AN NCS PREMIERE: SMOKE OF ISENGARD — “DWARF HUNTER”

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Nov 142022
 

Almost exactly 67 years have passed since the last installment of Tolkien’s The Lord of the Rings was first published in the UK, and almost exactly 21 years have gone by since the world premiere of the first film in Peter Jackson‘s famed movie trilogy based on those novels. And yet of course interest has not waned (witness the popularity of The Rings of Power after its first season), and likely never will.

The creatures, characters, places, and events that populated Tolkien’s timeless writings have become rich fodder for musical artists across many genres, but they’ve probably flourished more in metal than anywhere else. Not surprisingly, metal more than other genres has also been more attracted to the darkness in Tolkien’s worlds, and we have a prime example in the debut album by the Russian solo project Smoke of Isengard. The title itself — Orc Metal — points the way. Continue reading »

AN NCS PREMIERE: ALL ARE TO RETURN — “A STATE IN FEAR”

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Nov 142022
 

“Perpetual dread unhinges us. Threats real and imagined indistinguishable. The multitude stirs – and it hears the siren call, but not the alarms that sound. Enthralled by the specter of a life brutish and short. The deal with the Leviathan has been remade. We are right to fear – the many and the one.”

That is how the two-man formation All Are To Return introduce their new single “A State In Fear“, which we’re premiering today. Set for digital release on November 28th, it follows the band’s self-titled debut EP in 2020 and their second EP, AATR II, which detonated one year ago.

With those previous releases the band thematically revolted against the multitude of societal prisons, both more and less obvious, that confine and degrade human existence. The new song itself seems to echo a line from the introduction to the first EP, which characterized its grim perception of “life naked to the brutality of a state in fear.” Continue reading »

DREAM UNENDING – SONG OF SALVATION

 Album Reviews  3 Responses »
Nov 142022
 

(Andy Synn gives Dream Unending another chance to win him over with their new album)

If you know anything about us here at NCS – beyond our charm, good lucks, and our unwavering loyalty (and, yes, I am riffing on a previous intro, what of it?) – you’ll know that we’re not afraid to admit when we’re wrong.

That being said, I still stand by my decision to include Dream Unending‘s first album in my list of the most “Disappointing” albums of 2021 as, while I didn’t hate it by any means, the amount of hype around it was completely unjustified.

It wasn’t really the band’s fault, to be fair, but, from the reactions by some of the Metal Media (a lot of which seemed content to just lazily regurgitate the press materials) you might have thought that they were the first (and only) band to ever consider combining the dolorous heft of Doom with the dreamy dynamics of Post-Metal (or that Paradise Lost had never existed).

However, I am happy to report – very happy, as a matter of fact, as I always felt this project had promise, despite being so critical of their debut – that Song of Salvation is a huge step up, and a huge step forward, that just might live up to most (if not all) of the hype around the band.

Continue reading »

CHESTCRUSH: “APECHTHEIA”

 Album Reviews, SHORT BUT SWEET  No Responses »
Nov 142022
 

(A new three-track ChestCrush EP has been out in the world for about a week, time enough for DGR to feel comfortable giving it the following review, for those who might have overlooked it.)

ChestCrush is a project we arrived at late in the year 2021. The international group’s first full length Vdelgymia was one that had hovered on the periphery for some time that year, and whenever we got the chance to share it with people, we would bring it up. It’s how the song “Grudge” wound up being spun during one of our Gimme Metal invasions, and we even argued for the brutally rock-headed “Different Shepherds, Same Sheep” as one of the most infectious songs of last year before that list performed its duties and was sent out on an ice floe.

Given that ChestCrush have resolved themselves into a year-over-year churn at the moment, it seems like you can’t discuss the group’s latest EP Apechtheia without lookng at its older sibling, because these are two very distinct releases from one another, not just in terms of musical content but also in terms of lineup: Apechtheia marks the first time that main musician Evangelos Vasilakos has united with Australian drummer Robin Stone and Texas-based death metal vocalist Topias Jokipii. Continue reading »

SHADES OF BLACK: MOEROR, ORPHIQUE, T.O.M.B., EXESA

 SHADES OF BLACK  No Responses »
Nov 132022
 

Like a lot of people in the Seattle area I made a terrible mistake this morning. I woke up early to watch the Seahawks play what turned out to be a miserable football game in Germany. I’d like to have those 3 hours back. I could have used them for extra sleep, or to make this Sunday column longer.

Looking for a way to begin dispelling a black mood, I checked out just a few very new things, and revisited an album I’ve been enjoying since mid-October, one that well-suits my current depressive mood.

MOEROR (Greece)

My first exposure to Moeror came last year, through their excellent split release with Human Serpent and Kvadrat (enthusiastically reviewed here). Based on that, I intended to travel back to their 2020 debut album The Ghosts of Amour Propre, but never did. Maybe I still will, but there’s something more immediate that’s going to pull with greater urgency, and that’s their forthcoming sophomore album All That We Seem. Continue reading »

SEEN AND HEARD ON A SATURDAY: AENAON, KOLLAPS\E, ULTAR, MERGER REMNANT

 Metal News, RANDOM FUCKING MUSIC  2 Responses »
Nov 122022
 

I devoted Friday’s round-up to new songs and videos from some of the bigger names in metal. As promised, today we’re digging deeper underground (tunneling is our preferred activity around here). But man, there were so many possible choices it may have made me cross-eyed.

To get un-crossed I fell back on four old favorites. I usually skimp a bit on the black metal in these Saturday collections because I’ve got tomorrow’s SHADES OF BLACK column reserved for that, but the fate of this Sunday’s column is a bit uncertain because a certain local NFL team is playing in Germany with a start time of 6:30 a.m. where I live. So I’ve made adjustments.

AENAON (Greece)

I would have checked out Aenaon‘s noirish new video even if the video’s thumbnail hadn’t shown a gorgeous pair of legs and some fetching high heels, but that sure didn’t hurt. There’s also the fact that I’ve shamefully neglected writing anything about the band’s recently released album Mnemosyne, and it’s time to make modest amends for that. Continue reading »

AN NCS VIDEO PREMIERE: AIRSTRIKE — “POWER IN YOUR HAND”

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Nov 112022
 

The Polish band Airstrike has experienced what one might call a long period of gestation. Formed in 2014, they’ve undergone line-up changes, written and toured (now with almost 30 concerts under their belts), and spent the last two pandemic years heavily focused on finishing their debut album. At last, that album is complete, presenting 11 tracks of high-powered but dynamic thrash and heavy metal.

The name of the album is Power in Your Hand, and today we bring you an official video for the record’s turbocharged title track. Continue reading »

AN NCS PREMIERE: RITUAL DEATH — “VERMIN”

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Nov 112022
 

The Norwegian band Ritual Death hit our radar screen (and shattered it) in the spring of this year when the Russian label Living Temple Records released tape and digital editions of two EPs by them that had originally been released by Terratur Possessions in 2016 and 2018. A little investigation at that time revealed why those EPs were so hair-raising — the band’s line-up shares members with Behexen, Dark Sonority, Mare, and Fides Inversa, among many others.

After hearing those two EPs we expressed a hungry wish for more from this band, and hopefully soon, and the wish has been granted: Ritual Death‘s self-titled debut album is now set for release on December 5th by Shadow Records. One song from the album (“Lunae”) has already been divulged, and today we’re sharing a second one — named “Vermin“. Continue reading »

SEEN AND HEARD (THE “BIG NAME” EDITION): OBITUARY, AHAB, DEVIN TOWNSEND, HAMMERS OF MISFORTUNE, AT THE GATES

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Nov 112022
 

At this site we spend much more of our time trying to unearth underground gems and to push rising stars whose music deserves a push than we do acclaiming bands who are already household names, with big labels and robust PR machineries behind them. That’s not “virtue signaling”, it’s just a fact.

Does this mean we’re elitists who turn up our noses at the music of “big names”? Not at all. Though we pride ourselves on not fawning over those names even when they trip and release music that’s more likely to provoke yawns than excitement, we’re not immune to their allure — after all, most of them got big for a reason, and some are capable of reminding us why, at least until the well of inspiration runs dry.

It so happens that this week produced new songs and videos from a lot of big names, some of whom are returning after long absences. I’ve collected five of them in this round-up. It kind of clears the way for me to spend tomorrow focusing exclusively on names more obscure. Be forewarned: there’s lots of singing here today.

OBITUARY (U.S.)

Six years after the release of their last (self-titled) album Obituary will be releasing a new one in January named Dying of Everything. Founders John and Donald Tardy and Trevor Peres are still in harness, and bassist Terry Butler and lead guitarist Kenny Andrews are back for another round too. Continue reading »

LISTMANIA BEGINS: THE DECIBEL TOP 40 FOR 2022

 LISTMANIA 2022  25 Responses »
Nov 112022
 

 

It has become an annual tradition at our putrid site to launch our year-end LISTMANIA orgy with the appearance of DECIBEL mag’s Top 40 list, because they always seem to burst from the starting gate sooner than anyone else — and they’ve done it again this year, although about a week earlier than they did in 2021. There’s also the fact that, in my humble opinion, DECIBEL is still the best print publication out there for fans of extreme metal, and their list always generates healthy discussions, so it’s a fitting way to launch the latest LISTMANIA season apart from the list’s early-bird status.

The DECIBEL list will officially appear in the magazine’s January 2023 edition, which hasn’t yet hit my own mailbox, but DECIBEL again decided (for the eighth year in a row) to scoop their own list rather than letting leeches like me leak it (actually, this year they called people like me “enterprising dorks”). They published the list on-line yesterday, and so I can now again re-publish their list without too much guilt, beyond the sheepishness that comes from being one of the factors that forced them to start outing themselves in the first place. Continue reading »

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