
(Andy Synn’s five-part retrospective on the year in metal continues with his list of the “Critical Top 10”. Previous installments on the “Great”, the “Good”, and the “Disappointing” albums can be found here, here, and here.)
So there’s just two more lists left this week, and then I’m (almost, maybe, possibly, ok not really…) done rounding up this past year in metal.
To differentiate between the two, I’ve dubbed them (as in previous years), the “Personal Top 10” and the “Critical Top 10”, as I’ve taken a slightly different approach to compiling each one. The “Personal” list is, as you might have guessed, simply a list of my ten favourite albums of the year, which simply gives an insight into my own personal tastes and preferences, whereas the “Critical” list is where I’ve tried to be as impartial as possible, and really select albums which I think I could (semi)objectively justify as being the year’s best.
However, this year I’ve made the decision not to explicitly rank the “Critical Top 10” albums – partially because I was having enough trouble just slimming my initial list of candidates down to just 10 in the first place, and partly because I’ve decided to try and do things slightly differently this year – and instead I’ve tried to focus more on providing what I think is a cultural (and critical) snapshot of the year, selecting ten albums, from across the length and breadth of the metal spectrum, that I think embody the spirit and variety of the genre, as well as being amongst the best that 2014 has had to offer.
Think of it like a time-capsule of the year in metal, with me trying to select ten representatives that future generations will be able to look back on with a mixture of awe and incredulity.
Anyway, enough of my rambling. After the jump, my selections for ten of the best, most critically praised albums of 2014! Continue reading »