THEMADISRAELI’S TOP TEN THRASH METAL RECORDS OF ALL TIME (PART 1)

 Listmania  9 Responses »
Feb 192015
 

Agostino Arrivabene – “Vanitas In Refraction”

 

(NCS writer TheMadIsraeli presents his list of thrash metal’s Top 10 albums of all time. The first five picks appear in this post, and the remaining five will appear in Part 2 tomorrow [here].)

This particular list is something that’s going to piss some people off and perhaps spark some sarcastic comments.  It would probably do that regardless of the contents. When you don’t include anything by The Big Four, of course you don’t understand the roots of the genre and are dissing genre-defining classics.  But if you do pick anything from The Big Four, you’re unoriginal, have no underground cred, etc., etc.

Thrash is a style of metal that gets taken pretty fucking seriously, as opposed to others where there definitely seems to be a more “you like what you like” mentality.  In my observation, It’s also the sub-genre of metal where the recognition and respect of the eldership are most likely to make or break your credibility as a fan of the music.  The thrash community is almost zealot-like in the way it can ostracize you because you don’t think Metallica and Megadeth were the pinnacles of the style.

I’m gonna be one of those guys who has nothing from The Big Four on his list, so I’ll be expecting the hipster comments for sure.  My list, as per usual, is not numbered in any kind of order that denotes anything. Continue reading »

SEEN AND HEARD: BINARY CREED, CRYPT SERMON, DER WEG EINER FREIHEIT, GOST, GRUESOME, HACAVITZ, HOLOTROPIC, INCULTER, LLOTH, LVXCAELIS

 Metal News, RANDOM FUCKING MUSIC  6 Responses »
Feb 192015
 

 

Greetings sistren and brethren. I have a bountiful collection of new songs and album streams to recommend. One of the reasons the collection is so bountiful is that I haven’t had time to pounce upon them with my usual catlike reflexes this week. I am instead moving at the speed of the loris horde in the NCS compound, which is to say, slower than the oozing of maple sap in a Vermont winter. In other words, there’s a backlog — and now the dam bursts.

Don’t be daunted by the volume of music in this collection. Just sip it slowly, a little bit at a time, as you would that jug of 100 proof rot-gut moonshine you keep under the sink next to the dry-aged head of the last person who pissed you off.

I’m presenting the music in alphabetical order by band name — and in this post I’ve only made it up to “L”. I actually have still more new music from bands whose names come later in the alphabet. I hope to package those up for tomorrow. Continue reading »

SARPANITUM: “BLESSED BE MY BROTHERS”

 Album Reviews  5 Responses »
Feb 182015
 

 

(Here we have Austin Weber’s review of the new album by Sarpanitum, from the UK and Japan.)

I often follow new or lesser-known metal bands after hearing flashes of brilliance that hint at possible future growth and evolution. This is exactly the reason I began following Sarpanitum after hearing their 2011 EP Fidelium. It was an interesting effort, but now they’ve moved from hinting at brilliance in spots to displaying brilliance in spades on their second full-length, Blessed Be My Brothers.

If you want a sonic snapshot of what Sarpanitum seem to execute, song after song with ease, imagine a merger between Hate Eternal and Nile that then gets a heavy melodic boost and focus, while surrounded by blackened infusions and enhanced by atmosphere-building moments that add a dual epic/triumphant feel to Blessed Be My Brothers. Continue reading »

SEEN AND HEARD: A RELAPSE RECORDS SAMPLER, BEYOND CREATION, TENGGER CAVALRY, DEIVOS

 Metal News  6 Responses »
Feb 182015
 

 

A lot of exciting things have happened in the world of metal over the last 48 hours, despite the fact that I haven’t had time to write about them. Yes, amazingly, it’s true: When trees fall in this forest, they make a sound even if you don’t hear them (or read about them) on this putrid blog. I will mention a few of the occurrences in this post, and then collect more for a post tomorrow.

RELAPSE RECORDS: 25 YEARS OF CONTAMINATION

Yesterday Relapse Records released a digital sampler that, at least in my memory, is the most humongous collection of songs yet released in a digital format. And on top of that, it’s a “pay what you want” offering.

It’s part of the label’s celebration of its 25th year in business, and it includes more than 180 tracks, one from almost every band that has released an album or EP on Relapse since 1990. The sampler can be streamed and downloaded via Bandcamp at this location: Continue reading »

THE ORDER OF APOLLYON: “THE SWORD AND THE DAGGER”

 Premieres  2 Responses »
Feb 182015
 

 

In the five years since The Order of Apollyon released their debut album (The Flesh), the band’s former multinational line-up has undergone a near-complete makeover. Only the founder, guitarist/vocalist BST (Aosoth, ex-Balrog, ex-Aborted), remains, now joined by three other experienced musicians who are all members of the French extreme metal scene. Their new album, just released in Europe by Listenable Records, is The Sword and the Dagger.

The band’s debut album seasoned death metal with elements of black metal, and the new album again displays a blending of those styles, though I’d go so far as to say that the new record is more black than death.

Much of the music storms with intensity, driven hard by superheated blast-beat assaults and double-bass thunder, pulsating bass lines, and fleet-fingered riffs that swarm, writhe, and jab. But the rampaging aggressiveness is tempered with contrasting instrumental interludes and passages of sweeping, majestic melody. Continue reading »

AN NCS INTERVIEW: RITUAL BUTCHERER (ARCHGOAT)

 Interviews  4 Responses »
Feb 182015
 

photo by Duffi-Graffie

 

(Wil Cifer interviews Ritual Butcherer, guitarist, composer, and co-founder of Finland’s Archgoat, whose new album The Apocalyptic Triumphator is one of 2015’s high points so far.)

Your new album The Apocalyptic Triumphator has really set the bar high for metal coming out in 2015. One of the most impressive things about Archgoat is the fact that despite being incredibly heavy, you guys pull this off and still write good songs instead of placing all the focus on the heavy element. What do you attribute this to?

Our whole composing process is guitar-riff orientated and everything builds around the guitar parts. If the guitar riff is good and in company of 4-5 equally good riffs, it is then easy to add tempos with the drums to keep things interesting, but if the guitar part is weak or mediocre the drumming or vocals will not help the situation. We have in the two last recordings really wanted to get a heavy and thick sound because it just works with our hymns. And the drop tuning we use adds even more beef to the whole barrage of sound.

 

How has the songwriting process changed for you guys over the years?

In the beginning we all participated equally in hymn writing, but I have been taking more and more responsibility than in previous years and now have alone composed all the music from Heavenly Vulva as for The Apocalyptic Triumphator. It is, though, irrelevant who of the members does what, as the band is a band, and not for personal glory but for the glorifying of Lucifer. Continue reading »

IMPERIAL TRIUMPHANT: “ABYSSAL GODS”

 Album Reviews  5 Responses »
Feb 172015
 

 

(Austin Weber reviews the forthcoming second album by Imperial Triumphant from New York City.)

From time time that rare band will come along that ushers in a paradigm shift, one whose style and ideas will be aped by countless other groups, the majority of which will never be able to improve upon what inspired them. Throughout the history of metal (and all other musical genres) this pattern has held true, no matter how much the metal community likes to talk of the good old days where everything sounded unique, which is a revisionist lie. However, though a rare accomplishment, there will always be a few acts capable of shifting and squirming out of the confines of their influences and branching out into new territory.

As modern metal has increased in complexity, genre-defining bands such as The Dillinger Escape Plan, Meshuggah, Necrophagist, Gorguts, Ulcerate, and Deathspell Omega have provided inspiration that, in most hands, amounts to little more than re-tread templates used by bands who have a hard time making it their own. I mentioned Deathspell Omega last because their surging influence in black metal, and recently in death metal to degrees, is something I welcome, but often those who take influence from them seem to produce music that is more “in the vein of” than anything which improves upon Deathspell Omega or takes what they did to a musically new or different place.

As I said though, it’s a trend I am definitely behind, as it has led to a paradigm shift in the sound of many newer black metal bands. Yet I still do want to hear someone build upon that foundation to create something new rather than repetitive.

All of this is on my mind because New York City-based Imperial Triumphant have done this. They are the real deal — they have drawn inspiration from Deathspell Omega, but they’ve managed to meld that with classical influences, droning psychedelia, and an often death-metal-styled ruthlessness, coming out the other side with a warped sound distinctly their own.  Their new album, Abyssal Gods, is everything they’ve done before, yet taken to so many higher and darker levels, showcasing even crazier, more manic drumming, even more insane songwriting, and somehow, even weirder riffs than before. Continue reading »

FREE SHIT FROM HYPNOTIC DIRGE RECORDS AND BLACK METAL ALLIANCE

 Exceptions to the Rule, Free Shit, RANDOM FUCKING MUSIC  5 Responses »
Feb 172015
 

 

I pride myself on having a breadth of knowledge that is very wide and very shallow. Sure, I could burrow deeply into particular subjects, and then be able to talk about 2 or 3 things in depth. You know people like that, don’t you? They bore the shit out of you, am I right? Broad and shallow, that’s the way to go (except when it comes to metal, about which I of course have near-encyclopedic knowledge).

For example, I know that statisticians have ways of reaching conclusions about large populations of items or people based on a small sampling of data. They have mathematical formulas for gauging the reliability of the conclusions based on their sample size. And that’s all I know about that. If I knew more, I’d probably bore the shit out of you.

I applied a sampling technique to the two compilations that are the subject of this post, because I didn’t have time to listen to all the songs. I’ve concluded that both comps are hot shit. I have no idea whether the conclusions I reached are valid. Fortunately, you can listen to all the songs before deciding whether to spend your hard-drive space on them — and that’s all you’ll have to spend, because they don’t cost money (unless you want to throw some cash at them out of the goodness of your coal-black hearts). Continue reading »

REINO ERMITAÑO: “CONJUROS DE PODER”

 Album Reviews  4 Responses »
Feb 172015
 

 

(Comrade Aleks, whose name is usually seen in our pages because of the interviews he delivers, has now brought us a review of a most interesting album by the Peruvian band Reino Ermitaño.)

Peruvian shamans of traditional doom Reino Ermitaño have a consistent approach to their work throughout, and they’re always loyal to their roots and folk traditions. I think that is one of reasons why, step by step, the band have created stable and quality stuff since 2001, improving their skills and succeeding with new, authentic records. Reino Ermitaño’s last album Conjuros de Poder was released in autumn 2014 on the band’s own label Ogro Records right before the start of their European tour.

The title of the album translates as “Spells of Power”, and they’re not empty words. For those who hear the band’s name for the first time, I need to tell that the key elements of Reino Ermitaño’s music are heavy, doomy riffs, highly enthusiastic and profound guitar solos, the strong and seditious vocals of Tania Duarte, who sings in Spanish, and lyrics on mystical topics enhanced by elements of tribal melodies and rituals. But first of all, Reino Ermitaño play doom. Continue reading »

AN NCS PREMIERE: MEPHORASH — “Sfaíra Ti̱s Fo̱tiás”

 Premieres  8 Responses »
Feb 162015
 

 

Mephorash are an occult black metal band from Uppsala, Sweden, with two albums to their credit, both released by Grom Records — Death Awakens (2011) and Chalice of Thagirion (2012). In 2013 they added to those works through a split release with Philadelphia’s Ashencult entitled Opus Serpens, and we had the pleasure of premiering the Mephorash track for the split, “Atramentous Ungod Aspect”, which included guest vocals by Acherontas V. Priest of the occult multinational band Acherontas.

Mephorash are now about to come roaring back with a new EP celebrating their five years of existence. It’s entitled Sfaíra Ti̱s Fo̱tiás, and today we have the pleasure of helping to premiere a lyric video for its title track.

For people like me, who have long admired the engraved illustrations of French artist Gustave Doré, the video is a feast for the eyes (and credit to Markus Hedelin for making it). The music is also a feast for the ears, and together, Mephorash and Doré make an inspired pairing. Continue reading »

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