THINGS YOU MAY HAVE MISSED (BUT SHOULDN’T)

 Album Reviews  3 Responses »
Apr 052022
 

(Andy Synn is back with another quartet of albums which may have flown under your radar last month)

March of 2022 certainly seemed to be a busy month for new releases, that’s for sure.

But, then, aren’t they all?

What I think made last month feel like a particularly packed one, however, is the fact that the last week or so was especially stacked with new albums – quite a few of which came as complete surprises to me – that it made the whole thing seem that much more overwhelming.

Obviously, of course, I won’t be able to cover all – or even a significant fraction – of them here in today’s article but I still think you’ll be pleased with what I’ve chosen to highlight (and I may or may not have also slipped one from last month into tomorrow’s piece too) as what I’m about to present you with is four different flavours of deathly delights drawn from across the Death Metal spectrum, most, if not all, of which will likely be totally new to a lot of you.

So let’s not waste any more time, shall we?

Continue reading »

AN NCS EP PREMIERE (AND A REVIEW): BURIAL CURSE — “BURIAL CURSE”

 Album Reviews, Premieres, SHORT BUT SWEET  No Responses »
Apr 052022
 

The well-educated among you may say, “How is this a premiere? That Burial Curse EP came out in June 2021!” And so it did, both digitally and in a very limited run of tapes via Famine Records.

But the beast that was that EP refused to slink away into silence and instead continued to snarl and roar in such violating fashion that Dawnbreed Records picked it up for a reissue that will happen on April 8th in multiple formats. Not only that, the EP has had an upgrade in sound, thanks to a new mix and master by Alex from Obscured By Evil Productions.

So if you haven’t heard the EP before now, it’s a good time to discover it. And if you have heard it, you might now hear it in a way you haven’t before. Continue reading »

DARK FUNERAL: “WE ARE THE APOCALYPSE”

 Album Reviews  No Responses »
Apr 052022
 

(On March 18th Century Media released a new album by Dark Funeral, and today DGR gives it a review.)

Again, I preface this every time by saying I am not the black metal expert on this site. This is just one of those releases where it’s fun to check in on a more established band and find out that yes, in fact, they do still have “it”.

Let us tell you a tale of an album in Swedish black metal group Dark Funeral‘s discography. It is nine songs long, about forty-five minutes in length, and has cover art that’s almost entirely blue-dominated. It’s hard to overstate just how much it seems like 2016’s Where Shadows Forever Reign has become the nucleus for Dark Funeral as they exist currently. Credit to them of course; they’ve had a constantly shifting lineup throughout the years, so much so that Dark Funeral releases rarely share the same lineup between them.

WIth Lord Ahriman being the sole constant, people rotate in and people rotate out, yet Dark Funeral somehow keep chugging along with a new album every six-or-so years. You don’t get to do something like that musically unless you’ve remained remarkably steadfast in your sound, which brings us to Dark Funeral‘s newest release, 2022’s We Are The Apocalypse. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): ABHORRENT EXPANSE — “GATEWAYS TO RESPLENDENCE”

 Album Reviews, Premieres  No Responses »
Apr 042022
 

I confess that when I first read that all 10 tracks on the debut album of Abhorrent Expanse were improvised live, my reaction was one of “uh oh” anxiety mixed with intrigue. Improvisational music of any genre tends to be a mixed bag, but improvisational death metal? Maybe even riskier than usual.

On the other hand, the fact that this band’s members hail from such groups as Zebulon Pike, Celestiial, Obsequiae, and more, well that’s what kindled the intrigue, and even a rising feeling of optimism.

So what won out in the end? The pessimism born of being subjected to other unsuccessful experiments that proved to be un-entertaining exercises in musician self-indulgence? Or the intriguing hope that Gateways To Resplendence might live up to its name?

I suppose the answer is evident from the fact that you’re now reading this, and are about to have a chance to listen to all 10 tracks at this site before the album’s April 8 release through Amalgam Music and Lurker Bias. Why did the optimism prove to be justified? Read on…. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): MROME — “BARBARIC VALUES”

 Album Reviews, Premieres  4 Responses »
Apr 042022
 

 

Here at this site we haven’t paid nearly enough attention to the Polish band MROME. Even after marveling in print at their 2018 second album Noetic Collision on the Roof of Hell, we said not a word about their next full-length, Leech Ghetto, which dropped in 2019, nor did we notice their debut album, 2016’s The Basement Sophisma.

Well, they have no use for record labels and they don’t work with a PR machine. They don’t tour and they’re uninterested in promo photos or social media. In their own words, they exist “to say FUCK YOU to messengers of dread and obedience”, and do this by making concept albums in which the music, the words, and the graphics are interrelated.

Metal-Archives labels them “Thrash Metal”, which is like calling a cut and polished emerald “a greenish mineral”. Yes, they’ve been known to thrash, but their musical evolution has turned them into something that’s significantly more multi-faceted. Even in the case of that 2018 album, we dropped references to Hail Spirit Noir, Mantar, and “infernal death rock” (not “deathrock”). Their newest album Barbaric Values, which drops today, is even tougher to pigeon-hole. Continue reading »

SHADES OF BLACK: KAMPFAR, WATAIN, CHAOS MOON, MORTE FRANCE, GRAVKVÄDE, JZOVCE

 SHADES OF BLACK  No Responses »
Apr 032022
 


Kampfar

Making choices for this column is always difficult. This week the choosing process was more difficult than most, in part because I wasn’t able to write one of these last Sunday, causing the possible choices to really stack up.

It’s hard to explain why I chose the music of these six bands and not others. It was more a matter of instinct and impulse than careful ranking. The intensity of all the experiences had more than a little to do with that. The vocals alone, from beginning of this collection to the end, were stunning too, significantly contributing to the rush of emotional intensity.

I’ve started with three individual songs and followed those with three complete releases.

KAMPFAR (Norway)

Kampfar have written a new album and recorded it. As they say: “It was created and partially captured at home, in our little refuge, among the trees, below the mountain tops, right there by the river that is never silent”.

The album includes “six parts, six stories, six conflicts, collected under one banner”, but Kampfar haven’t disclosed the name of the album, and they’ve decided to release each song on its own, one-by-one, before releasing the album as a whole. Continue reading »

SEEN AND HEARD ON A SATURDAY: JUST BEFORE DAWN, TOMBS, VREID, HEMOPHILIAC, THE FLOWER OF LOVE

 Metal News, RANDOM FUCKING MUSIC  No Responses »
Apr 022022
 

 

I had a hellish work-week at my fucking day job, which caused me to fall behind again in listening to candidates for this weekend round-up. I’ve also got an appointment for a second booster jab coming up soon this morning. Putting those two things together means this round-up will be shorter than I’d like. As is becoming something of a habit, I also included a curveball at the end.

JUST BEFORE DAWN (Sweden)

These Swedish favorites of mine have always chosen themes that focus on war, mainly WWII. They’ve repeatedly demonstrated a talent for channeling not just the mad exhilaration and explosive destructiveness of armed conflict but also the pain and grief it brings. It’s not surprising, therefore, that they would record a song for the victims of Russia’s invasion of Ukraine. Continue reading »

AN NCS PREMIERE: CULTIC — “WARLOCK”

 Premieres  No Responses »
Apr 012022
 

Rebecca Magar is one of those people whose diversity of talent just make you shake your head, feeling humbled. I mean, look at that cover art up above that she painted for her band Cultic‘s new album, Of Fire and Sorcery. And then also look at her painted cover art for the band’s preceding debut album, High Command:

And then consider that she’s also Cultic‘s formidable drummer. And then further consider how marvelously interwoven her cover art is with the music she and her equally formidable husband Brian (guitar, vocals, keyboard, and arrangements) have made under the Cultic name — which we’ll give you an immediate chance to do through our premiere of the new album’s second single, “Warlock“. Continue reading »

AN NCS PREMIERE: GVORN — “DEMONS IN ME LAUGH”

 Premieres  No Responses »
Apr 012022
 

 

The Russian band Gvorn have made their home in the towering black castle of death-doom. They have become very comfortable there, confidently settling into a place that harbors discomfort and downfall.

The first single from their debut album Keeper of Grief showed just how comfortable and self-assured they have become. “Sounds From the Crypt” rings and rumbles, like the sounds of eerie celestial bells chiming and swirling over a monstrously heavy machine crossing a landscape of skulls. Commanding roars utter dismal proclamations from a deep abyss as the rhythm section slowly stomps and crushes and the chords wail and moan.

Agony spreads from the music like viscous leaking blood, but the band also create visions of cold, imperious cruelty and of soaring but chilling splendor and lonely grief. In its closing minutes, accompanied by the sharp crack of the snare, it becomes vast and utterly spellbinding. Continue reading »

GONZO’S HEAVY ROUNDUP, MARCH 2022

 Album Reviews  4 Responses »
Apr 012022
 


Falls of Rauros

(We’ve reached the end of another month, and thus Gonzo has surfaced with another edition of this column, focusing here on five releases from March 2022.)

I recently made the somewhat ill-advised decision to take a road trip to my old stompin’ grounds of Seattle from my Denver abode. For those not familiar with the length of the trek, it’s about 21 hours by car. Flying out was definitely an option, but there’s always something uniquely appealing about pointing your car in one direction and flooring it for hours on end. If we’re speaking honestly, it’s downright therapeutic.

The “ill-advised” part of the equation came into account when driving through northern Wyoming and Montana. March is not what you’d call a calm month in terms of weather, and there were a couple of parts along desolate highways in which I was white knuckling my way through a snowstorm. There was madness in every direction. Unfettered chaos was all there was for hundreds of miles; one Subaru was a drop in the bucket amid endless 18-wheelers and highway patrol cars.

The good part about all this? I got plenty of time to delve into every album I’d been putting off for a while, and even got surprised by some other stuff I stumbled into. Continue reading »

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