Islander

Oct 042021
 

 

I’m in the midst of reading a long essay that was prompted by the appearance of three new translations of Dante’s Purgatory, which were recently published to coincide with the seven-hundredth anniversary of Dante’s death, at fifty-six, in September of 1321. While devoted primarily to Purgatory, the essayist eventually brings into play the depravities rendered in Dante’s Inferno, the place where (as one writer put it) “the self and its despair [are] forever inseparable”. At that point the essayist included this quotation from an Inferno translation:

I never saw a barrel burst apart,
Having sprung a hoop or slipped a stave,
Like that man split down to where we fart,

His guts between his legs, his body splayed,
Its organs hanging out, among them that foul sac
Which turns to shit all that we eat.
As I beheld this gore he looked at me
And even wider tore his breast apart
“See how I spread myself,” said he.

Not long after stopping at that blood-congealing point in my reading, I listened for the first time to the song we’re premiering today, and became equally horrified. The juxtaposition couldn’t have been more abominably perfect. Continue reading »

Oct 042021
 

 

(Karina Noctum brings us this new interview of Jamie Bailey from the Tennessee brutal death metal band Brodequin, whose new EP Perpetuation of Suffering was released at the end of August 2021 by Unmatched Brutality Records.)

I discovered Brodequin pretty early when I started listening to metal as a child because I was pretty impressed by impossibly fast tempos and looked specifically for the most extreme music I could find. It was awesome to get to to see the band live and active again some years ago. Now recently they released their latest EP Perpetuation of Suffering after a long hiatus. The EP has a bit more slammy parts, but just enough, and it’s highly enjoyable. I’m really glad I had the opportunity to interview Jamie Bailey and talk about the EP, his label Unmatched Brutality, and what’s to come for Brodequin.

******

I loved the EP. When did you start writing it?

Thank you! We have been working on a lot of material for about 2 years. These tracks we have had for about a year, maybe a little less. We selected these as we felt they were a good representation of how we’ve been moving in respect to the writing style. Continue reading »

Oct 032021
 

 

This week’s SHADES OF BLACK is going to be a bit shorter than usual. For better or worse, I spent a fair amount of time pulling together the two Overflowing Streams roundups that I posted earlier today, and wasn’t able to get to everything I wanted to write about for this column. Still, it’s a fair share of music, with streams and reviews of two new albums and one new EP. I’ll add that all of these selections include black metal as only one of several genre ingredients.

HAIDUK (Canada)

Haiduk‘s fourth album Diabolica (released on September 21st) consists of 11 tracks, all but two of them less than three minutes in length. Both individually and collectively, they deliver such full-bore intensity they may suck the wind from your lungs. You can imagine being caught in the midst of a gale-driven firestorm, or desperately hanging onto the wing of a jet aircraft that’s blazing straight up into the skies. The dense, swarming riffs and maniacal leads are themselves a superheated blaze of head-spinning, mind-mutilating sound. Continue reading »

Oct 032021
 

 

And now to conclude the big round-up of new songs and videos I started here earlier today. I’m continuing to arrange everything in alphabetical order by band name, picking up where Part 1 ended, and continuing to add only scattered comments instead of more effusive verbiage.

LOCK UP (Sweden)

Last weekend I started a round-up with the same cover art you see above, though at that time there was no music. Now there is, along with a video made by Chariot of Black Moth. The song is from Lock Up‘s new album The Dregs of Hades (November 26, Listenable Records), and includes vocals from Kevin Sharp (Venomous Concept, ex-Brutal Truth) was well as Tomas Lindberg (At the Gates). Prepare for screaming, scathing, hammering death/grind madness. Continue reading »

Oct 032021
 

 

I’m playing catch-up, as usual. I had hoped to get this humongous round-up of new songs and videos (and one news item) posted yesterday, but the day didn’t work out as planned. Should you choose to go through everything (and you damned well should), it will take a while, because there are 15 items here, divided into two parts. And on top of that I still hope to pull together a SHADES OF BLACK post.

I’ve again alphabetized the selections by band name. There is singing to be found, especially in Part 2, as well as many candidates for my year-end list of Most Infectious Extreme Metal Songs. To get this done I’ve again limited my own verbiage to just brief scattered comments, without artwork and missing some of the usual pre-order links.

AQUILUS (Australia)

I don’t have any music to share for this first band, merely the long-awaited news (and yes, a 10-year gap between albums qualifies as “long-awaited”) that Horace Rosenqvist has a new Aquilus album named Bellum I set for release in early December by Blood Music. That’s so exciting that I thought it was worth including the news, which I usually never do when there’s no music yet. Also, the cover art by Julius von Klever is great. Continue reading »

Oct 012021
 


Unto Others

(NCS contributor Gonzo returns with another end-of-month roundup of music that caught his ears.)

There are a few bittersweet observations I’ve come to realize in the past month, related both to music and to the endless hellscape that is the human condition:

As of this writing, 2022 is just three months away and I’m still processing whether 2020 was even real. This means that while I survived the endlessly overwhelming shitstorm of that year, it does beg the question of how much worse this planet could get for humans over the next decade.

While live music is back and I’ve been reveling in the joy of sweaty venues and the sleep deprivation that comes with festivals again, I was just notified that Judas Priest is postponing the rest of their tour due to Richie Faulkner’s heart condition.

The next date would’ve been where I would see them (for the first time, no less) here in Denver.

Fuck.

The good news? Sabaton, who opened for Priest on this tour, is still playing a show in Denver, and by the time this piece goes to print, I’ll have seen the show and will post a full review in the coming days.

In the meantime, I’m at least somewhat distracted by the troves of amazing heavy music that keep blasting out of the darkest corners of the netherverse as of late.

Join me as I take you through some unfettered heaviness and savagery that’s emerged in the past month and kept me sane as we descend into 2021’s final few months. This month, I’ve got two albums and three singles for you to delve into. Continue reading »

Oct 012021
 

 

Fans of Chicago’s Vukari will want to pay special attention to the following album premiere on the day of its release. Entitled Próżnia, it’s the debut full-length by the atmospheric black metal band Bialywilk, which is the solo side project of leading Vukari member Marek Cimochowicz. For this album, he’s also aided by an impressive group of session musicians — drummer John Kerr (Marsh Dweller, Noltem, Seidr), bassist Spenser Morris (Vukari), and Adam Harris, who performs synths on “Próżnia I”.

The title of the album is a Polish word that refers to the void — to the vacuum of space. Although Próżnia is not a concept album, the songs do deal with space and celestial realms, as well as mysticism and philosophical subjects. As Marek has explained to us: “So, overall the inspiration is about space and the void, but how vast and humbling it could be to the human experience. We are all part of the universe in a way but our bodies and consciousness are just a blip in the grander scheme, and as bleak as that sounds I find it pretty relieving”.

As you will discover, the music fits the grand and momentous themes of the lyrics, creating panoramas of blazing splendor that channel moods of awe, fear, and loss, coupled with heart-pounding rhythmic propulsion and vocals of harrowing intensity — and a couple of gripping ambient excursions into the void of deep space. Continue reading »

Oct 012021
 

 

Today it is our pleasure to present a striking video for a powerful song off the forthcoming debut album by the band Adliga from Minsk, Belarus. The album, Vobrazy (set for release on November 5th), features six songs with lyrics in the Belarusian language, some based on Belarusian folklore, and in their music the band interweave elements of doom and post-metal with vocals that exhibit great variety and range.

The song featured in the video we’re premiering is “Žyvy” (Alive). Its lyrics narrate a horrible dream, in which all life has been extinguished, the earth laid waste in blood and fire, and the observer struggles to make sense of how to exist. The narrative, which includes ruminations about destiny, ends with these words, translated from the Belarusian:

Here you are alone, and your life is at stake.
Death’s call has sounded,
This round you’ve almost lost

And clenching my teeth,
And pulse beats in temple,
Only one thought – I’m alive!
Alive!
Alive! Continue reading »

Oct 012021
 

 

(Comrade Aleks has again brought us a very interesting conversation with a very engaging personality, and this time it’s George Gabrielyan, the man behind the black metal band Gloosh from Siberian Russia, whose new album is being released today.)

Gloosh means “thick forest” or “backwoods” in Russian, a fitting title for  a black metal band from Siberia, isn’t it? It’s a one-man band / studio project started by George Gabrielyan just two years ago, and there are already one EP and two full-length albums in the Gloosh discography. This black metal has a strong “atmospheric” aspect and the lyrics are written and performed into Russian, though you can find the translations in Metal-Archives or Bandcamp, ‘cause George cares for the band’s followers.

Well, actually the second album named Sylvan Coven is just being released today, and it’s a good reason to interview George. But besides that news, George has much more to tell, as he does play nowadays in two more black metal bands – Eoront and Frozenwoods — so he seems to be the right person to know about a few more subjects, and not only about his own path to the blackened underground but also about the Siberian scene in general. Continue reading »

Sep 302021
 

 

(DJ Jet returns to NCS with the following interview of Johanna Platow Andersson, vocalist of the Swedish/German band Lucifer, whose new album Lucifer IV will be released on October 29th by Century Media. Credit for all photos accompanying the interview goes to Ester Segarra.)

 

Johanna we must start at the beginning back when you were an adolescent. Tell us about your family.

Both my father and step-father were photographers and my mother was very musical. I grew up with a brother, eleven years older than me and was always surrounded by art, books and music. We traveled a lot every year, I guess to compensate for having been locked up behind the iron curtain before we moved from east to west Berlin in 1985 when I was six.

 

What was it like for you as a kid to move  to West Berlin when “The Wall” was still in place?

It was a culture shock but a good one. It made me an outsider at school. It shaped me and made me very adaptable to anything life throws at me. Continue reading »