Apr 282010
 

In our more sentimental, naive moments, we like to think that if you lead a good life, good things will come your way. That’s the first thing we thought last night when we saw the announcement of an incredible tour launching this fall. And then we realized that you could lead the most disgustingly vile life imaginable, and all it would take for you to see this tour would be to live within driving distance of 21 select cities. So, call it random chance if you want to be strictly logical. But since one of those select cities is Seattle, we like to think it’s our reward for being so fucking good.

Feast your glazed, hooded eyes on this international line-up:

NILE (U.S.)
EX DEO (Italy)
PSYCROPTIC (Tasmania)
KEEP OF KALESSIN (Norway)
PATHOLOGY (U.S.)

See what we mean? That’s as strong a line-up from top to bottom as we’ve seen in many moons. It’s metalhead luxury beyond the dreams of avarice. It’s got to be a reward for something, doesn’t it? So for all of you out there who’ve been good, congratulations.  And for all of you who have been disgustingly vile, check out the the list of tour dates after the jump to see if random chance has allowed you to live within driving distance of one of the anointed cities.

It’s really hard to say which of these bands we’re most stoked to see, because they’re all awesome, but Psycroptic is certainly in the running. Those devilish tech-death savants from Tasmania have put out one ass-kickingly brilliant album after another and recently released an awesome live CD/DVD combo called Initiation. So, in honor of this tour’s announcement, we’ll play you a song from that live album (also after the jump . . .)

Continue reading »

Apr 272010
 

We’re suckers for eye-catching album art.  We’ve found, more often than not, that when the album art is really cool, there’s something worth hearing in the music, too. That’s not based on a statistically valid survey, of course, and it doesn’t make any logical sense. But in our own personal case, it seems to be true.

To test out that hypothesis, we hunted through news items on a recent 48-hour period at Blabbermouth to find eye-catching album art, and then we listened to music from the albums in question.

For example, check out that one above.  Actually, if you’re already on this page, you don’t really have any alternative but to check it out. But it’s pretty fucking cool, isn’t it? It’s the cover to a new album called Reptilian by Norway’s Keep of Kalessin, which will be released n North America on June 8 via Nuclear Blast and in most of Europe on May 10 through Indie Recordings.

Based on the track listing (which you can see here), it appears that many of the songs will have something to do with, uh, dragons. So whaddaya know? In addition to being scary cool, the album cover actually has a thematic connection to the music.  The band’s guitarist Obsidian C. commented on the cover: “The music on Reptilian is more in your face and direct than before so we chose this cover and the title to emphasise that directness as well as focusing even more on the fantasy elemement in the band. This beast of an album is staring at you and it’s going straight for your throat!”

Well, if we had a dollar for every band that used the “straight for your throat” line to describe its music, we could quit our day jobs and flog away on this blog full-time. The question is whether Obsidian C. is spouting mere puffery or whether the music really is as cool as the album cover.  That’s the point of this little experiment. What’s the answer?  (we’ll give you our opinion, after the jump, plus another test case for our hypothesis about cool album art and cool music . . .) Continue reading »

Apr 262010
 

Three months ago we stumbled across a young Greek guitar virtuoso named Gux Drax, and based on the evidence of a few instrumental songs that were then available from a forthcoming solo album, we wrote a short post saying how blown away we were by what we were hearing.

The complete album is now out, and we’ve had it on heavy rotation since it arrived from Greece. It’s called In Search of Perfection, and as far as we’re concerned Gus can ease up on the search — because it’s nearly perfect.

We’ll tell you about that album and why you definitely should track it down, we’ll give you a song to stream from the album, and you can read our interview of Gux Drax — all that after the jump. Continue reading »

Apr 252010
 

Insidious Disease is an international super-group.  What does that mean?  It means that the members come from bands that extreme metal geeks like us hold in high esteem, and they’re spread among many countries.  To be specific, the members of Insidious Disease are:

Marc “Groo” Grewe (ex-MORGOTH) – Vocals
Sven Atle Kopperud (a.k.a. Silenoz) (DIMMU BORGIR) – Guitar
Shane Embury (NAPALM DEATH, BRUJERIA, LOCK UP) – Bass
Tony Laureano (ex-DIMMU BORGIR, NILE, ANGELCORPSE) – Drums
Jon Øyvind Andersen (a.k.a. Jardar) (OLD MAN’S CHILD) – Guitar

Seriously — gaze upon those names, and be honest: You’re interested, aren’t you? We sure as hell were. And we weren’t the only ones, because this band has just signed a worldwide deal with Century Media Records. They’ve recorded 12 songs for a debut CD to be called Shadowcast, and from what we’ve heard, it’s going to be a fucking killer.  (more after the jump, including a song . . .) Continue reading »

Apr 242010
 

The next album from Germany’s Heaven Shall Burn will be called Invictus.  It’s scheduled for release on different dates in May throughout Europe and on June 8 in North America. Yesterday the band put up the second track from Invictus on its MySpace page. It’s called “Combat”.

And if you thought the first song from the new album (“Omen”) was good — which we sure as fuck did — then you really have to hear “Combat”. It starts with a hammering riff and a howl, and takes off from there into a sonic war zone. It blends the fury of bombs exploding with feverish melodic riffs, Marcus Bischoff‘s distinctive shrieking, blackened keyboard pulses, and snatches of industrial dance-floor daze.

The song is heavy as fuck but galvanizing in its get-up-and-move compulsion. We thought “Omen” was outstanding (and said so here), but “Combat” is another step up. Based on these two samples, Invictus promises to be a landmark in the Heaven Shall Burn pantheon of discography. Seriously, go check it out here.

Apr 232010
 

On the night of April 21, The Finnish Metal Tour 2010 played Seattle’s El Corazon, and two of your NCS Co-Authors were there to bear witness and file this report — along with a big batch of our amateurish photos.

With the likes of Finntroll, Moonsorrow, and Swallow the Sun on the bill, we expected nothing less than excellence on stage, and that’s what we got. Which brings to mind a question we’ve had before:

How does a country with only 5.4 million people produce so many awesome metal bands? We still don’t know the answer. But whatever the explanation, here’s hoping it doesn’t stop. Judging by the reaction of the full house at El Corazon, we’re not alone in feeling that way.

Before the procession of Finns took the stage, two local bands got the growing crowd nice and warmed up.

BLOOD AND THUNDER

This five-piece Seattle band plays Gothenburg-flavored, melodic death metal, driven at a galloping pace by some flashy keyboard and guitar work. They’ve got some good song-writing chops, too. The songs were memorable, and we’ve been drawn to the band’s MySpace page to listen again.

They’re one of those rare bands whose lead vocalist is the guy behind the drum kit, and his evil, death-metal vocals make a nice contrast with the memorable melodies. We were told that the band has finished tracking a debut album, to follow an EP released last year. We definitely want to hear it. A strong start to the night!  (our concert notes continue after the jump, plus lots of photos at the end . . .)

Continue reading »

Apr 222010
 

We got caught in a temporal vise. On one side was The Finnish Metal Tour 2010 at El Corazon in Seattle last night. Two of your NCS Co-Authors hit that up, and man, was it awesome! Finntroll (pictured above in one of our photos from last night), Moonsorrow, Swallow the Sun, and two very good local bands (7 Horns 7 Eyes and Blood and Thunder).

Those Finns don’t do half-measures. They all played long and late. We’re not complaining — but let’s just say it was the wee hours of the morning before we hit the rack. That’s one side of the temporal vise. And on the other side? The fucking day job. And the time in between the two just got squeezed down into a wafer-thin layer of almost nothingness. Certainly not enough time to finish messing with all the photos we took or to write our reactions to what we saw and heard.

So, to tide you over until tomorrow, when we can post our review and a batch of photos, we’re doing this: After the jump, we’ll post one photo from each of the Finnish band’s sets last night plus one album track to stream of a song from each of those sets. So, you’ll get songs from Swallow the Sun, Moonsorrow, and Finntroll to hear as you gaze at the photos — and imagine just how ridiculously good this concert was.  (all that, after the jump . . .) Continue reading »

Apr 212010
 

This news item in yesterday’s paper caught our eye. Under the headline “Iranian cleric: Promiscuous women cause quakes”:

“A senior Iranian cleric says women who wear immodest clothing and behave promiscuously are to blame for earthquakes.

“Iran is one of the world’s most earthquake-prone countries, and the cleric’s unusual explanation for why the earth shakes follows a prediction by President Mahmoud Ahmadinejad that a quake is certain to hit Tehran and that many of its 12 million inhabitants should relocate.

“‘Many women who do not dress modestly … lead young men astray, corrupt their chastity and spread adultery in society, which (consequently) increases earthquakes,’ Hojatoleslam Kazem Sedighi was quoted as saying by Iranian media. Sedighi is Tehran’s acting Friday prayer leader.”

You may ask, as we did, “What the fuck?!?” But wait, there’s more — and we’re going to connect up this lunacy up with Iranian metal, too!  (more after the jump . . .) Continue reading »

Apr 202010
 

Hey, sorry we made that album cover (above) so big.  We know it must have come as a shock when you opened up this page and saw that gruesome piece of mind-fuckery. We just couldn’t help it. We have to have our fun where we find it.

Yeah, so that’s an album cover. Not just any album cover, but an album cover by Pär Olofsson, who’s done the album art for bands like Immolation, Miseration, Revocation, Arkaik, Immortal, The Faceless, Winds of Plague, and many others. We put up a whole bunch of his album covers for your viewing pleasure here not too long ago (scroll down when you get to that link).  Have to say that none of them really looked anything like the one above.

You may ask, “What’s it a cover for?” It’s a cover for an album called Quantum Catastrophe. You may ask, “Who’s the band?” The band is called Brain Drill. But of course it is. That’s a really accurate name. If you heard their 2008 debut album, Apocalyptic Feasting, you know what we’re talking about. The new one, the aforementioned Quantum Catastrophe, isn’t officially out yet. It’s not due for release (on Metal Blade) ’til May 11. But you don’t have to wait until then for a taste.  (more after the jump, including some audio and video tastes . . .) Continue reading »

Apr 192010
 

Sometimes simple, blunt-force trauma works just fine.

Evil Power, the recently-released album by Chicago’s Lair of the Minotaur, is a grab-bag of different musical styles. But the songs do have some things in common: They’re all nasty, stripped-down, unpretentious, in-your-face headbangers, and the album as a whole is a real bright spot in the year’s new releases to date.

The songs have one other important thing in common: They’re packed with more heavy, grinding bass and guitar riffs and power-hooks than any one band ought to be allowed.

As for those stylistic variations, the album includes thrash-metal stylings, sometimes mixed with hard-rock chords and drum fills (“Attack the Gods”), metal-infused punk rock rhythms (“Let’s Kill These Motherfuckers”), old-school death-metal riffs that could be straight out of Metalocalypse or Wolverine Blues-era Entombed (“Riders of Skullhammer”), stripped-down, blackened metal with plenty of tremolo-picked chords (“Goatstorm”), and sometimes combinations of almost all the above (“Blood From the Witch’s Vein,” “We Are Hades”).  (more after the jump, including a song to stream . . .) Continue reading »