients — uncomfortable music that nevertheless mesmerizes, like a strong audio narcotic that grips the pulse, clouds the brain with nightmarish visions, and brings a sheen of cold sweat to the surface of the skin.

We’re told that the album was recorded in a World War II bunker, presumably one still haunted by the spirits of those who were mangled and burned within its confines. Perhaps the music was intended to bring them back to life; perhaps they participated in the recording; it wouldn’t be surprising if they had, given the chilling, spectral emanations captured within these six tracks. Continue reading »

Jun 252018
 

 

(In this post Andy Synn discusses the phenomenon of metal bands releasing remastered or re-recorded versions of older albums, and recommends two recent examples of the practice, by Vader and Hetroertzen.)

For all that we’re supposedly in another “Golden Age” of television, I know there are quite a few people out there (thousands upon thousands of them) who are becoming a little tired of the seemingly constant stream of reboots and remakes of supposedly “classic” (and some not-so-classic) shows from previous eras, under the assumption that some sort of ingrained sense of nostalgia will help sell them more than something like, say, quality writing or a new, interesting premise, would.

Don’t get me wrong. Some of these new versions of older shows are absolutely fantastic, and benefit greatly not only from the new and improved technology of today, but also a greater freedom to reimagine things which comes from a more modern idea of what television can be, when given the chance to do more than simply entertain. It’s just that, as you might expect, the number of lazy remakes vastly outweighs the more creative ones.

The same sort of thing goes on in the music world too, particularly in the Rock/Metal world, where artists with long-running, wide-ranging careers often feel the need to at least remaster, if not entirely re-record, material from their early days, if only because they feel that the technology or budget available to them at the time simply wasn’t sufficient to allow them to properly capture what they were really trying to convey.

And, let me tell you… I’m not entirely against this process. Continue reading »

Jun 252018
 

 

(This is Wil Cifer’s review of the new album by the Swedish black metal band Craft, which was released on June 22nd by Season of Mist.)

Either bands change or they become stagnant. Going into this album I hoped the venom this Swedish band would unleash might make black metal hate again. It stands to reason, however, that after 20 years in existence the band’s fifth album might find them tiring of the punk-tinged aggression that drove the first four. I loved how Void (2011) was a big middle finger, and that is the soundtrack I think the world needs, but these guys have other ideas.

This is obvious right from the smoother guitar tone of the first song (“The Cosmic Sphere Falls”). Normally I would tell you how I have grown weary of blast beats and want black metal bands to not depend on them. Blast beats prove not to be the problem, as the band creates enough of a sonic sprawl that they don’t sound like they are just playing color-by-numbers with only marginally different shades of black, Instead we are getting a dark coat of gray dripping from these songs. Continue reading »

Jun 222018
 

 

(This is Andy Synn’s review of the debut album by Denver-based Mire.)

As you may (or may not) have noticed, over the last several days I’ve covered quite a few “major” (or, at least, relatively major) albums/artists here at NCS, and left the more underground stuff to my colleagues, co-writers, and contributors.

However, in an attempt to redress that balance somewhat (as well as to salve my stinging conscience) I’ve decided that my final review of the week should be dedicated to something new, but much less well-known, which is what brings us to this perfect little piece of prodigious Prog-Death wizardry courtesy of Denver duo Mire. Continue reading »

Jun 212018
 

 

(In this post Andy Synn combines reviews of the new albums by the Swedish black metal bands Funeral Mist and Marduk.)

One of the commenters on one of my recent columns made mention of our avoidance of the tabloid-esque, clickbait culture which seems predominant among so many blogs/sites these days. And while I generally agree with (and appreciate) that sentiment, I would like to clarify one thing.

Because while we do our best to avoid sensationalising or proselytising, that doesn’t mean we’re ignorant of, or afraid to address, the various issues, questions, and controversies, which frequently permeate and surround our beloved scene.

My own approach, which is still being refined with every review and every article I write, is to inform, rather than dictate, so that our readers are given the right context in which to make their own decisions. I, for one, don’t believe that listening to a band is necessarily the same as endorsing their worldview, but I also don’t believe that there’s anything wrong with making a personal choice not to support a band either.

Whatever your decision, though, I can say that both these albums offer some extremely  good Black Metal, although both are successful for different reasons. Continue reading »