AN NCS PREMIERE: ASTARIUM — “SNOW STORM”

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Apr 012020
 

 

If you’re unfamiliar with Astarium’s creative impulses, the name of the song we’re premiering in this post may mislead you. Coming from a black metal band whose music is often characterized as “symphonic and ambient BM”, the name “Snow Storm” might make you expect one thing, and you might find something else instead — something much more intriguing and alluring than what you might expect. And we’ll say further that those characterizations of Astarium’s music as “symphonic black metal” (which you will see on Metal-Archives, among other places) may also prove to be a bit of a mis-direction, at least in the case of Astarium’s new album.

But before explaining what we mean, we should note that the name of the new album is Hyperborea, and it will be co-released on April 18th by GrimmDistribution (Ukraine) and Gravações Tunguska (Portugal). It is the eighth album since 2008 by this one-man project from Novosibirsk, Russia, and (we are informed) it was inspired by “the sagas of northern lands about honor and valor, about blood and revenge, about beauty and gloom, about glory and dishonor”. Continue reading »

BEST OF BRITISH: BEGGAR / CALLIGRAM / VIDEO NASTIES

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Apr 012020
 


Beggar

 

(Andy Synn returns to a series in which he extols the virtues of new or soon-forthcoming releases by bands from the UK, and does that for three records here.)

Well, well, well… what do we have here then?

Ahem, cough, sorry, I turned into a nineteenth century cockney flatfoot there for a second.

Anyway, today’s edition of “The Best of British” features three albums which are bound to make quite an impact (and, in some cases, have done already) in the Metal world, both at home and abroad, and it’s my distinct pleasure to be able to do my small part to help raise their profile (even if just a little bit). Continue reading »

SEEN AND HEARD: AL-NAMROOD, ARSAFES WITH ANILA RAJEEV, PERCHTA, GHOSTS IN GOLD, ÄKTH GÁNAHËTH

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  No Responses »
Apr 012020
 

 

I was gearing up to do another one of those gigantic Overflowing Streams posts for today, but then something unexpected and serendipitous happened. I had an enormous list of possibilities to check out, assembled  from an hour and a half spent crawling through our e-mail and other sources. And as I began checking out that stuff it happened that I listened to music from five bands right in a row that just seemed to fit together really well — mainly because all the music struck me as exotic, albeit in different ways (and some are justifiable exceptions to our rule about singing).

I thought the unusual effect of listening to them together would be lost if I scattered them among a dozen (or more) other music streams, and so I decided to just stop and put them together here, and leave a larger round-up for another day (hopefully tomorrow).

Al-NAMROOD

Al-Namrood is an anti-religious Saudi Arabian black metal band, which no doubt continues to be a dangerous way for its understandably anonymous members to spend their time in that Kingdom. Their music, insofar as I’m familiar with it (and I’m mainly familiar with their more recent releases), has always been remarkably distinctive, and remarkably good. In the past I have been moved, in fact, to call their music “pitch-black magnificence”. And therefore I felt a thrill when I saw that Shaytan Productions will be releasing their 8th album on June 22nd. Continue reading »

WAKE: “DEVOURING RUIN”

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Apr 012020
 

 

(We present DGR’s detailed review of the new album by Canada’s Wake, which was just released on March 27th by Translation Loss Records.)

If you’ve been following the site recently you might’ve spotted the massive review collections fellow NCS writer Andy Synn has kicked out. Among the many groups covered (here) were Seattle black metal newcomers Izthmi and their disc The Arrows Of Our Ways. The Arrows Of Our Ways is a rare album, one amongst a packed genre that somehow manages to encapsulate the entirety of its current scene within its track list. The music presents a perfect snapshot of where their scene was at that exact moment — slight hints towards the future but mostly a perfect picture of the hive of activity and creativity that currently exists within their own spectrum, as if the band had shot an arrow of their own right through the center of it, as if competing in a musical archery event.

There are certain bands who have become masters at performing this specific act, adding to and molding their musical core to often reflect where the band members’ heads are at that exact moment, as well as providing the musical snapshot discussed above. If Izthmi managed to do so for their specific subset of black metal, so too have Canada’s Wake. They have become experts at providing deep musical looks into their world at the specific moments when each of their five albums has been released, including their newest album Devouring Ruin — a disc that captures much of the current crust, grind, and overall underground metal scene by adapting and molding it to their own noisy purposes, and in the process releasing an album almost twice as long as its noise- and grind-heavy predecessor Misery Rites. Continue reading »

A PLAYLIST OF SCUZZY VILE ABRASIVE MUSIC

 RANDOM FUCKING MUSIC  8 Responses »
Apr 012020
 

 

We have SO MUCH planned for your enjoyment at NCS today, but I made a last-minute decision to begin with this interactive post (at least I hope it will become interactive).

Last night a metalhead friend sent me a Facebook message asking: “If you happen to have some scuzzy, vile, positively abrasive new music that you can put up or recommend my way, I’d certainly appreciate the fuck out of it.” I have my own plentiful stockpile of such stuff, but I thought I’d reach out for other ideas. So I posted his request on FB and asked for recommendations. I mentioned that I didn’t think my friend was a big black metal fan, so suggested that BM should probably be filtered out of the suggestions. Other than that, I asked people to open up the sewers on me.

And I did get suggestions, which I decided to leave below. And I further decided this morning to make an open call to anyone reading this post to leave your own recommendations in the Comments for our mutual benefit (but here there’s no need for you to filter out black metal). So go ahead, open up the sewers on me — and remember that the subject of the request is for scuzzy, vile, positively abrasive that’s NEW (or at least new-ish). Continue reading »

AN NCS PREMIERE: GUERRA TOTAL — “BATTLE OF YPRES”

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Mar 312020
 

 

In October 1914, near the Belgian city of Ypres, Allied and German forces begin the first of what would be a series of battles to control that ancient Flemish city and its strategically important location. Fighting continued, with stunning losses on both sides, until November 22, when the arrival of winter weather forced the battle to a halt. In that first battle alone, more than 250,000 combatants lost their lives, and the bloodbath would continue in the following spring and subsequent years.

The intensity of that conflict and the almost unimaginable scale and senselessness of the slaughter has inspired many metal bands in the past. As the song we’re presenting today proves, it has also inspired the Colombian band Guerra Total, whose name means “total war” in Spanish, and who themselves come from a country that has been home to one of the longest armed conflicts in the world. The band’s new album, their ninth release in a career that began in 1997, is a concept album about Death managing humanity, using war as its own benefit.

Entitled War Is The Pursuit Of Death: A Hymnal For The Misanthrope, it will be co-released on April 17th by Satanath Records (Russia) with Iron, Blood And Death Corporation (Mexico), and today we’re presenting the second track on the record, “Battle of Ypres“. Continue reading »

THE SYNN REPORT (PART 119): WARDAEMONIC

 Album Reviews, THE SYNN REPORT  No Responses »
Mar 312020
 

 

(For the March 2020 edition of The Synn Report, Andy Synn has combined reviews and streams of all the releases by the Australian black metal band Wardaemonic, including their newest album Acts of Repentance, which was released by Transcending Obscurity Records on March 20th.)

Recommended for fans of: Immortal, Mayhem, 1349

From its humble beginnings in the streets and suburbs of Norway, Black Metal has stretched its eldritch tendrils far and wide, resulting in new cults and covens springing up all over the world.

There is, perhaps, no better example of how the genre has metastasised and infected practically every corner of the globe than Wardaemonic, who, despite hailing from the Western coast of Australia – about as far, both in distance and climate, from the Norwegian fjords as it’s possible to get – have spent the last fifteen years establishing their own place in the ever-growing legacy of Black Metal.

The group’s fourth (and possibly finest) album, Acts of Repentance, was released just over a week ago, so now seemed like the perfect time to bring their work to a wider audience. Continue reading »

AN NCS PREMIERE: KARLOFF — “BASTARD OF THE NIGHT”

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Mar 312020
 

 

In these dark times music lovers have a lot of extra time to spend listening and exploring (at least those of us who don’t work in essential activities). I suppose most of us have devoted that time moving around among genres rather than staying on the same road all the time. Variety can indeed be the spice of life, especially when our moods have turned sour and could really use some spicing-up. Karloff has done that for me, giving me something I didn’t realize I needed, and I hope Karloff will do the same for you.

Karloff’s formulation of raw punk and black metal is undeniably sinister, and it runs like a wild wolf-pack on the hunt (or an angry gang marauding through mean streets), but it has made me feel not just glad to be alive, but kind of rapturous too. Its feral, stripped-down attack and high-voltage energy appeal at a primal level, and the immediately infectious nature of the songs makes them easy to stick with, and to use as a means of lighting a fire to any playlist whenever they pop up.

I overlooked Karloff when the band released its first demo in 2018, or when it released the Raw Nights EP last year. Thankfully, I’ve encountered them now, thanks to the decision of Dying Victims Productions to combine those two releases into a single 20-minute vinyl/digital record, also called Raw Nights, with new cover art. Today, in advance of the record’s release on April 24, we’re presenting one of the eight songs, “Bastard of the Night“, along with a stream of a previously released song. Continue reading »

AN NCS INTERVIEW (PART 2): DARK FORTRESS (MOREAN)

 Interviews  1 Response »
Mar 312020
 

 

(Yesterday we presented Part One of an extensive interview Karina Noctum conducted with Morean of Dark Fortress, and today we present the conclusion, again with our thanks to Morean for devoting so much time to the discussion.)

This is the second part of the in-depth interview with Morean from Dark Fortress. While the first part was about composition and creation of music, among other topics, this part is solely devoted to the lyrical themes of Spectres from the Old World, the band’s latest album,  which was released back in February of this year. Continue reading »

AN NCS ALBUM PREMIERE (AND A REVIEW): RITUAL DICTATES — “GIVE IN TO DESPAIR”

 Album Reviews, Premieres  2 Responses »
Mar 302020
 

 

Sometimes when a band pull from as broad and deep a well of musical inspirations as Ritual Dictates have done on their debut album, the results can be disjointed and chaotically jarring. But when the interweaving of stylistic ingredients is as masterfully and naturally accomplished as it is here, the results can stand out from the pack, and provide a multi-faceted experience that’s an enormous thrill. And that’s the best single word I can think of for Give In To Despair — it’s a thriller, from beginning to end.

The singles released from the album so far have already attracted a lot of excited attention around the web, but for those who might be encountering this band for the first time (and it’s a good time, because we’re streaming the whole album today), it’s a project formed by ex-3 Inches of Blood members Justin Hagberg and Ash Pearson (who’s also the drummer of Revocation), both of whom have also been members of Allfather (Canada) and Angel Grinder, respectively. And for this grand debut, they also enlisted an eye-opening group of guest performers from metal and rock, whose names are worth listing before we go further: Continue reading »

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