Feb 222016
 

Temisto cover

 

Last month we posted Allen Griffin’s enthusiastic review of the self-titled debut album by Sweden’s Temisto,. To borrow Allen’s words, “Temisto seem to simultaneously channel both pre-Entombed Morbid and Nihilist while also invoking more technical acts such as Atheist. At their fastest and most brutal, Temisto nearly reach Angelcorpse levels of kinetic violence.” But as Allen also explained, Temisto’s music displays ambitions and talents that extend well beyond the realms where tooth and claw reign supreme.

Make no mistake, Temisto do indeed display blood-lusting ferocity, with flesh-stripping tremolo assaults and bone-mangling drum and bass fusillades, not to mention bursts of flame-throwing solos and ghastly vocal excretions. But they also interweave electrifying thrash-influenced riffs, hammering punk-inflected grooves, and the grim bite of northern darkness in their melodies. Continue reading »

Feb 222016
 

Cobalt-Slow Forever

 

(Andy Synn reviews the eagerly awaited new album by Cobalt.)

Where to start with this one? Obviously the dead horse of the Erik Wunder/Phil McSorley split has been comprehensively beaten to a pulp and rendered down for glue by this point… so let’s not get into that whole ordeal again.

No, I think we have more important issues to consider, not least of which is the question of whether or not Slow Forever, the first new Cobalt album in seven long years, successfully lives up to the band’s hard-won and well-earned legacy.

And our survey says… Continue reading »

Feb 222016
 

Yliaster Photo 2

 

Welcome to a new edition of Shades of Black. Today I’ve collected five new songs, one new video, and a snippet from the studio for an eagerly anticipated new album. As I sometimes do with these posts, I’ve included some things that aren’t black metal in the strictest sense of the term (or at all).

YLIASTER

Although I didn’t know it at the time, I first learned of Marcel Polit through his starring role in an excellent video for the song “Notion” by Poland’s Vesania that we premiered in December — which you can and should watch HERE. It turns out that Polit is a musician, too, and he has recorded a debut album with Dariusz ‘Daray’ Brzozowski (Vesania, Dimmu Borgir, ex-Vader). The name of this project is Yliaster, and the album is Soliloquy. Continue reading »

Feb 222016
 

Total Hate-Lifecrusher - Contributions to a world in ruins

 

Six years have passed since the last album by Germany’s Total Hate, but on February 26 Eisenwald will release the band’s third full-length in this, the fifteenth year of the group’s existence. The title gives you fair warning of what’s to come: Lifecrusher — Contributions To A World In Ruins. And we give you the chance to experience it in full today.

With an album title like that one, brought forth by a band with a name like Total Hate, who are devoted to old school Scandinavian black metal, you expect full-bore sonic savagery. And that is indeed what Lifecrusher delivers — but that’s not all you get. Continue reading »

Feb 212016
 

Rearview Mirror

 

(DGR prepared this Sunday’s metal retrospective.)

I figured for this Rearview column that I would take you on a shorter trip through time than we have been prone to. I know that this isn’t the shortest, as once before we made a trip to 2013 with The Amenta, but I figured that was a special-use case since we were zeroing in on such a specific section of that album.

This time, I thought we would travel all the way back to 2011, a time when No Clean Singing was actually a real website — although at the time not one I wrote for. We have a calnder at the office that refers to these years as B-DGR and A-DGR. I have noticed that someone has changed said calender to a picture of a dumpster fire, though, but I’m not sure who yet. Continue reading »

Feb 202016
 

Iskra-Famine Fest-2

 

I drove from Seattle to Portland, Oregon, yesterday with my friend Joseph Schafer (Invisible Oranges) for the purpose of attending the 2016 edition of Famine Fest. The festival began last night and resumes again tonight. I’m going to quickly mention two bands I saw last night that made big impressions, and then toss some new music your way.

ISKRA

The chance to see this band from Victoria, British Columbia, was one of the main draws of Famine Fest for me. I really liked their 2015 album Ruins, and I had missed out on other chances to see them in the past. Continue reading »

Feb 192016
 

VI band

 

(Argentinian journalist Matías Gallardo rejoins us with this interview of INRVI, the man behind the French black metal band VI, which took place last fall.)

Before showcasing his talents as a bass player in Aosoth and Antaeus, guitarist and vocalist INRVI started VI back in 2007, a project that released an acclaimed EP in 2008 and a split with Aosoth two years later, only to remain silent until last year’s magnificent debut, De Praestigiis Angelorum. Without losing his distinctive French black metal DNA, INRVI translated his tortured existence into one of the most vicious yet epic albums of last year. Now, the man behind VI told us how it all came to be.

******

Why the name VI?

It is related to the 6th trumpet, the second woe. Continue reading »

Feb 192016
 

Garganjua-A Voyage In Solitude

 

(Andy Synn reviews the debut album by Britain’s Garganjua.)

One of the best things about writing for NoCleanSinging – apart from the fame, the drugs, the fast cars, the easy women – is just how much freedom we get here to write about whatever we feel like (within reason), with no-one dictating to us what we have to cover, or when. Instead we’re largely left to our own devices, free to follow our passions or simply see where our listening takes us.

As a result we often stumble across stuff unexpectedly, so it’s almost impossible to predict, week-in and week-out, precisely what we might be writing about, with any reasonable degree of accuracy.

Today’s review is a case in point, as I discovered the doomy delights of Garganjua purely by accident over the weekend, drawn-in by the eye-catching artwork which adorns the cover of this, their self-titled debut album. Continue reading »

Feb 192016
 

Hemelbestormer-Aether

 

Three weeks ago we premiered a video for a new song by a Belgian band named Hemelbestormer that drew a tremendously positive response. But as good as “After Us, The Flood” is, the experience of listening to that song along with the other three on the album is even more immense. And now you will have the chance to do that: Aether is being released today by Debemur Morti Prductions, and we are bringing you a full stream of the album.

As we explained at the time of that earlier premiere, “Hemelbestormer” is a Dutch word that in its literal English translation means “sky stormer” or “stormer of heaven”, but is also a name for someone with revolutionary views — an idealist, a maker of wild plans. In both senses of the word, it suits the music on Aether. Continue reading »

Feb 182016
 

Moros-Life Assisted Suicide

 

I’m VERY late in writing about this EP — it was released last August. I had started scribbling some typically half-formed thoughts, as one might expect from a half-formed brain, and then got distracted by… something… I can’t remember what. I hope it was an important distraction, because Life Assisted Suicide is deserving of attention. Which is why, six months later, I feel compelled to finish what I started.

The EP is the first release by Philadelphia’s Moros, a triumvirate whose members have spent time in such other fine bands as Krieg and Occult 45. What you’re reading now isn’t the first attention given to the EP at this site. It appeared on the year-end list of Krieg’s Neill Jameson that we posted here in December, where he had this to say about it: Continue reading »