Jan 022015
 

 

(Our guest Ben Smasher provides a year-end of favorite releases.)

In the early 2000s or so, metal began to embrace to its fullest extent the importance of utilizing recording, mixing, and mastering styles to further the atmospheric effectiveness of an album. The albums that taught us this were incidentally opportunistic in this fashion, yet their happy accidents became precedent. So bands all became incredibly capable of making records that sounded amazing, yet I feel the genre really got stuck in the mud as far as progression in influences and song writing.

In 2014 I feel like we’ve finally worked through this period and bands are really starting to write great albums again. Albums whose notes and rhythms seem to wrap themselves around each of our veins and alter our being as we take it in. I look for next year to bring this quality to the stage even more.

*****

1) Falls of Rauros – Believe In No Coming Shore

My life is now divided into two chapters: before this album entered my life, and after. Words cower in the presence of this album, so I won’t waste them. Listen to this now. Continue reading »

Jan 012015
 

 

Well, Happy Fucking New Year to all you motherfuckers out there (to bring good luck, I think it’s important to call all our readers “motherfuckers” on the first day of 2015). I hope everyone is beginning the new year in one piece and not too much the worse for wear from whatever you did last night to commemorate the calendar change.

I’m in unusually good shape myself, which is to say that I had a fairly peaceful and alcohol-free evening with my spouse, who resisted my entreaties to get shit-faced. This morning, I want to thank her for once again being the level-headed part of this partnership.

I spent part of this morning web-surfing for new music and found quite a lot worth recommending. Here’s part of what I found, presented in alphabetical order, since I am able to remember the order of the alphabet because I was good last night.

P.S. For those who came here looking for the next installment in our 2014 “Most Infectious Song” series, I’m taking a break for today — so I can figure out which two songs to post next! Continue reading »

Jan 012015
 

art by PSHoudini

 

(Here’s a New Year’s Day opinion piece by Andy Synn.)

There’s been a lot of chat recently (actually, I suppose it’s a pretty constant state of affairs) about what is or, more frequently, what isn’t Metal. In fact you’d be hard-pressed to go very long at all in this scene without encountering someone willing to tell you how you’re “doing Metal wrong”, and happy to lay out a list of all the Heavy Metal Commandments which a good metalhead should adhere to.

And yet, somehow the irony of this goes right over their heads. The same people who preach the inviolable laws of “Metal” (which, strangely enough, always seem to apply solely to the things they do and the bands they like), are the same people who harp on about the evils of religion and blind faith. Whether it’s willful denial or simple ignorance, I don’t know, but it’s absolutely mind-boggling to me.

You see, not to be too blunt and simplistic about it, Heavy Metal is, at its heart, just a musical genre. And quite a varied one at that. But still, a defined genre. One based around loud, distorted guitars, hammering drums and (ideally) a palpable sense of passion and fire.

Yet there’s also an idea that it’s something more than that – that it’s something almost like a religious movement, that it’s a culture, something that exists independently – and somehow questioning this assertion is, in itself, “unmetal”.

In fact, certain people particularly don’t like it when you start to question what Metal is Continue reading »

Jan 012015
 

 

(NCS interviewer KevinP delivers the first in a planned interview series, and this inaugural edition features guitarist Steve Jansson of Crypt Sermon — whose forthcoming debut album Out of the Garden is absolutely killer!)

Welcome to what I plan on being a monthly feature, GET TO THE POINT.  Besides wanting a fancy title for my interview segment, the idea is to be a bit more succinct, if and when possible.  Who knows, maybe I’ll be a chatty Kathy more than usual and totally not stick to it, let’s see how things turns out.  In the coming months, we will be talking to (among others):  Calvin Robertshaw (My Dying Bride), Matt Calvert (Dark Descent Records),  Öxxö Xööx (a French avant garde doom band), and Nikos Panagiotopoulos (Universe217).  So, without further ado……

*****

K:  So Enrique (Crypt Sermon’s drummer) was scared to do the interview and pawned me off onto you.  What’s up with that guy?

S:  Oh, we don’t let him do interviews. I sent his ass to get more beer, though.

Hah, nah, Brooks (vocalist) and I are generally the ones who do the interviews. It just sort of worked out that way, I guess. Continue reading »

Jan 012015
 

 

(We once again invited “B” from the Siberian band Station Dysthymia — whose music is available on Bandcamp here — to share with us his list of favorite 2014 releases, and once again he graciously agreed.)

 

Hello, NCS readers, I’m B, vox and bass of the Siberian funeral doom band Station Dysthymia. This is the second time I get the honor to be invited to participate in this Listmania extravaganza, and I’m not shifting the concept one bit — this is not a list of the “best” albums of the year, because I don’t believe such a thing is even possible to compile — so many albums, so little time. This is a list of releases that moved me personally on an emotional level: albums, demos, debuts… who cares, right? So, without further ado, let’s get started! Continue reading »

Dec 312014
 

 

Here we have Part 8 of our continuing list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Since this is the last day of the year, it seems like a good time to take stock of our progress on this list. Only problem is, I have no fuckin’ idea where we are. After today I’ll have rolled out 17 songs, but I don’t know whether we’re halfway through or a third of the way or only a quarter deep. So let’s just keep going, shall we?

INFESTUS

In a word, the latest album by Germany’s InfestusThe Reflecting Void — was (and is) stunning. Andy Synn concluded his review of the album with these words:

““The beautiful, unforgettable cover art embodies the album so well – this is music from the darkest depths of the human mind, a black, malignant tumour of pain and anguish which spreads its tendrils widely to encompass a host of dark emotions and warped musical influences, creating a truly immersive, unforgettable experience.” Continue reading »

Dec 312014
 

SLUG SALT LAVA

I first encountered Slug Salt Lava (from Istanbul, Turkey) in the early fall of this year, when their First-Promo rumbled my innards and captivated my mind (I reviewed it here). They’ve now released a new EP entitled Radiated Soundscapes, and these five new songs have only strengthened my affection for what they’re doing.

The music is entirely instrumental in a style that straddles sludge, stoner, and doom. Consistent with the band’s post-apocalyptic thematic concept for the music, the melodies have a dismal atmosphere and the pacing never accelerates past a mid-paced rumble, but guitarist Ersin Taş again shows a talent for concocting fat, fuzzy riffs that have a way of taking up residence in your mind — while getting your head bobbing to their beat. Continue reading »

Dec 312014
 

 

As another year gasps its last breath I’m once again feeling forlorn about my inability to review more of the fine metal I heard over the last 12 months. There’s no way to catch up now, of course, but I still feel compelled to make one last gasp of my own. With so much to choose from, I’ve chosen somewhat randomly,focusing on two excellent short releases that display just a fraction of metal’s phenomenal diversity. This is the first of these two reviews; the second will follow shortly.

SVARTSYN

I vividly remember the first time I listened to black metal. It was about 9 years ago, and it was something from one of Rotting Christ’s earlier albums recommended by a friend who felt I needed to broaden my horizons. I remember having a visceral negative reaction. It was so much more harsh than the metal I’d been listening to, and my mind just wasn’t ready for it. Continue reading »

Dec 312014
 

 

(TheMadIsraeli returns to our pages with this review of the new second album by Stealing Axion of Tacoma, Washington.)

Holiday break from academic slavery has arrived, so I suppose it’s time to get some writing done.

I praised Stealing Axion’s debut Moments to the high fucking heavens — it’s still an album I listen to often to this day.  The perfect intersection between death metal brutality, progressive ambition, and syncopated grooves that defined the best aspects of the djent movement has had me hooked since I first heard it.  I’ve been eagerly anticipating Aeons, and I’ve been watering at the mouth for a long time, considering that I knew from being in contact with the band that a lot of this music was already written at the time Moments came out.  I even got to hear a clip or two (ones that didn’t make it onto the album) and couldn’t have been more excited.  Aeons is a very different record from Moments in its approach.  The music this time is slower, and much of it drags and pulls you under with the weight of the grooves.  A lot of this album borders on being doomy, but with syncopation as a heavy component of the grooving.

The central elements are still there, though, and what the album sacrifices in driving energy compared to its predecessor it makes up for by bringing forth spine-crushing slow-mo beatdowns and lush atmosphere that drenches you like glowing plasma rain. Continue reading »

Dec 312014
 

 

(Andy Synn brings us the 53rd edition of The Synn Report, reviewing the discography of KYPCK.)

Recommended for fans of: Crowbar, Ghost Brigade, Pallbearer

Well, it looks like we have just enough time left in this year to sneak in one last Synn Report. But what band should I cover?

Thrashy prog/power metal? Technically twisted Death Metal? Creepy industrialised Black Metal? Razor-sharp Melodeath? Groovy Nu-Metal? (all of these are potential future entries, don’t you worry…)

No, I’m thinking we need to celebrate the death of the year, and the dawning of a new one, with some Russian-themed Doom Metal from Finland. How does that sound?

Formed back in 2007 and naming themselves after the Russian city of the same name, KYPCK (pronounced “kursk”), these Finnish fatalists have distilled some truly deep and deathly Doom and gloom from the historical antagonism between Finland and Russia, grooving and grinding their way through three albums worth of songs dealing with themes of pain and loss and the futility of war. Continue reading »