Jan 122016
 

collage500

 

(This is Part 6 of our Norwegian friend Gorger’s continuing feature on bands we seem to have overlooked at NCS. And be sure to check out Gorger’s Metal.)

Cheers anew, and a headbanging new year. The past has been revisited a bit lately on NSC, a site that typically holds a firm stare into the crystal ball. I have, after hours arguing with myself, decided not to spend days arranging a 2015-favorites list. Thus, at least I can spend some time presenting some infectious releases from the year that kicked the bucket on its own birthday. I hope you’ll find something you’ll pursue and enjoy. Continue reading »

Dec 112015
 

radar5

 

(Here’s Part 5 of our Norwegian friend Gorger’s entertaining multi-part feature on bands we seem to have overlooked at NCS. Part 1 is here; Part 2 is here; Part 3 is here; Part 4 is here.  And be sure to check out Gorger’s Metal.)

Intro shmintro. Now, with those formalities out of the way, lets get to it.

KHORS – THE FLAME OF ETERNITY’S DECLINE (Re-Release)

Ukrainian Khors celebrate the ten-year anniversary of their début, and mark this occasion by releasing the album in remastered edition with new cover art. My two previous meetings with the band, their fourth and fifth albums Return to Abandoned (2010) and Wisdom of Centuries (2012), left me with a decent impression, but not much more. I haven’t forgotten the albums though. At least that’s a good sign.

Something seems to have been lost along the way, for my impressions of The Flame Of Eternity’s Decline are a good deal better. The music here eagerly grabs me and drags me along from the very beginning. Continue reading »

Nov 232015
 

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(Here’s Part 4 of our Norwegian friend Gorger’s entertaining multi-part feature on bands we seem to have overlooked at NCS. Part 1 is here; Part 2 is here; Part 3 is here.  And be sure to check out Gorger’s Metal.)

With Islander back in the saddle, I felt no hurry to complete this fourth part of Beneath the NCS Radar.

This was initially intended as the last episode of the series, but then the producers decided to give Season 2 a chance. I’ve discovered more music that deserves a larger audience. This leaves me with a question, though.

If this were to become a regular feature, the name would sort of bite its own shiny metal ass. If it’s presented on NSC, than it’s no longer off the NCS radar, and thus the very title becomes contradictory. Perhaps this minute dilemma is so
small it is negligible. Moving on… Continue reading »

Nov 122015
 

cover-collage

 

(Norwegian guest contributor Gorger has provided us with Part 3 of  a multi-part feature on bands we seem to have overlooked at NCS. Part 1 is here; Part 2 is here.  And be sure to check out Gorger’s Metal.)

Whilst Islander is busy polluting Alaska (Yeah, I’ve figured you out. Just wait until I tell Steven Segal), I thought I’d continue polluting No Clean Singing!

DENIAL – 11∞22.4’N 142∞35.5’E

If you recognized the band name Denial, that’s not necessarily surprising. There are at least 12 bands with that name around. Continue reading »

Nov 102015
 

cover-collage

 

(Norwegian guest contributor Gorger has provided us with Part 2 of  a multi-part feature on bands we seem to have overlooked at NCS. Part 1 is here.  And be sure to check out Gorger’s Metal.)

Welcome to part two of (hopefully) four, where I aim to help Islander avoid days with few posts whilst also spreading the disease. Let’s get to it.

MOONREICH – PILLARS OF DETEST

Those who revel in filthy French blasphemy should be no stranger to Moonreich. Those who followed Islander’s tip about the delightful free compilation Sampler MMXV from Les Acteurs de L’Ombre Productions, might have heard at least one of these detesting pillars. Continue reading »

Nov 052015
 

Vaee SolisPsychophobia
 

Vorage coverHellion cover

(We welcome back Norwegian guest contributor Gorger, who has provided us with another feature on bands we seem to have overlooked at NCS. For readers of Norwegian, please check out Gorger’s Metal.)

Thirteen months ago I did a short series of reviews (here and here) under the moniker “Metal Not Previously Featured On NCS”. Now that Islander is busy gazing into the sky I thought I’d chip in a contribution once again. (What? He’s working? Well, that’s what you get for only looking at the pictures).

There are more creative serpentine forces lurking and dwelling in the underground than ever. With all new creeping and crawling releases that are spewed forth, no one can keep track of everything. Thus, good stuff flies under the radar, undetected or forgotten and lost in the pandemonium (along with you-know-who). Continue reading »

Apr 022015
 

 

(We welcome back Norwegian guest contributor Gorger, who has provided us with a review of a new album by Crom Dubh that originally appeared in his native tongue on Gorger’s Metal, as well his review of a new split by the Greek bands Akrotheism and Septuagint.)

I tipped Islander off to a track by London-based Crom Dubh not long ago, but he’s a busy bee, and I think these guys deserve some attention, so I asked if he wanted me to present a few words on their first album. Today I discovered yet more delightful metal, this time from two Greek bands. What has crawled into the drinking waters of Greece and infected the metal community of the nation lately? I’m adding them as a bonus.

CROM DUBHHEIMWEH

When the British quartet Crom Dubh released their debut after more than ten years of existence, that is something we could take delight in, for these lads deliver rapturous grimness and a poignant fresh take on “melodic” extremity. Continue reading »

Mar 312015
 

 

(We welcome back guest contributor Gorger, who reviews a new split release by three Greek bands — Awe, Vacantfield, and End. For those with Scandinavian linguistic skills, check out Gorger’s Metal.

Me writing this post was triggered by the fact that this release was leaked more than a week prior to the release date. What kind of a person with actual love for metal would even consider doing such a thing? I can, to an extent, understand why some people download (that is a different discussion altogether). However, I can not understand those who supply others with pirated metal. Is it the need for admiration? To be respected like some generous Santa? At least bloody wait ’til the album’s released, you fucking retard!

But I’m not going to do a lecture on the subject of pirating. Rather, I’m going to promote this split and give three good bands some well-earned attention. What you see above is a marvelous rendition of the Moerae. Don’t worry, you’ll find out soon enough. It was painted by Vamon VII, who also created the rest of the gatefold paintings.

Three Greek black metal bands with varied years of experience each contribute to present one (approximately) 17-minute-long song. All of them offer rawness, intensity, and suggestion (hypnotic, that is), and the tracks suit each other surprisingly well, despite differences in production, which is something that is also fitting, as they are bonded together by a concept. It feels natural to do this short review, song by song, band by band. Continue reading »

Oct 032014
 

 

(We welcome back our Norwegian guest contributor Gorger, with Part 2 of an entertaining post that we began earlier this week.)

Welcome to Part Two of my little presentation of stuff I don’t think NCS has covered. If I’m mistaken about that, sue me. There’s a few dozens other releases I would like to shout about, but this seems like the best criterion to help me select by means of elimination. Part One can be read here. On we go, then.

NO RAZA – WHEN CHAOS REIGNS

Let’s start of with a trip to Colombia to meet four guys who have managed to put together an unusually solid death metal album. My impression is that this South American country is better known for cranking out brutal extreme metal with limited sophistication. Maybe I’m wrong. It has to happen sometime.

The band was apparently originated as early as 1997, but the first sign of life was the debut album from 2004. This was followed by a live album, video, and an EP before the sequel was released in 2012. I’m new to this band, and my enthusiasm for their death metal is due to several factors. Continue reading »

Sep 302014
 

(We welcome guest contributor Gorger, who explains himself and the objective of this new series as follows… )

Let me start off with a short presentation of myself. For almost a year I’ve been running a Norwegian metal site with a focus on reviews of metal releases. The site is split into two forms of reviews. There are the standard reviews, where I listen a plethora of times before writing a medium-long, moderately indept description with a dice-scaled rating, and then there are what I call “Impressions”, where I listen to an album a few times before writing short and somewhat impulsive description with a classification as Approved (V), Dissapproved (X), or Intermediate (VX).

Like Islander, I know what lack of time is. I have a wish of making a parallel, English-language version of my site, but that ain’t happening any time soon. When Islander told us all he’d be leaning back between two loud-speakers and enjoying some full albums for a change, I decided this was a perfect time to both give something back to this enlightening site and also do a “pilot” of English translations, to see how that would work. I plan to present 16 releases from the past two months over three posts, and the criteria are these:

-Only albums that have not earlier been presented in any way at NCS.
-Only music that fits the NCS profile (i.e., no clean singing)
-Only music that fits the NCS concept (i.e., only recommendable releases)

We are all excited to see which records will be reviewed by our host. In the meantime (yes, time is mean indeed) I hope you’ll find something interesting here. For those with Scandinavian linguistic skills, check out Gorger’s Metal.

I’ll put it all in chronological order. Now, let’s get started, shall we? Continue reading »