(Andy Synn reviews the new seventh album by Germany’s Dark Fortress.)
Quite often I see the music of Dark Fortress categorized as “Melodic Black Metal”, and while it is strongly, and darkly, melodic, and it’s definitely Black Metal… I still feel like that particular classification is something of a misnomer.
I don’t know about you, but when I think “Melodic Black Metal”, my mind immediately goes to the masterful Dissection and all their ilk, and while the earliest Dark Fortress albums certainly fell in line with that style, their third album, 2004’s Stab Wounds, signified the beginning of a major stylistic shift, one that has, over the years since, led the band into deeper, darker waters.
The addition of Morean on vocals for 2008’s Eidolon seemed to be the final piece of the puzzle necessary for the band to fully manifest their new-born identity, one of fire and anguish and boundless creative freedom, and paved the way for the complex and multi-faceted metallic madness of Ylem, perhaps the band’s finest hour thus far.
Venereal Dawn is certainly a spiritual follow-up to Ylem in many ways – indeed, without many of the creative seeds planted by that album much of Venereal Dawn simply would not exist – and yet it is far, far removed from being a simple copy.
Intimately progressive and hauntingly introspective, it is perhaps a less extreme and less technical album than its predecessor, albeit still dripping with black fire and venom, yet it remains just as challenging and creatively ambitious, and always true to the band’s own unorthodox ethos. Continue reading »










