Jun 172021
 

(Andy Synn sticks his head above the parapet once more to let you all know about three of the best British albums of the last few months)

I honestly can’t remember the last time I did one of these “Best of British” articles. In fact, this might very well be the first one of 2021 (or, at least, the first one dedicated to full-length albums).

That’s not because these fair and fertile isles have suddenly gone barren – the new Osiah, for example, is a brutal, if not exactly boundary-pushing, slab of uber-aggressive Deathcore, while the debut record from Epiphanic Truth was/is a welcome shot of strangeness – but, for whatever reason, I’ve been finding myself more drawn towards artists and albums from beyond the borders of these green and “pleasant” lands.

Rest assured, however, I’ve still been keeping my ear to the ground, so to speak, and finally found the time (and the impetus) to write about three truly excellent examples of “The Best of British” in the form of the new albums from Atvm, Boss Keloid, and Code.

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Jun 172021
 

 

(Nathan Ferreira prepared the following introduction to our premiere of another song off the forthcoming debut album by the Turkish death metal band Diabolizer, due for release in early July by Everlasting Spew Records.)

I’m going to drop a name for you: Mustafa Gürcalioğlu.

If mentioning that name made the hair on the back of your neck stand up, you’ve probably already pre-ordered Khalkedonian Death and don’t need to read much more of this article. Good on you for knowing where to find the primo shit.

If that name inspired more confusion and curiosity than it did excitement, you’re exactly the person I wrote this for. To put it boldly, with the possible exception of Phil Tougas, there isn’t anyone else in the game right now who is as versatile and prolific while also maintaining a high quality standard for their music. Any new album from the four major projects he is involved in should be auto-buys (and the stuff he released with Burial Invocation is badass too!), and to make an even bolder claim, Diabolizer may be the best band of the bunch. Continue reading »

Jun 172021
 

 

The inception of the Ukrainian technical death metal band Brilliant Coldness traces back to 1998, although their debut album Beyond Eternity didn’t emerge until 2003. Dead Center Productions released that first full-length, a long 18 years ago. Three years later, the band independently released a second full-length, Poisoned Reality, which was then released by the Dutch label Apollon Records in 2009. But after that second album a long period of silence ensued. Now that silence is being broken.

Dead Center Productions and Brilliant Coldness have re-united for the band’s third album, The Ultimate Dream. Plan B: Disposal Of Humanity, which is set for release on July 30th. Not surprisingly, the line-up that recorded it featured some new members, but still includes founding bassist Mor and founding  guitarist Angel.

Brilliant Coldness characterize the new music as “academic death metal”. They ask you to imagine Niccolò Paganini performing extreme metal, “the music played at the limit of physical abilities”. They say further: “It’s a powerful energetic flow of minds and feelings; a journey to the world of magic and wizardry of the human mind’s endless abilities!” As an illustration of what the band are talking about we have for you  today a premiere stream of one of the new songs, “Technogenic Illusion“. Continue reading »

Jun 162021
 

 

We’re not paid by the word around here (we’re not paid anything around here). But if we were, I wouldn’t make enough from this post to buy a cheap beer. Being short on time today, I’ve resorted to what I seem to be doing with increasing frequency in these round-ups, i.e., just foisting music and videos on you without commentary, artwork, or links.

Rest assured, however, that I’m foisting the following songs and films for a reason — because I think they’re worth your time. Or at least some of them will be worth your time, while others might not be your genre-cup of tea. I don’t expect that everyone out there will be as small-c catholic in their tastes as I am.

I did have enough time to briefly summarize the release info for the records that include the music I’ve chosen — or, regarding the first item, the artwork I’ve chosen, because there’s no music yet from that album. Continue reading »

Jun 162021
 

 

The title of Hexorcist’s debut album — Evil Reaping Death — is a vivid and entirely accurate signpost to what lies within, especially when coupled with the album’s evil and eye-catching cover art. And what lies within is fiendishly slaughtering old school death metal overlaid with the stench of the crypt.

With an attack firmly rooted in decades’ old traditions, these Floridian barbarians (whose line-up includes current or former members of such groups as Gnosis and Devastator) see no need to reinvent the wheel, and clearly have zero interest in following trends. But what they’ve done is so well-conceived and well-executed that the album is still likely to make an explosive impact among those who always hunger for maniacal metal of death.

The new album will get a lavish physical release, with Memento Mori providing the CD version, Unholy Prophecies the vinyl version, and Godz ov War the cassette version. The CD and tape editions will see release on July 26th, while the vinyl version will follow a bit later. And in advance of all that, today we’re premiering an album track that will give you an excellent preview of what to expect. Continue reading »

Jun 152021
 

(Andy Synn returns to his roots with the new album from Russian Metallic Hardcore crew Vorvaň)

To quote a hoary old cliché… the only constant in life is change.

That’s true for pretty much everything, especially people (and what are bands if not the extension of the people in them?),

Let’s face it, I’m not the same person I was five, ten, twenty years ago. My life, my circumstances, my tastes, have all changed and evolved.

But, at the same time, you know what they say… the more things change, the more they stay the same… and one thing that hasn’t changed is my love and appreciation for a good bit of merciless Metallic Hardcore, and today’s particular slab of undisputed attitude comes straight from Russia (though definitely not with love).

Continue reading »

Jun 152021
 

 

The very strange last year has produced a fair share of musical collaborations that, seemingly out of nowhere, have emerged to reveal strange new visions. In some cases, musicians have used the occasion to branch out from the styles of music they had embraced in earlier times, as if the oppressiveness of the new age had become a well-spring of new freedom, or perhaps had led them to use their music as a “prison break” from the new confinement.

The debut EP by the French band Archaeopteris, which we’re premiering today, certainly seems to fall into that category. The group’s three members hail from various projects such as Croc Noir (black metal), Supertzar (doom/stoner), and Toward (folk), but the two long songs on Visions Chaotiques D´un Songe Halluciné represent something different, a kind of experimentation in sound that led the band into very strange territories. It is as if they had a collective vision, both disturbing and fascinating, and then found a way to represent it in what they executed. Continue reading »

Jun 142021
 

 

Originally launched as the solo project of Bay Area, California multi-instrumentalist Kiera Pietrangelo in 2016, Arcane Existence has blossomed into a full band. And as a full band Arcane Existence are now poised for the August 20 release of their second album Colossus, which traces a fantastical journey through a mythical land and weaves a musical tapestry of the narrative through an intriguing amalgam of symphonic black and death metal.

What we have for you today is the premiere of a song from Colossus named “The Altar“, and it’s accompanied by a video filmed by Benjamin Casias and directed and edited by Eric Tracy-Cohen which well suits the magic and menace that flow through the music. Continue reading »

Jun 142021
 

 

(We present DGR’s review of the second album by the Slovenian progressive death metal band Morost, which was released this past spring.)

Morost are one of a handful of groups I came across during one of the many adventures where I sought groups from corners of the globe you may not normally cross paths with. This prog-death band hail from Slovenia, and their latest release – the mid-March album Forged Entropy – is the group’s second full-length, arriving nearly seven years after their debut record Solace In Solitude. In that time Morost has seen some shifts in its lineup, with three new people occupying different spots than on their debut.

At first glance Forged Entropy is a big album. The eight songs within its confines clock in at a little over fifty-five minutes, and considering that the first ‘song’ is mostly a two-minute intro track, the reality of it is that you’re looking at seven songs where the run time is commonly in the seven-to-nine-minute range. It’s one of those albums where the first impression is one of grand ambition that likely doesn’t hit every single note it’s trying to, but damned if the crew behind it aren’t enthusiastic in their execution, and that may just be enough to carry you through a listen. Continue reading »

Jun 142021
 

 

Here at NCS we’ve been ardent supporters of the Greek progressive black metal band Aenaon ever since discovering the wonders of their 2014 album Extance, which made no fewer than four different year-end lists published at our site, as well as a host of our reader’s lists. Ever since, we’ve been devoting a lot of attention to the adventurous creativity of this group (whose line-up shares members with Varathron and Katavasia), which was further displayed on their latest album, 2016’s Hypnosophy, and which we characterized as an alchemical work in which Aenaon drew together “a multitude of base elements from disparate genres and transmuted them in wizard-like fashion into music that’s rare and mesmerizing”.

But even before those two acclaimed records was the band’s debut full-length Cendres et Sang — and it happens that today is the 10th anniversary of its release. To celebrate that anniversary Aenaon have re-created one of their favorite songs from the album, “Grand Narcotic Harvest” — and thus re-named the new version “Grand Narcotic Reharvest” — and they filmed the recording session in a video that we’re premiering in this article. The re-recorded track will be available digitally — and today we’re also sharing another special announcement by Aenaon. Here is their statement: Continue reading »