HIGHER “CRITICISM”: RAUNCHY — “VICES. VIRTUES. VISIONS.”

 Album Reviews, Exceptions to the Rule  13 Responses »
Jan 122015
 

 

(DGR gets Raunchy… and he wrote this review. Your humble editor made a few intrusions in italics.)

It’s time to get a little silly don’t you think? We’ve covered a whole lot of really heavy shit over the past few weeks. It feels like we’ve covered a billion death metal bands and ground a million lists to dust. We’ve been in the murk-covered swamps of gore that metal comes from for far too long, and it’s time to lighten shit up around here. And personally, I feel like I’ve done enough with my year-end list, helping out with infectious song nominations, and sharing groups like Unbeheld out there that it’s time to swing the pendulum back in the other direction. This site needs equilibrium — we can’t let people actually think we’re going to take our own name seriously, now can we?

Now, we could go in depth with what the fuck Myke Terry’s been up to lately — given that the man is partially responsible for the name of this site — but that feels a little uncouth. Instead, I propose we check back in with the guys in Raunchy.

More than a year ago I started my only real contribution to a series for the site, a “higher criticism” feature that began as a sort of joking half-take on a whole bunch of Raunchy albums [the last installment of which is here]. It was  a feature partially proposed to me on a dare by other NCS staff, because over the years the band’s name has made them the unfortunate butt of a few jokes and their sound, which combines a hefty dose of pop music with the more modern metal scene, has been one that could turn off people in our usual audience. This is how you wind up with a bunch of people sitting around a table going, “Let’s make the new guy do a Raunchy discog run.” Continue reading »

WEEKEND ROUND-UP (Part 3): MASTERY, ATTEN ASH, GODLESS ANGEL

 Metal News, RANDOM FUCKING MUSIC  8 Responses »
Jan 112015
 

 

Here’s Part 3 of a weekend effort to catch up on what I missed late last week. Part 1 is here, Part 2 is here. I might have one more installment tomorrow morning, unless I suffer an attack of laziness.

MASTERY

Mastery (not to be confused with the Toronto thrash band of the same name) is the solo black metal project of Ephemeral Domignostika of Bay Area black metal groups Pale Chalice and Pandiscordian Necrogenesis . The Flenser will be releasing Mastery’s debt album VALIS on February 17 and recently premiered an advance track named “V.A.L.I.S.V.E.S.S.E.L.”

The song is more than 17 minutes long. Almost all of it is a flame-throwing mindfuck — a berserker blastwave of boiling-in-oil vocals, maniacal drumming, shrieking guitar dissonance, and frenzied bass lines. Except for an unexpected acoustic breather, it’s always just a hair’s breadth away from coming apart at the seams, but I found myself in its grip. Maybe I was just waiting to see if it could succeed in melting down my headphones into a pile of slag. Continue reading »

AN NCS PREMIERE: AETHERIAN — “AS SEASONS PASS”

 Premieres  2 Responses »
Jan 112015
 

Aetherian is a fantastic two-man melodic death metal band from Athens, Greece, whose two previous singles I’ve already lavished with praise: “Drops of Light” (featured here in December 2013) and “Scar of Despair” (featured here last March). Today we have the pleasure of bringing you the premiere of the lyric video for a new Aetherian single: “As Seasons Pass”.

This new song will appear on a forthcoming debut EP entitled Tales of Our Times that will include four other brand new songs in addition to this one. The beautiful cover art (above) was created by Remedy Art Design.

“As Seasons Pass” is further proof of Aetherian’s talent in crafting songs that are immediately gripping and have staying power as well. The song is both a hard-driving gallop and a carrier of dark, entrancing melody, with riffs to die for and lead guitar arpeggios that spiral and shimmer. The song also includes an evocative, beautifully performed acoustic interlude, and powerful vocals that are both gargantuan and ghostly when whispered. Continue reading »

OUR LIST OF 2014’S MOST INFECTIOUS EXTREME METAL SONGS: PART 16

 MOST INFECTIOUS SONGS-2014  10 Responses »
Jan 112015
 

 

We present Part 16 in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Yes, it’s true that we had twerking and clean singing in the last installment of this list. But today we’re getting back to music that’s incinerating, and it burns with a black flame.

THY DARKENED SHADE

In Liber Lvcifer I: Khem Sedjet, the Greek black metal band Thy Darkened Shade created one of the year’s best albums. The music is intricate, technically impressive, and completely engrossing throughout the album’s extensive length — and it’s alive with passion and blazing energy.

The album is also home to one of the year’s most infectious extreme metal songs — “Revival Through Arcane Skins”. As I wrote in my review, one of the album’s most arresting features is the prominence and nimbleness of the bass, and that’s definitely a striking feature of this song in particular — that, and the jaw-dropping guitar and drum performances. Continue reading »

OUR LIST OF 2014’S MOST INFECTIOUS EXTREME METAL SONGS: PART 15

 Exceptions to the Rule, MOST INFECTIOUS SONGS-2014  8 Responses »
Jan 102015
 

Welcome to the somewhat delayed Part 15 in the continuing rollout of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Because of interference by my day job, I missed adding an installment of this series yesterday, but we’re rolling onward with it today. I’ve thoroughly enjoyed both of the songs in this edition, and I’m pairing them here because both songs are also inextricably linked in my head with the videos that were released for them.

MASTODON

I still think Once More Round the Sun sports one of the best album covers of 2014, by Oakland-based artist Skinner. The album as a whole reflects the band’s continued crossover movement, which began with The Hunter, into the realm of hard rock — albeit with both prog-y and sludgy ingredients still quite evident in the mix. I don’t begrudge them the decisions that led to these two albums, though I don’t consider either one of them unqualified successes either.

Despite those misgivings, Mastodon remain a phenomenal live band, I still get quite a kick out of the vocal tag-team among the band’s three vocalists, and they still turn out some highly infectious songs that are still heavy enough to get their hooks in my head. Which brings me to the next addition to this list. Continue reading »

WEEKEND ROUND-UP (Part 2): NAPALM DEATH, SEA OF BONES, SYLOSIS, ANGELUS APATRIDA

 Metal News, RANDOM FUCKING MUSIC  3 Responses »
Jan 102015
 

 

Here’s Part 2 of a weekend effort to catch up on what I missed over the last couple of days. Part 1 is here. I’ll have at least one more installment tomorrow.

NAPALM DEATH

Would you believe that by the end of this month Napalm Death will have released their 15th studio album?!? It’s true. January 26 is the European release date and January 27 is the date for North America, and the album’s name is Apex Predator – Easy Meat. It will be released in NorthAm by Century Media.

A couple days ago the second advance track from the album appeared at selected sites on either side of the Atlantic. Its name is “How The Years Condemn”. Lyrically, it reflects bassist Shane Embury’s realization after being hospitalized a few years ago that he had “to make a choice which was either to carry on down the same path of selfish destruction as I had seen some of my friends embark on or stay around for the people I loved and who loved me.” Continue reading »

WEEKEND ROUND-UP (Part 1): INCANTATION, HATE, DEIVOS

 Metal News, RANDOM FUCKING MUSIC  8 Responses »
Jan 102015
 

 

Whenever I let a day or two go by without checking the web or my NCS e-mails to see what’s new, I always miss a lot, because the ocean of metal is always at high tide. Because of my day job, I couldn’t pay much attention to metal happenings over the last two days. But I had a 6-hour flight back to Seattle from the east coast last night and a decent internet connection, so I tried to catch up. And goddamn….

The great and powerful Engine of Metal has awakened after dormancy during the holiday season and it’s now running in the red zone. (Yeah, I just mixed my metaphors, so sue me.) I found more than 20 new songs and videos during that plane flight that I thought were worth exploring.

The net connection wasn’t good enough to stream anything on the flight, so I just made a list, and now I’m going through it. There’s sooo much worth writing about that I’m breaking this round-up into multiple parts that I’ll spit out in pieces today and tomorrow. (I missed an installment of the Most Infectious Song list yesterday, but I’ll get back on track with that today, too.) Continue reading »

AN NCS INTERVIEW: ALCO TONY (PRESSOR)

 Interviews  No Responses »
Jan 092015
 

 

(Our Russian contributor Comrade Aleks brings us this interview with Alco Tony of the Russian stoner/sludge band Pressor.)

Let me introduce you to a sludge’n’stoner band from the far-away and ancient Russian city of Kostroma – Pressor is its name. The guys have absorbed all the necessary elements of this dirty genre, so Pressor’s way lies through murky and ugly swamps of narcotic nightmares and most horrific dreams. Anton Khmelevskij aka Alco Tony reveals the sacred ancient obscure occult knowledge of Pressor. Alright now!

******

Hello! What do our readers need to know about Pressor?

The main thing is to keep yourself together and not get into postmodernism. Continue reading »

THE CROWN: “DEATH IS NOT DEAD”

 Album Reviews  3 Responses »
Jan 092015
 

 

(Andy Synn reviews the forthcoming eighth studio album by Sweden’s The Crown.)

Don’t call it a comeback! Call it… actually, I don’t know quite what to call it. After all, it’s been quite a while (over four years, in fact) since The Crown released their original “comeback” album, Doomsday King, with new vocalist Jonas Stålhammar at the helm, and now they’re back again, with a new album and yet another shift in the line-up, as original guitarist Marcus Sunesson and original drummer Janne Saarenpää both departed the band before the new album was recorded.

Not only that, but Death Is Not Dead sees original vocalist Johann Lindstrand returning to the fold for the second time… replacing Stålhammar, who replaced him, after he replaced Lindberg, who replaced him originally… (confused yet?)

So, does this make Death Is not Dead the band’s real comeback album? I don’t know. But I do know that it means more of The Crown for me to salivate over. And that’s never a bad thing. Continue reading »

AN NCS PREMIERE: SICKENING — “THE PROPHECIES OF EIBON”

 Premieres  2 Responses »
Jan 092015
 

 

Last month we discovered that Sickening from Firenze, Italy, had completed a third album entitled The Beyond and had released an advance track called “…And then new light” — which turned out to be thoroughly obliterating. Today we have the pleasure of bringing you the premiere of a second song from the new album — “The Prophecies of Eibon”.

Before you hear it, you should be aware that this new full-length is a concept album based on the 1981 cult Italian horror movie The Beyond, which was directed by Lucio Fulci and filmed in part in and around New Orleans, Louisiana. In a vividly gruesome way, it tells the story of events at a hotel that open a doorway to death and lead to the invasion of our world by the dead.

One artifact that plays a role in the movie is an ancient book discovered in the hotel that bears the name Eibon (a name that should be familiar to fans of H.P. Lovecraft). And that brings us to the song you’re about to hear: “The Prophecies of Eibon”. Continue reading »

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