AN NCS EP PREMIERE (AND A REVIEW): VITRIOL — “VITRIOL”

 Album Reviews, Premieres, SHORT BUT SWEET  2 Responses »
Jan 242017
 

 

Vitriol have accomplished something remarkable on their first release, in fact so remarkable that it’s going to leave the brains of a certain segment of the listening public spinning around like they’ve been dropped in a blender set to puree. It’s one of the most stunning and stupefying death metal releases I’ve heard in this new year, and I probably won’t hear its equal by year-end. But I must say in the same breath that it may repel all but the most scarred and hardened listeners, the kind of people who (like me) revel in new extremes of noxious but electrifying filth. For those kinds of fans, however, Vitriol have already reach dizzying heights of appalling power.

Vitriol is a two-man operation based in Nuremberg, Germany. They originally released this self-titled debut demo last summer on tape, and now Hellthrasher Productions will expose the music to a wider audience through a CD release on January 27. We’re about to expose you to it with the premiere of a full stream. Prepare yourselves for something completely wild, and uglier than sin. Continue reading »

HOUR OF PENANCE: “CAST THE FIRST STONE”

 Album Reviews  2 Responses »
Jan 242017
 

 

(DGR reviews the new album by Italy’s Hour of Penance, which will be released on January 27 by Prosthetic Records.)

There is a temptation when writing reviews to believe that everything needs to have some sort of deeper meaning attached to it — especially when it comes to music, because the idea of describing sound with words is one that can paralyze a person. So whenever something is pretty much exactly what it says on the box, you can often find yourself spinning endlessly.

Italy’s long-running Hour Of Penance have made a name for themselves in the brutal death scene since their full-length starter in 2003 as one of the forebears of the hyperblasting death metal bands who now seem to extrude out of that country like few others. Since 2010’s Paradogma, Hour Of Penance have really found a sound for themselves, a relentless battering of metal that is driven almost entirely by a wall of hellfire-belching guitars and drumwork that exists somewhere between Gatling gun and machine gun in terms of speed. Continue reading »

ODD LOGIC: “EFFIGY”

 Album Reviews, Exceptions to the Rule  3 Responses »
Jan 232017
 

 

(TheMadIsraeli is the author of this review of the new album by Odd Logic.)

I always try to put some serious thought into why an exception to the rule should be an exception to the rule here at NCS. I confess that sometimes it really comes down to the fact that I just like the album, and fuck the rules and the site and blah blah blah, but for the most part I believe there is an integrity that the NCS brand, as it were, has an obligation to maintain. I’ve basically boiled it down to three things that help me decide what a good exception to our rule is. Any one, or a combination, of these three:

A:  The music is sufficiently heavy without extreme metal vocals.
B:  The music is extreme in either virtuosity, progressiveness, pretentiousness, or eccentricity, despite the absence of harsh vocals.
C:  The writing of music around clean vocals offers definitively different avenues of instrumental expression. Any band that really understands and gets this on a transcendent level is an exception.

Tacoma-based Odd Logic are B and C but not A. Effigy is their 7th record. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): HORN — “TURM AM HANG”

 Album Reviews, Premieres  2 Responses »
Jan 232017
 

 

Turm am Hang is the new album by Germany’s Horn and it’s a unique experience. “Unique” is an overused and misused word, but here it’s not hyperbole. The album is so distinctive that it defies comparisons — as you’re about to discover for yourselves, because we’re presenting the premiere of a full album stream in advance of the record’s release on January 27.

The work of Horn’s lone creator Nerrath, Turm am Hang is Horn’s seventh album and, among the ones I’ve heard, the most successful. It was inspired by a variety of historical subjects, as well as by an appreciation for ancient valor and an animating spirit of tribalism. Continue reading »

AN NCS ALBUM PREMIERE (AND A SLOBBERY REVIEW): THE FEVERED – “I HAVE SEEN DEATH”

 Album Reviews, Premieres  3 Responses »
Jan 202017
 

 

In 1901, as part of his research on the rates of salivations among dogs, Ivan Pavlov developed a “conditioned reflex” in his test animals. He learned that when a buzzer or metronome was sounded in time with the presentation of food to his dogs, they would first salivate when the food was presented, and then later, after coming to associate the sound with the food, would salivate simply upon hearing the sound itself.

I am like Pavlov’s dogs — when I hear a mighty HM-2 pedal at work, the saliva starts flowing. I’ve gotten especially slobbery over the new album I Have Seen Death from Brisbane’s The Fevered. Through 10 tracks of Swe-death-style d-beat hardcore mayhem, they’ve rumbled my guts something fierce. Put your bib on to protect against soaking your shirt in slobber and join us for a full run through the album. Continue reading »

THE DROWNED GOD: “MOONBEARER”

 Album Reviews  7 Responses »
Jan 202017
 

 

(We present Andy Synn’s review of the debut album by The Drowned God from Lansdale, PA.)

Never underestimate the value of good artwork. That’s my advice.

I frequently despair at some of the absolute crap that some bands, both new and old, choose to represent their music. If I see one more badly-drawn “Metal monster” cover that looks like it was produced by a toddler with more crayons than brain cells, or one more soulless and shiny photoshop rendering of a woman standing awkwardly in front of a generic post-apocalyptic landscape, it will be too soon.

Because, like it or not, your album art is often the first experience a potential fan has of your music. And first impressions count. As the old saying goes, the first bite is with the eyes…

Case in point, the fantastic artwork for Moonbearer by Can Pekdemir which you can see above immediately grabbed my attention the moment I laid eyes on it. Eye-catching, evocative, and a little haunting to look at, it immediately raised questions in my mind, questions like:

Who was this band?

What was the connection between their music and the strange, shadowy silhouette which adorns their cover?

And where the hell was I…? Continue reading »

CODE ORANGE: “FOREVER”

 Album Reviews  4 Responses »
Jan 202017
 

 

(Wil Cifer wrote this review of the new album by Code Orange, which was released on January 13 by Roadrunner.)

The kids are all grown up now, so welcome to what could become 2017’s equivalent of You Will Never Be One of Us. This album shows a band going from a more post-hardcore sound to refining themselves into a snarling machine.

It’s also worth mentioning before we dig into the nitty-gritty of Forever that the guitar tone on this rather well-produced album is mean as fuck. Gone is the reckless punk attitude, replaced with very precise execution, and the syncopation is ridiculous more often than not. After the opener you are ready for whatever they are going to throw at you, so to my ears it did not feel jarring. Continue reading »

DEVIANT PROCESS : “PAROXYSM”

 Album Reviews  4 Responses »
Jan 192017
 

 

(We present Andy Synn’s review of the new album by Deviant Process from Québec City, Québec.)

Whichever way you slice it, last year was a very good year for fans of the more technical side of Death Metal. From the weird and the wonderful, to the brash and the brutal, 2016 offered a wealth of diverse delights and hidden gems across the length and breadth of the ever-expanding Tech Death spectrum.

And one of those hidden gems was Paroxysm, by Canadian destroyers Deviant Process.

So, as yet another part of my ongoing attempt to catch up with some of last year’s most overlooked and underrated albums, here’s my succinct summation of the band’s full-length debut.

It’s awesome. Now go buy it.

What? You wanted a bit more detail than that? Fine… but never say I don’t do anything for you! Continue reading »

TALSUR: “SLOUGH OF DESPOND”

 Album Reviews  7 Responses »
Jan 192017
 

 

(TheMadIsraeli reviews the new fourth album by the Russian project Talsur.)

I would guess that Funeral Doom is a hard kind of metal to write. Your songs are long, your tempos are agonizingly sluggish, you’re running the risk of using hammy black metal synths and killing the intended vibe, AND you have to write captivating melodies, all at the same time. It is a style of metal that, for me, has the smallest number of noteworthy bands, yet at the same time those bands who stand out REALLY stand out. In truly capturing the essence of sorrow, despair, and the lamentation of your own fragility and mortality, Funeral Doom offers a musical experience that truly doesn’t exist anywhere else in the pantheon of the metallic arts.

Talsur is a one-man Russian project with multiple releases to his name, boasting different stylistic inclinations on each one (the samples I checked out of his last record had a sort of industrial blackened take on a doom sound), and now finds himself doing ANOTHER new approach with Slough Of Depond. Continue reading »

LATE DECEMBER AND EARLY JANUARY GEMS (PART 2): THEORY IN PRACTICE, ANTIPSYCHOCIRCUMSEPTEMSOMAMBULATION

 Album Reviews  No Responses »
Jan 172017
 

 

(This is Part 2 of a 3-part series written by Austin Weber about noteworthy January releases and a few from the end of last year. Find Part 1 here.)

While the quantity and quality for label-released metal in January seems a bit sparse as far as my tastes go, the underground never disappoints and 2017 is already off to a fantastic pace due to plenty of lesser-known acts dropping killer new material. Just recently I came across a number of new releases (and a few largely unknown ones from 2016) that you just might want to check out — presented here in three parts.

THEORY IN PRACTICE – Crescendo Dezign

I’ve already reviewed this elsewhere, but since it’s a self-released effort, I felt it was worth sharing here for anyone who didn’t catch it when it dropped last week without much media attention. These legendary Swedes have a long and rich history in the death metal and technical death metal scenes dating back to the mid-’90s to the early 2000s before their initial hiatus. Since returning in 2015, Theory In Practice have deftly proven that they’ve lost none of their initial spark, with an inspired two-song EP we covered here called Evolving Transhumanism. Continue reading »

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