Sep 132011
 

For new readers and older readers who have memory deficits: We maintain a running list of bands whose music we’ve never heard. Most of the bands on the list have written us with requests that we check out their music. We add other bands to the list based on reader recommendations or things we’ve read. Most of the bands on this list have no label affiliation. When time permits, I pick two or three names off the list, listen to one or two songs from each band, and then write about the experience in these MISCELLANY posts. I also include the music I heard, so you can make up your own minds about whether the bands are worth exploring further.

Sometimes I cheat on the rules of this game and listen to more than one or two songs. I then punish myself for cheating by, for example, listening to indie rock or rap. Or something by Kamelot.

Today’s picks, as usual, turned out to be a varied lot: gritty black metal from Bringers of Disease (US-Ohio), groove-heavy thrash from Rezistor (Romania), and prog-minded death metal from Eldergaad (U.S.-Minnesota). You’ll have to set aside a solid chunk of time for this post, because it’s not a short one, but all the music is worth some serious attention. Here we go — after the jump: Continue reading »

Sep 122011
 

Nightfall is a Greek metal band whose most recent album was released by Metal Blade in August 2010. Called Astron Black and The Thirty Tyrants, it’s a worthwhile pantheon of blackened melodic death metal. Shortly before the album’s debut, we featured a unique music video that had been created for the song “Ambassadors of Mass”. Definitely not your usual metal video fare, it depicted scenes from the 5th century war between Greece and Persia using nothing but images of shadow puppets.

That apparently didn’t exhaust the imagination of the band or Achilleas Gatsopoulos, the Berlin-based director who was responsible for the “Ambassadors of Mass” video. Today, Metal Blade premiered a video for another song off that 2010 album, “Astron Black”.  It’s not your typical metal video either. This one integrates live actors into a digital environment to tell a medley of stories from ancient Greek mythology. But the gods and their creations, though set among the planets and stars, look like something out of a Lady Gaga stage show, with gleaming metallic armor and protruding, uh, . . . nipplage.

There’s enough skin showing in this video, not to mention a quick shot of a celestial knob-job, that it probably qualifies as NSFW. But it’s definitely fun to watch, and the song — like all the others on this album — is a nice slice of headbanging fun, too.  Check it out after the jump, along with a detailed description by Achilleas Gatsopoulos of the imagery used in the vid. Continue reading »

Sep 122011
 

(Another short blast from TheMadIsraeli, and this time the subject is a debut EP from San Diego’s Corelia.)

Corelia, a progressive metalcore band with slight djent nuances, has been working on this EP for quite a while, during which they’ve been hyped for their supposed balance of great songwriting without sacrificing a sliver of technicality.  I’m here to say they accomplished this mission, as their debut EP Nostalgia is some piece of work.

Corelia take the groove and wackiness of Sikth and combine it with the melodic sensibilities and power-metal oriented clean vocal style of prog metallers Protest The Hero and turn it into something truly awe-inspiring and daze-inducing.  Sure, there are some less intense, more focused moments, but otherwise you’re being sucked into a tornado of blazing tech riffing, flawless atonal-to-melodic  transitions, and some of the best brutal-to-clean vocal interplay you’re going to hear in recent months.

This isn’t gonna be a long review as I’m doing that next-level guerilla-music-blogging shit (ie, I’m doing this on campus between classes).  I’ll just have the Bandcamp player for the EP embedded after the jump.  For fans of… Sikth, Protest The Hero, Aliases and… Periphery, I guess?  Sounds about right. Continue reading »

Sep 122011
 

I’m pretty sure I first discovered Sweden’s Lifelover via a comment on this site by Johan Huldtgren (Obitus) and then through his inclusion of the band’s 2007 album Erotik on a “Best of the Decade” list he compiled and allowed us to post as a guest contrbution here. This morning, NCS writer BadWolf e-mailed me about the news that on the night of the 9th September, Jonas Bergqvist a.k.a. ‘B’, the founding member, main composer, and guitarist of Lifelover, died unexpectedly. The cause of his death is still unclear and has yet to be established.

The band’s label, Prophecy, released this statement:  “The message of Jonas’s passing came as a surprise to the Prophecy team. Hence, we lack the appropriate words for this tragic event. To us, Jonas wasn’t just a very creative artist, but also a pleasant and enthusiastic person. It is for certain that we won’t be the only ones missing his character, his passion, and his unique musical language. In the face of this tragic loss, we would very much like to extend our heartfelt condolence towards Jonas’s family, his friends, and the remaining musicians of Lifelover.”

Shit happens, musicians die, and I don’t do a very good job of noting on this site when it happens. But I’ve grown to really appreciate this band’s music, and so I thought this was worth a mention. After the jump, a few Lifelover songs, the legacy that Jonas Bergqvist has left behind. Continue reading »

Sep 122011
 

(TheMadIsraeli fired off this post about a new, free EP from a band based in Stockholm, Sweden.)

This is a short three-song EP from a band only known as Means End, and I strongly suggest you check it out. This is djent of the highest order, taking a step back from modern conventions and going back more to the established sound of Textures and Meshuggah than anything else. The melodic transitions in these three songs are AMAZING and haunting. Never straight-forward and always alien. There are those nice djent grooves we’re accustomed to, but expect more along the lines of Meshuggah’s Nothing then TesseracT’s One.

Check it out. The EP is free, so you have no good reason not to grab this.  (after the jump, some tracks to hear and the download link . . .) Continue reading »

Sep 122011
 

Opeth’s new album, Heritage, leaked at some point in the last week or two, I forget when exactly. The official release date isn’t until September 20, but lots of fans have already heard it — and as of today you can now hear the whole thing in a stream at NPR — and flame wars have already begun here, there, and everywhere. Mikael Åkerfeldt has been giving interviews about the album (here, there, and everywhere). Among other things, he has said (here) that although the album isn’t “a massive departure for me and for the guys in the band,” some of the band’s legions of fans may find it “different.”

In the same interview, he said, “We don’t make albums thinking about the fans too much. We have been fortunate to have people who have accepted what we put out so far. Because we were just doing what we wanted to hear and apparently other people liked it too. So I’m hoping it’s going to be the same for this album.” When asked about fans who shout “treachery” whenever a band decides to tread off the path they have beaten, he replied: “Well, they wouldn’t be fans if we hadn’t started as a band. We have fans because we did what we wanted. Our success, or whatever you want to call it, is based on the fact that we do what we want as opposed to doing what the fans want. So it doesn’t apply to us.”

Oh, I beg to differ Monsieur Åkerfeldt! You can’t so easily escape the ire of fans who are already up in arms over Heritage, calling it “boring”, or “lazy” or “70’s prog rock”, or worse. Of course, there are at least as many defenders of the Opeth faith who, while agreeing that it’s “different”, admire the music on Heritage and support the freedom of the band to do whatever it is they did on the album.

I’m not entirely sure what they did, because I’ve only heard the first song that premiered back in July — “The Devil’s Orchard”. I liked much of the instrumental music on the song, didn’t care for the vocals, and decided I probably wouldn’t listen to the song again (after the first four times). But that’s mainly because of my own taste in music. This just isn’t the style of metal (if it is metal) that I want to hear. But I wouldn’t say the song is bad, for what it is. Which leads to a few thoughts and a few questions about “music criticism” and fan response (after the jump). Continue reading »

Sep 122011
 

“I’m a huge nerd that’s why.”

Our thanks go out to Trollfiend for this inspired piece of artwork and for the answer to the question it poses. This greeted my eyes when I crawled out of bed this morning and turned on the computer, which was about 5 minutes ago. Long story short, I didn’t get much blogging done yesterday, didn’t finish this morning’s first post before collapsing into slumber last night, overslept, and wondered what I would post this morning while I finished what I started yesterday. Now I know.

Please talk among yourselves while I wake up. You got any coffee? That would sure help. A less meaningful but longer post will be coming soon.

Sep 112011
 

I am looking forward to September 16 for a couple of reasons, but one of them is that Grave will be playing in Seattle that night, along with Blood Red Throne, Pathology, Gigan, and more. It will be my first time to see all of these bands. I’m expecting a slaughterifically stupendous night of metal.

On September 7, this tour stopped in Cleveland, Ohio for a show at Peabody’s. When Grave played “For Your God”, it was filmed in 1080p high-definition using multiple cameras by Ken Kitt and Kim Schleeper. The edited result is in the video clip above.

Grave, of course, is fronted by Ola Lindgren, the inventor of The Lindgren Diet, which we’ve been promoting here at NCS (most recently in this post). We’re due for a diet plan update soon. I’ve been on the diet, and I still don’t look like Ola Lindgren, but I’m being patient. Enjoy the video, and of course, the rest of your fucking day as well.

Sep 112011
 

Last night some friends and I saw not one, not two, but three bands who made music using nothing more than one guitar, a drum kit, and a human voice. And using only those instruments, they made some of the most extreme, most wholly obliterating live music I’ve ever heard. I don’t mean to slight the other three bands in concert — they were all great. But Pig Destroyer, Jucifer, and Numb were revelations.

I have just a few notes about the experience, a few half-assed photos, and some studio recordings from each band, which honestly fall far short of capturing the immensity of the live music.

NUMB

Numb is an unsigned band from Everett, north of Seattle. There’s one guitarist, one drummer (who shares vocal duties), and a lead vocalist who shrieks and roars. Numb plays music for the waiting room of the methadone clinic, a mix of rancid, smacked-out grind and tarry sludge. The very good drummer was a barbed octopod behind the kit; the guitarist churned out one loud, fat riff after another. And the vocalist was just flat-out unhinged. Top hinge off, bottom hinge off, door falls flat with a smack, and all the banshees come roaring out.

Did I mention they were really LOUD. That’s one way you can make up for the absence of a bass and a second guitar — distort the fuck out of the one guitar you have and shatter some ear drums. (more after the jump . . .) Continue reading »