CRAWLING, WITH NERGAL, INTRONAUT, AND SULPHUR AEON

 Eye-Catchers, Interviews, Metal News, RANDOM FUCKING MUSIC  1 Response »
Nov 032012
 

As explained in today’s earlier post, I’ve had a bit of a setback. I can’t walk very well at the moment. But crawling still works. And as I crawled through the interhole and my e-mail this morning while moaning in pain and feeling like a prize dumbass, I found some news about Nergal (Poland) and Intronaut (U.S.) and new music from Sulphur Aeon (Germany) that made me feel better, at least psychologically if not physically.

NERGAL GETS SOME HIGH LEVEL SUPPORT

I saw a note on the Facebook page of Behemoth’s frontman Nergal that looked interesting. You may have seen (either here or elsewhere) that Nergal’s legal troubles in his native Poland have been revived thanks to a ruling by the Polish Supreme Court that he can be criminally prosecuted for offending people’s religious feelings even if he didn’t intend to do that. This whole mess stems from a 2007 Behemoth performance in which Nergal tore up a Bible on stage.

There are plenty of places in the world where governments repress speech, sometimes violently, but I don’t usually think of Poland that way. So I was surprised when the country’s highest court made it easier, not harder, for people in Poland to be prosecuted for expressing “offensive” thoughts about religion.

What Nergal’s note revealed is that the day after this abysmal court ruling, the European Commission — which is the executive body of the European Union, of which Poland is a member — released a statement in support of Nergal. Citing the European Convention of Human Rights, a treaty that Poland signed which protects freedom of expression, the EC stated: “This right protects not only information or ideas that are favourably received or regarded as inoffensive or as a matter of indifference, but also those that offend, shock or disturb.”

The full article cited by Nergal is here. It’s not clear how the EC’s position or Poland’s treaty obligations will affect the progress of the case against Nergal, but it’s definitely an interesting and encouraging development. Continue reading »

TODAY IN THE WORLD OF SHIT: SANDY AND NERGAL

 Metal News  47 Responses »
Oct 302012
 

Every day brings shitty news, both large and small. We usually don’t write about shitty news. We usually try to write about things that make the shit in life more tolerable. So I guess you could call this post a different kind of Exception to the Rule.

SANDY

Who came up with the name of “Sandy” for this storm? Sandy is a freckle-faced girl with a beaming smile and sparkling eyes, wholesome and playful, the girl next door. If the hurricane naming gurus wanted an “S” name for this thing, they should have gone with something like Shedim.

Sandy made landfall at 8 pm, Eastern Time, last night, with hurricane-force winds extending up to 175 miles from the center of the storm and tropical-storm-force winds spreading out 485 miles from the center. At least 17 people have been killed so far and this morning more than 7 million people are without power in a multi-state region.

Businesses and schools are closed, roads are closed, subway and commuter trains have been shut down, more than 13,000 airline flights were canceled, even the Erie Canal was shut down. In Manhattan, waves topped the sea wall in the financial district, sending cars floating down streets and flooding the Ground Zero construction site. The Jersey Shore was devastated. A well-known replica of the H.M.S. Bounty was sunk off the North Carolina coast. And on and on and on.

The fuckin’ thing has even extended its reach into the Midwest. Chicago officials warned residents to stay away from the Lake Michigan shore as the city prepares for winds of up to 60 mph and waves exceeding 24 feet well into Wednesday. And though the storm has been downgraded from hurricane status to a tropical storm, it’s not finished wreaking havoc on the Northeastern US and Canada. Continue reading »

NERGAL IS BURNING BIBLES AGAIN

 Metal News  14 Responses »
Sep 112012
 

Behemoth’s Nergal has completed work on an autobiography, with the title of Sacrum Profanum — a title that presumably refers to the dichotomy between the sacred and the profane, which is a central characteristic of most religions. The book will be released next month in Poland, and unfortunately there are no current plans for it to be translated into English.

The book will be promoted through a series of video trailers that will appear on Behemoth’s YouTube channel. According to Behemoth’s label, Metal Blade, “the trailers will feature Nergal reading portions of the book, as well as acting out portions of stories, which Nergal describes as ‘some funny, some sad, some evil…some related to the band, some not.'” The trailers will be in Polish with English subtitles.

The first trailer went up for streaming today. The thoughts expressed are serious, though the philosophy is certainly not new — but the trailer is also provocative. Yes indeed, I do believe that’s a Bible that Nergal burns in the trailer. After being prosecuted repeatedly in Poland for doing the same thing on stage many years ago, he seems to be courting more legal harassment — and clearly gives no fucks about that. The last line of the trailer makes that even more abundantly clear.

Reports about the book indicate that much of it is an extended and wide-ranging interview of Nergal, rather than him or some ghost-writer laying out a narrative. No doubt, he has led an unusual life, and I suspect this would be a fascinating read. Here’s hoping that an English translation will someday become available.

UPDATE: I found a page on the Behemoth web store (here) where the book (in Polish) can be pre-ordered. It includes this statement: Behemoth’s “THIS IS A POLISH VERSION OF THE BOOK! ENGLISH ONE – ESTIMATED DATE 2013”. That page contains additional info about the book, and after the jump I’ve included a bit more about it after converting the text into English through Google Translate

The trailer is after the jump, too. Continue reading »

SUMMER BREEZE 2012 – THE REVIEW (Part 1)

 Concert Reviews  7 Responses »
Sep 062012
 

(Our UK-based writer Andy Synn made the trek to Germany for this year’s edition of the SUMMER BREEZE festival, and provided us with a review of the bands whose performances he witnessed.  We’ve divided the review into two parts. In this post, Andy covers the festival’s first two days, and tomorrow we’ll have his impressions of Day 3. We’ve also collected videos of many of the performances at the end of the post.)

So… German festivals go Thursday – Saturday, not Friday – Sunday… who knew? Well apparently everyone else in the world except for us, when we booked an overnight stay in Cologne on the Wednesday night! Still, Cologne was awesome, and only a mere four hours drive away…

Anyway, on reaching the site (after a desperate last minute rush to the petrol station – seriously, make sure you fill up before you reach the Dinkelsbuhl exit guys and gals!) we joined a surprising, infuriating, queue of cars, followed by an interminable security check… time was ticking away and Be’lakor (one of my primary reasons for going to the festival) would soon be taking the stage! So with some slightly rushed stunt driving (I’m pretty certain I went down that grass verge as much sideways as I did forwards) and a breathless scramble… we made it. Just.

DAY 1

Justifying our desperate, occasionally slightly risky, efforts to get to the festival on time, Be’lakor were undeniably awesome. Live, the Agallochian overtones of the music come through a lot more, a melding of misty melancholy with swells of oceanic heaviness giving the band a more distinctive and individual live presence. The group’s image is a little difficult to reconcile with the music though, encompassing a host of short haircuts, laid-back Australian accents, and inappropriate t-shirts! Shame on you guys!

The next band I was dying to see also happened to be one of my favourites, my loyalty to Darkest Hour forcing me to choose them in an unfortunate clash with Glorior Belli. And though it pained me to do so, I’m glad I did. Darkest Hour never disappoint, their punky, hyper-energetic take on melodic death metal fitting perfectly with the blazing sunshine and free-wheeling atmosphere of the festival. Plus, I was still yet to see them live with either the new material or the new line-up, and both absolutely killed it live. Continue reading »

BLOODSTOCK 2012 – A REVIEW AND MUSIC FROM THE FESTIVAL (Part 1)

 Concert Reviews  6 Responses »
Aug 282012
 

(Our NCS comrade Andy Synn has recently been making me green with envy by attending summer metal festivals on the other side of the Atlantic, which for me might as well be on the other side of the solar system.  However, gentleman and scholar that he is, he didn’t just go and have a ridiculously good time. He also sent back this review of his jaunt to the UK’s BLOODSTOCK festival on August 10-12, 2012. We’re dividing it into two parts, with Part 2 coming up tomorrow [now posted here].)

Ah, Bloodstock. Always an interesting festival, caught between its early power/trad-metal roots and its steady expansion into a more rounded, extreme/non-mainstream metal festival. This year’s line-up was pretty enticing, but circumstances and finances looked set to prevent my attendance. But fate and serendipity stepped in (thank you Sahil!) and on Friday 10th of August I found myself once more pulling into the festival’s parking lot, with a song in my heart and a shiny guest wristband on my arm.

 

FRIDAY

Carefully timing my arrival to coincide with that of Moonsorrow, I wasn’t disappointed, the band utterly on fire, despite the occasionally washed out sound. It helps that the set-list comprised some of my favourite Moonsorrow tracks, I’ll admit that, but the performance itself was brilliant either way. The only downside is that, due to the length of their material, it always seems like too few songs

Sepultura put on a damn good show, their new drummer certainly doing his best to live up to Igor Cavalera’s enviable legacy, while the triptych of Derrick, Paulo, and Andreas showed again and again why they stuck with the name – they just do it all better. The new material sounded great live, while the quartet give the old stuff, including a brace of Beneath The Remains-era material, new life and vigour. Props as well for the welcome, but unexpected, guest slot from Tim “Ripper” Owens on “Territory”.

Dio Disciples were, in many ways, something of a curiosity for the festival. Essentially Dio’s band with a different singer (and a few guests), it’s hard to judge them on merit alone, as their appearance was due to far more than just an ability to play the songs well. This was a tribute to one of the genre’s legendary figures, and while it would be churlish to say it was simply a well-received cover set (the downright dedication to this band’s slot bordered on the fanatical), one can’t help but be moved by this show of respect, and by being reminded of the sheer quality of the material on display. Continue reading »

MY OLYMPICS

 RANDOM FUCKING MUSIC  7 Responses »
Jul 272012
 

I watched some of the opening ceremonies from London. Some of it was cool, like the cascade of lights falling from those big gold rings in the sky. But I gave up not long after Mr. Bean accompanied the orchestra on the theme song from Chariots of Fire.

I decided if I was going to watch spectacle, with big throngs of people, lots of lights, and explosions of sound, I should at least watch something with good fuckin’ music going on. So I watched these instead:
 


Continue reading »

NCS NEWS ROUND-UP: ASPHYX, HIGH ON FIRE, 7 HORNS 7 EYES, AND BEHEMOTH

 Metal News  1 Response »
Feb 232012
 

Quite a few news items were delivered to the NCS Island today via carrier pigeons, which are our preferred mode of news transportation. Unfortunately, a few of the pigeons dived left when they should have dived right and landed in the loris compound, where they were unceremoniously converted into squab tartare. We’ll never know what important messages those brave aeronauts were carrying. But the ones who made it safely to the NCS editorial offices revealed the following:

ASPHYX

Yours truly can testify that the new Asphyx album Deathhammer is a delicious serving of primal death-doom with more hooks than you’ll find in this guy. But you don’t have to take my word for it, because DECIBEL has started streaming the whole album here.

HIGH ON FIRE

High On Fire’s new studio album De Vermis Mysteriis has now been scheduled for an April 3 release by eOne Music. It was recorded in Salem, Massachusetts’ GodCity Studios with producer and Converge guitarist Kurt Ballou. The album title apparently comes from a fictional grimoire created by Psycho author Robert Bloch and incorporated by H. P. Lovecraft into the lore of the Cthulhu mythos.

According to the press release I got, “The album carries a deeply mystical undercurrent, incorporating fantastical themes and lyrics detailing, among other things, time travel, a serum called liao that is made out of a black lotus, and ‘a Jesus twin who can see the past through his ancestors’ eyes.'” However, portions of the release were obscured by pigeon dung, so I can’t swear I got the Jesus twin thing right. Continue reading »

TOURISM

 Metal News  3 Responses »
Jan 222012
 

I’ve been catching up on metal news today and came across news of three upcoming U.S. tours that are . . . newsworthy, to say the least.

I’m guessing this first one will be old news to many of you, since it surfaced on Friday, but it has sure produced some tumescence in your humble editor’s loins today. Behemoth, Watain, The Devil’s Blood, and In Solitude will be hitting the road for The Decibel Magazine Tour, a 26-date trail of wreckage across the U.S. starting in April. It will be the first Behemoth tour for Nergal since being diagnosed with and beating leukemia. That’s a cool tour flyer by Justin Bartlett up there, too.

More details, including tour dates, venues and ticket info, will be announced at www.decibelmagazinetour.com on January 24th.

But that’s just for starters. Mastodon’s Troy Sanders recently confirmed that his band plus Opeth and Ghost will be embarking on a North American tour of their own. During a recent interview at a Belgian radio station, Sanders stated: “We go to Australia to take part in the Soundwave Festival, which is going to be lovely, take a short break. Do a North American tour with Opeth and Ghost. And then take another break and come back over here for the European festival season.”

I have a feeling a few people will buy tickets for that tour. No further details are available at this time. (found this news via Loudwire)

And that’s not all. Would you believe a 30-date tour of the U.S. this summer by Agalloch?!? Continue reading »

THE SYNN REPORT: OUT WITH THE OLD, IN WITH THE NEW

 THE SYNN REPORT  15 Responses »
Dec 292011
 

(Andy Synn provides an unexpected SYNN REPORT, seizing upon the imminent calendar change to discuss the re-recording of 12 songs by 12 tremendous bands — and of course we’re including the music, which means 24 tracks. Fuck, this would be a mixtape that KILLS.)

So here it is, a surprise Synn Report to finish off the year. Arbitrary though the distinction may well be, the end of the year provides a perfect excuse to attend to a similar theme, the transition from the old to the new – re-workings and re-recordings.

Are they better? That’s an argument for the ages? Are they necessary? Hell, that’s probably an even worse argument to start up…

Primarily, re-recordings serve a twofold purpose – 1. to reinvigorate songs that might otherwise not be getting the set-time they deserve, and 2. – to royally piss off a band’s fan-base. Although there’s a chance that the second isn’t entirely intentional. Still, the re-recorded album courts controversy like almost no other, whether it’s a varied collection of songs that are chosen to receive the treatment, or a full re-recording of an entire album.

The full re-recording of an entire album is clearly the most contentious option, while single track re-recordings are often a much more successful and welcome proposition, most often appearing as b-sides and bonus tracks for the avid collector. The full-album re-recording, however, remains exceptionally and unequivocally divisive, alienating as many old fans as it attracts new ones.

So here’s a list of some of those renewed tracks that I think definitely have something to offer the listener, both old and new. I’m sure I’ll have to turn in my kvlt card after this, for promoting something so new and shiny, but ah well… Continue reading »

BEHEMOTH: THE “LUCIFER” VIDEO

 RANDOM FUCKING MUSIC  24 Responses »
Oct 052011
 

Behemoth’s video for the song “Lucifer” from the Evangelion album debuted yesterday, in both censored and uncensored versions, and it’s a beautifully made, visually striking piece of work. The song itself is dramatic, potent, massive, and the imagery of the video suits the music.

As far as I can tell, the lyrics to “Lucifer” are the lines from a poem by Tadeusz Micinski. The poem is in Polish, but I found a literary (ie, not entirely literal) translation — which tells me that the imagery in the video has very little to do with the lyrics. And the imagery itself, though highly symbolic, is open to interpretation.

It seems to depict a hospitalized girl in the last minutes of a fatal illness or injury, with a priest in the room calling for divine intercession and a red-eyed black unicorn (perhaps symbolizing death) making his steady approach. And from there, I lose the thread of the visuals. They’re arresting to see, but what they are intended to mean I’m unsure, though I’m still thinking about it. I suppose the fact that I’m still thinking about it is a sign that it’s waaaay above average, as metal videos go.

After the jump is the uncensored version of the video (female nudity, of course) plus the translation of the lyrics to “Lucifer”. If you’ve got ideas about what the video means, or at least how you choose to interpret it, please leave us a Comment. Continue reading »

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