BENEATH THE NCS RADAR (PART 28): MEPHORASH, SHEIDIM, VOODUS, THE WAKEDEAD GATHERING, ECFERUS, MINNERIKET, NODFYR

 Album Reviews, SHORT BUT SWEET  4 Responses »
Nov 292017
 

 

(Our ally Gorger from Norway returns to NCS with an even half-dozen underground gems from 2017 that we haven’t previously reviewed. To find more of his recommendations, type “Gorger” in our search bar or visit Gorger’s Metal.)

 

In an attempt at getting up to speed, I’m presenting no fewer than six releases. Short ones the lot of them. Mostly EPs, but also a split and a single. Last time around, I made the error of including a formerly presented release. To make sure I don’t do the same mistake again, I start off by doing the same mistake deliberately this time. Continue reading »

PUTREFUCK: “DROWNING IN THE ROTTED SLUDGE SWAMP”

 Album Reviews  1 Response »
Nov 292017
 

 

(Vonlughlio reviews the new second album by the Mexican/Spanish due Putrefuck.)

I feel honored to do a small write- up for the new release by Putrefuck, one of my favorite bands in the gore-grind genre. I first found the band thanks to Sick Reviews and some friends like Mr. Aguilera back in 2015 with the release of their debut album Impending Necrophilia In Fresh And Pale Cadavers Arriving To The Morgue.

The project formed in 2013, and the two masterminds behind this sickening idea are Mr. Davila aka Shitter (vocals, guitars) and Mr. Adrian Emocaust (drums). You could say it’s an international group since one member resides in Mexico and the other in Spain. Their love for gore-grind, facilitated by the internet, got these two into Putrefuck. Continue reading »

THE INFERNAL SEA: “AGENTS OF SATAN”

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Nov 292017
 

 

(The Infernal Sea have recently released a new EP, and here we have DGR’s review of its two gruesome tracks.)

The beginning weeks of November brought quite a few interesting things, and among them was the release of a 7″ vinyl known as Agents Of Satan by UK black metal act The Infernal Sea. The two-song EP sees the band descending further into the ghoulish black metal realm, as they’ve continually refined both their sound and their image, evolving from an already fairly mean and white-knuckle rush of black metal written by a group of angry dudes in hoodies armed with plague doctor masks to a fully robed, smoke enveloped getup, with the group giving in fully to the ‘infernal’ side of their name.

It does also prove, however, that the band are big fans of having fans put some effort into scoring their new music, and thanks to the glory of Satan, we have managed to do so… if Satan were the website Cult Never Dies and their stream of the disc. Continue reading »

SHORT BUT SWEET: MASTIC SCUM — “DEFY”

 Album Reviews, SHORT BUT SWEET  No Responses »
Nov 282017
 

 

(DGR turned in this review of the new release by the Austrian death merchants in Mastic Scum.)

It has been four years since the release of the full-length disc CTRL by the Austrian death metal (and self-described grind-influenced) machine Mastic Scum. The album, which saw the band moving further into the realm of chunk-filled groove and saw-blade-sharp death metal riffs, was reviewed on NCS way after its release, though we had covered it in the lead-up.

Mastic Scum’s discography has a pattern of large gaps between full-,lengths, usually supplemented by a collection of splits and EPs, and in their case even a live DVD entitled Rage. However, the end of October brought us the release of the group’s new EP, Defy, providing a brief transmission of sound from the otherwise shadow-cloaked world through which Mastic Scum move. Continue reading »

SHOW REVIEW: 5 SHADES OF BLACK (SAOR, THE GREAT OLD ONES, FEN, DRAWN INTO DESCENT, SORROW PLAGUES) — ANTWERP, OCT 21, 2017

 Concert Reviews  2 Responses »
Nov 282017
 


The Great Old Ones

 

(Greek metal writer and occasional NCS contributor John Sleepwalker attended the 5 Shades of Black show in Antwerp, Belgium, on October 21, 2017, and provides these thoughts about the performances by Saor, The Great Old Ones, Fen, Drawn Into Descent, and Sorrow Plagues. And we are most grateful to Kriss Wolf for kindly giving us permission to use her wonderful photos from the show, which appear throughout this review.)

 

5 Shades of Black stands as the type of an event that is a rare occasion in the lands of Greece. To the point that it seems more hopeful to dig for water in the desert than to expect names such as these to ever visit the capital city of Athens. Since the brand of old-school names is typically what tends to attract the majority of local interest, the few listeners dedicated to different aesthetics often need to travel to enjoy the related gigs of their choice. Continue reading »

PERVERTED DEXTERITY: “SPIRITUAL AWAKENING”

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Nov 272017
 

 

(Our friend and contributor Vonlughlio from the Dominican Republic wrote the following review of the just-released new album by the Indonesian band Perverted Dexterity, whose sole creator is also behind the black metal project Pure Wrath, whose music we’ve previously written about on multiple occasions at our site.)

Perverted Dexterity is the one-man project of Mr. Januaryo Hardy formed back in 2010. I found about this project in 2015, a year after the release of their debut album Primitive Scene of Inhumanity”, which featured fast-paced, in-your-face songs with  a raw production and cannibalistic vocals.

Yes, I was a tad bit late discovering the project, but was so glad I did. Hailing from one of the best BDM scenes around the globe — Indonesia (a land I want to visit someday) — this project has gained more notice since the release of that first album internationally. Prior to that, I believe it was much talked-about in the Indonesia scene as a result of their demo, a spilt, and a 2013 promo release. Of all the one-man projects around the globe, Perverted Dexterity is one of the best, and my favorite. Continue reading »

OBLIVION: “THE PATH TOWARDS…”

 Album Reviews  1 Response »
Nov 272017
 

 

(TheMadIsraeli reviews the new album by Oblivion, which is out now via Unique Leader Records.)

I was a huge fan and advocate for Oblivion when they first appeared in the scene all the way back at the release of their debut three-song EP. I enthusiastically reviewed their 2013 debut album Called To Rise, amazed by their dedication to old school, riff-driven technical death metal that called to mind Suffocation, Incantation, and Pestilence. It was one of the best death metal records of its year, and as a result I’ve been very excited to see what the band would do next.

The Path Towards… is the first album in a two-album series about the inevitable AI takeover of the human race. Generally a tired concept that’s been done to death, Oblivion pull it off quite convincingly, conveying the horror and sense of existential dread of being phased out along with the accompanying unbridled and anguished sense of rage you’d expect from such an event. Continue reading »

ENSLAVED – LONDON – NOV 24, 2017

 Concert Reviews  1 Response »
Nov 272017
 

 

(Andy Synn continues to make his way down to London to witness shows that make his States-side friends violently jealous, but probably isn’t driven to do so solely, or even at all, by the prospect of that effect. Probably.  We have here his words and videos from the latest excursion.)

So last Friday, for the second time in as many weeks, I found myself back down in London at the Islington Assembly Hall to catch another of Norway’s finest musical exports, the nine-worlds-renowned Enslaved.

Now originally I had planned on seeing the Norse quintet in Nottingham the weekend before as part of their tour supporting Opeth but, due to still feeling like crap, I ended up not being able to make that show, resulting in me making the five-hour round-trip down South instead.

But, truth be told, given the option, I’d much rather see an Enslaved headlining show than an Opeth one, as the latter tend to be a little hit-or-miss live in my opinion, whereas I’ve never not had a fantastic time at seeing the former, so maybe things worked out for the best in the end? Continue reading »

AN NCS SPLIT PREMIERE (AND A REVIEW): BARSHASKETH AND OUTRE — “SEIN ZEIT”

 Album Reviews, Premieres, SHORT BUT SWEET  1 Response »
Nov 262017
 

 

At this site we don’t often publicize mere announcements of new releases without accompanying music, but a few weeks ago I did because the announcement got me so excited that I couldn’t resist. The subject was a forthcoming split by Barshasketh (formerly based in New Zealand, now located in Edinburgh, Scotland) and the Polish band Outre. Entitled Sein / Zeit, the split is scheduled for released on November 27th by Third Eye Temple and Blut & Eisen Productions.

Both of these bands have released some stunningly good music in the past, and that alone would have been reason enough to cause excitement about this split, but the conceptual focus of the music described in the announcement made the prospect even more intriguing. And now we’ve heard the split — and today you may do the same — and it is every bit as exciting as we thought it might be. Continue reading »

THE BEST OF BRITISH, 2017 (PART 9): CALLIGRAM / VEHEMENT / WATCHCRIES

 Album Reviews  No Responses »
Nov 242017
 

 

(Andy Synn delivers another installment in a series devoted to worthy releases by bands from his homeland.)

Where does the time go? It seems like only yesterday I was working on my eighth “Best of British 2017” post, yet here we are again with number nine and 2017 is almost over!

But while there’s still time left, and still breath in my lungs, I’m going to keep doing my best to bring you the very best metallic morsels which have sprung from these green and pleasant lands. Continue reading »

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