Aug 132018
 

 

(In this post Andy Synn has packaged together six new reviews of six outstanding new albums across a range of metal sub-genres.)

I don’t know about you, but this year I’m finding it far harder than ever before to stay on top of all the new and upcoming releases proliferating throughout the Metalsphere.

Partially this can be attributed to the growing pressures of my day job, combined with the fact that I’m currently renovating my house and working hard on Beyond Grace album #2 (with an eye also turned towards future work for both Twilight’s Embrace and Apathy Noir too), but a lot of it is just down to this simple truth… there’s simply too much music, and not enough hours in the day, to cover it all.

Still, it wounds me to think of all the great (and good) albums and artists out there who our readers might otherwise be missing out on, so consider this another desperate attempt to redress the balance somewhat. Continue reading »

Aug 112018
 

 

(In this week’s edition of WAXING LYRICAL, Andy Synn presents the results of his interview with Sami and Tanner of long-time NCS favorites Oak Pantheon, whose new EP Sol was released last spring.)

Anyone who’s been a regular reader of NCS for any decent amount of time will undoubtedly recognise the name Oak Pantheon, as we’ve been writing about and supporting the band practically since their inception, and have covered practically everything they’ve released thus far, to a greater or lesser extent.

The one thing we haven’t really had much chance to go into detail about, however, is their latest EP, Sol, which sees them breaking from their established pattern and pursuing a calmer and more contemplative, Neo-folk-influenced sound.

Thankfully I was able to corral guitarist/vocalist Sami Sati and guitarist/backing vocalist Tanner Swenson to participate in this latest edition of Waxing Lyrical, where you’ll find a wide range of information about all stages of the band’s career, including the mindset and process behind their newest and most unusual release. Continue reading »

Aug 062018
 

 

(We present Andy Synn’s review of the new album by Finland’s Omnium Gatherum, which will be released by Century Media on August 31st.)

Before I kick this review into high-gear, I want to clear something up once and for all… despite sharing some superficial similarities (and, these days, a guitarist), Omnium Gatherum and Insomnium really don’t sound all that much alike, and it would take a truly committed contrarian to suggest otherwise at this point.

Truth be told, regardless of whether you think they ever even sounded all that much alike in the first place, the differences between the two bands have only become more pronounced over the years, as while the latter have spent their time pursuing a moodier, more melancholy sound, the shameless synths ‘n’ solos approach favoured by the OG crew has taken them in a markedly different direction, to the point where their highly anticipated eighth album finds the Finnish sextet now occupying the same sort of highly energetic, audaciously anthemic, niche once inhabited by In Flames in their prime. Continue reading »

Aug 042018
 

 

(In this Saturday’s edition of WAXING LYRICAL Andy Synn posed the usual questions to Florian Engelke of the German band Ingurgitating Oblivion.)

Germany’s Ingurgitating Oblivion have been making dark, dissonant waves in the European Death Metal scene (and beyond) for a number of years now, with last year’s Vision Wallows in Symphonies of Light not only majorly increasing the band’s worldwide fame and notoriety, but also expanding their sound in ever more complex and progressive ways.

If you’re unfamiliar with the group and their work, then this edition of The Synn Report should make for a good primer, or you can just dive straight in with the following interview with the band’s guitarist and primary lyricist Florian Engelke! Continue reading »

Aug 022018
 

 

(This is Andy Synn‘s review of the new EP by Âme Noire from Melbourne, Australia, which was released on July 13th.)

Amidst all the (well-deserved) hype for the soon-to-be-released new EP from Australian death-dealers Hadal Maw (officially released tomorrow, but available to hear in full right here, right now), there’s a good chance that many of you might have overlooked the fact that there’s also another band of down-under denizens – Melbourne-based quintet Âme Noire — with a shiny new EP to promote, and I feel like it’s my responsibility to try and make sure that it doesn’t get completely overlooked or overshadowed by its more famous sibling. Continue reading »

Jul 312018
 

 

(In this edition of THE SYNN REPORT for July 2018, Andy reviews all the albums recorded to date by the California rock band Boy Hits Car.)

Recommended for fans of: Tool, Incubus, Leprous

I don’t know about you, but the changing of the seasons always has a notable effect on my listening habits.

Now, I’m not saying that I suddenly start jamming Peruvian pan-pipe music or Eastern European techno as soon as the flowers start to bloom, but there are definitely certain bands or certain styles of Metal which I find myself listening to more often in Summer, and some albums/artists who tend to get spun more often at the heart of Winter…

Case in point, the bouncing grooves and blissed-out melodies of Boy Hits Car always seem to make their way back into rotation whenever the sun begins to shine, as their upbeat energy and heartfelt, hippy-ish vibes just fit perfectly with the longer days and clearer skies of the Summer months.

Try not to be put off by the fact that the band’s music is generally described as “Nu-Metal” though, as the group are far sharper, and far smarter, than that label might suggest, and tend more towards the artsy, rather than the angsty, to the point where several tracks make liberal use of slightly more esoteric instruments like twelve-string acoustic guitar, flute, or tabla drums, as a way of expanding the Californian quartet’s creative and sonic palette. Continue reading »

Jul 282018
 

 

(Andy Synn’s guest in this week’s edition of WAXING LYRICAL is vocalist/guitarist Cody Daniels of the Texas band Giant of the Mountain.)

Texas metalloids Giant of the Mountain have been a band we’ve followed here at NCS for quite some time, and our very own DGR recently reviewed their latest (and probably best) album, Nature’s Wrath, describing it as a complex and creative piece of Prog/Black Metal that “takes on a hypnotic quality as it traverses down the multitude of twisting and winding paths within each song”.

So I thought, why not keep the coverage and momentum going by getting the band’s guitarist/vocalist Cody Daniels to sit down for a few moments and pen us some thoughts on his lyrical process, his love of hooks, and the important contributions of H.P. Lovecraft and Spongebob Squarepants to the band’s conceptual evolution? Continue reading »

Jul 272018
 


Climate Reanalyzer Global Weather Map – July 27, 2018

 

(Andy Synn has compiled a collection of songs from seven bands suitable for the hell we find ourselves in.)

Depending on where you are right now in the world, there’s a good chance you’re enjoying/enduring (delete as appropriate) the same sweltering heat and blazing sunshine which is currently scorching us here in the UK, and perhaps you find yourself wondering, as the earth around you slowly returns to its molten, primordial state… what albums provide the best soundtrack to my current situation?

After all, while a lot of Stoner Rock/Metal bands have built a career out of an association with lazy, sun-kissed vibes and hazy, weed-fuelled riffs, the majority of the more Extreme/Underground bands we cover here at NCS tend to be more associated with darkness and shadow… heck, about 50% of all the world’s Black Metal bands are obsessed with snow and ice, regardless of where they actually hail from… and there’s a reason we so often use words like “dank” and “cavernous”, “chilling” and “frostbitten, to describe their music – it just fits!

As a result I had to think long and hard about what albums truly capture the sensation of being trapped and tormented by the oppressive weight of the burning sun in all its torrid and terrible glory, before finally settling on the handful of suggestions you’ll find below. Continue reading »

Jul 232018
 

 

(We present Andy Synn‘s review of the new album by Slidhr, which was released by Ván Records on June 26th.)

I’ve seen it written in a few places over the last couple of months that 2018 hasn’t yet produced the same plethora of quality Black Metal releases that previous years have done.

And while there are undoubtedly multiple exceptions to this rule which we could all name at the drop of a hat (the new Funeral Mist, for one), for the most part I can see where these people are coming from, as this year has felt a little bit light on the ol’ brimstone and blasphemy front so far.

Thankfully however, the new album by Irish/Icelandic iconoclasts Slidhr is more than capable of rebalancing the scales in this regard. Continue reading »

Jul 212018
 

 

(Lyricist, guitarist, and co-vocalist Dan Barter of the Scottish band Dvne is the subject of this week’s edition of Andy Synn’s Waxing Lyrical series.)

The phenomenal Asheran, by Edinburgh Prog-Metal quartet Dvne, was, without doubt, one of the best, brightest, and most brilliant albums of 2017 (I even said so in my review), and the fact that it didn’t feature in more EOTY lists is perhaps the greatest injustice of the last decade…

All joking aside, it really is a fantastic piece of work, and one which immediately marked the group as one of the major up-and-comers of the UK scene.

So, in the hope of bringing the band’s music to a wider audience, and with the aim of learning more about the in-depth sci-fi concept(s) behind their sound, we’re pleased to publish this detailed feature from the band’s guitarist/co-vocalist Dan Barter for your edification and enjoyment. Continue reading »