WITNESSED: FINNTROLL, NECROWRETCH, AND SEVEN SISTERS OF SLEEP

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  No Responses »
Jan 232013
 

Between last night and this morning, I finally found a little time to resume my usual spelunking through the interhole in search of metal nuggets of interest worth sharing. And here are a few of the items I found.

FINNTROLL

I found that Finland’s Finntroll have been rolling out versions of the cover art for their forthcoming, as-yet-untitled 2013 album. The artist is Samuli “Skrymer” Ponsimaa (whose FB page is here). They began with a pencil sketch of the cover and today they added the fully inked version that you see above. Presumably, we will eventually get the color version (the images are appearing on Finntroll’s FB page). Fuckin’ cool, no? To see a larger version of the art, click the image above.

NECROWRETCH

I first discovered (and wrote about) this French duo  a year ago when I saw they had been based solely on two demos (in 2009 and 2010) and a four-song EP in 2011 — Putrefactive Infestation, which I reviewed in that first post. Later, I also reviewed a two-song 7″ named Now You’re In Hell. I’ve been looking forward to their debut album, Putrid Death Sorcery, scheduled for release in North America on February 5 (order here). I previously featured the eye-catching album art by Montenegran artist Milovan Novakovic (which you can see again next). Continue reading »

GRAVEYARD RETURNS

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  1 Response »
Jan 172013
 

About a year ago I came across a Spanish death metal band named Graveyard via their just-released EP, The Altar of Sculpted Skulls. One of the initial attractions was the eye-catching, dread-inspiring, black-and-white artwork by Matt ‘Putrid’ Carr (Autopsy, Impetigo, Coffins, Hooded Menace, etc). The EP turned out to be just as spine-cracking, skull-bleaching, and deliciously morbid as the artwork (the review is here).

I am so happy to report that Matt Carr and Graveyard are back. Today the band announced that their new full-length album (their second) will be released on March 8 via War-Anthem Records. Its title is The Sea Grave, and Matt Carr has again created a great cover, with a Lovecraftian theme. Cthulhu! Tentacles!

Graveyard also released an edited version of a brand new track for streaming. The song is “The Visitations of the Great Old Ones”, and I’m really digging it. It alternately romps, stomps, and crawls, and it’s thoroughly saturated with the black ichor of occult horror. Have a listen after the jump. Continue reading »

SHORT BUT SWEET: ENSHADOWED / BURIAL HORDES SPLIT

 Album Reviews, Eye-Catchers, SHORT BUT SWEET  No Responses »
Jan 102013
 

One of our first album reviews of 2013 was Andy Synn’s recent complimentary write-up on the new work by Enshadowed, Magic Chaos Psychedelia. With Enshadowed on my mind, I discovered by coincidence that they appeared on a recent split with another Greek band, Burial Hordes (whose discography is listed here). The split was released last October as a vinyl 7″ and on tape by a Greek label named Razorbleed Productions, though they’ve apparently sold out of the tape. Copies of the tapes still seem to be available through NoiseGoat Productions and versions of the 7″ can still be found here.

What caught my attention is that today Razorbleed uploaded both tracks from the split to YouTube. After listening to them, I tracked down the artwork for the split, and my eyes got really big when I found it. As you can see above, the cover kills.

The music kills, too.  I wish that the tracks could be made available digitally. Maybe if we all whine and beg loudly it will happen. Continue reading »

PAOLO GIRARDI STRIKES AGAIN

 Eye-Catchers  1 Response »
Dec 122012
 

Over the last several months we’ve been posting artwork on the NCS Facebook page every day. There’s not a lot of rhyme or reason to the selections, other than the fact that they are strange enough or hellish enough to please my bloodshot eyes. Some of them have been created as covers for metal albums, though most haven’t had that purpose.

The Italian artist Paolo Girardi is someone whose work I’ve included in those Facebook posts, in addition to featuring here at NCS. I watch his Facebook page like a hawk for new creations, because they never fail to make my mouth gape open like a gaffed fish. Today he unveiled the painting you see above. I’m posting this on our Facebook page today, but I decided this should be spread across the front of the NCS site, too.

It’s the cover for a forthcoming album, though Paolo is keeping the band and album names secret for now. I already want it, because with a cover like this, I have a powerful feeling the music will be . . . devastatingly blasphemous.

Be sure to click the image above to see an even larger version of the image. And Merry Fucking Christmas to one and all!

SUFFOCATION: CLIMBING TO THE “PINNACLE OF BEDLAM”!

 Eye-Catchers, Metal News  23 Responses »
Nov 302012
 

Feast your eyes: The artwork for Suffocation’s next album, Pinnacle of Bedlam.

Created by: Raymond Swanland (who did similarly awesome deeds for the likes of Deeds of Flesh and Psycroptic)

Projected release date: Sometime in February 2013

Label: Nuclear Blast

Me:  Having some wood right now.

Is that too much information?

Here’s a nice Suffocation band photo: Continue reading »

EYE-CATCHERS: BYZANTINE, PORTAL, AND KONGH

 Eye-Catchers, Metal News, RANDOM FUCKING MUSIC  11 Responses »
Nov 282012
 

Time for another daily round-up of things I saw and heard this morning while snooping around the web that I thought were worth sharing. There’s one thing (and only one thing) that all three of the following items have in common: They all involve genuinely eye-catching cover art. The bands are Byzantine (U.S.), Portal (Australia), and KONGH (Sweden).

BYZANTINE

It was a very sad day when West Virginia’s Byzantine dissolved roughly five years ago following the release of Oblivion Beckons. The band broke a lot of ground while they were up and running, they had talent in spades, and they clearly weren’t the kind of outfit who were going to remain static in their musical approach as time passed. Much time did pass without new Byzantine music, but as we were thrilled to report much earlier this year, Byzantine have reunited.

They’ve completed recording a new album, self-titled, that’s currently scheduled for release on February 26 via Gravedancer Records. We’ve been tremendously fortunate to get an advance listen to the album, and all I can say at this point is that it more than makes up for those long years of silence. This is a mature band who have created something quite diverse and really special from end to end.

Today, they’ve unveiled a new song from the album by the name of “Signal Path”. I said the album is diverse, and so I don’t think any one song could really stand as representative of the whole, but “Signal Path” does display the kind of masterful integration of disparate elements that’s indicative of what the album brings — in this case, massive groove, infectious melody, soulful/gritty vocals, blazing guitar leads, and jazz-influenced soloing. Continue reading »

SEEN AND HEARD: VREID, BOTANIST, AND MAVETH

 Eye-Catchers  8 Responses »
Nov 282012
 

In my daily ramble through the interhole yesterday probably nothing made my eyes bug out quite as much as the sight of The Acacia Strain’s overturned van, which will force them to pull out of their tour with Veil of Maya but fortunately (and amazingly) left the band with only minor injuries. But a couple of other items were close seconds in the eye-popping competition. I’m including those in this post — new album art for the next releases by Vreid (Norway) and The Botanist (U.S.). I’ve also got for you a brand new song from Vreid and a new song by Maveth (Finland) from their forthcoming album.

VREID

Vreid’s last album, V, was extremely good. It made a number of the year-end lists we posted at the close of 2011, including our own Andy Synn’s list of “The Great Albums of 2011”. Summing up his thoughts, Andy called V “a stunningly dynamic series of songs that filter the thrashy energy and classical aspirations of Ride The Lightning-era Metallica through a blackened prism of primal fury.”

So my eyes went wide yesterday when I saw the album art for Vreid’s sixth album, Welcome Farewell, and the news that it will be released by Indie Recordings on February 26 in Europe, February 22 in Germany/Austria, and March 5 in North America. Yesterday Terrorizer also premiered a track from the new album named “The Reap”. I gotta be honest — it surprised me. Continue reading »

CRAWLING, WITH NERGAL, INTRONAUT, AND SULPHUR AEON

 Eye-Catchers, Interviews, Metal News, RANDOM FUCKING MUSIC  1 Response »
Nov 032012
 

As explained in today’s earlier post, I’ve had a bit of a setback. I can’t walk very well at the moment. But crawling still works. And as I crawled through the interhole and my e-mail this morning while moaning in pain and feeling like a prize dumbass, I found some news about Nergal (Poland) and Intronaut (U.S.) and new music from Sulphur Aeon (Germany) that made me feel better, at least psychologically if not physically.

NERGAL GETS SOME HIGH LEVEL SUPPORT

I saw a note on the Facebook page of Behemoth’s frontman Nergal that looked interesting. You may have seen (either here or elsewhere) that Nergal’s legal troubles in his native Poland have been revived thanks to a ruling by the Polish Supreme Court that he can be criminally prosecuted for offending people’s religious feelings even if he didn’t intend to do that. This whole mess stems from a 2007 Behemoth performance in which Nergal tore up a Bible on stage.

There are plenty of places in the world where governments repress speech, sometimes violently, but I don’t usually think of Poland that way. So I was surprised when the country’s highest court made it easier, not harder, for people in Poland to be prosecuted for expressing “offensive” thoughts about religion.

What Nergal’s note revealed is that the day after this abysmal court ruling, the European Commission — which is the executive body of the European Union, of which Poland is a member — released a statement in support of Nergal. Citing the European Convention of Human Rights, a treaty that Poland signed which protects freedom of expression, the EC stated: “This right protects not only information or ideas that are favourably received or regarded as inoffensive or as a matter of indifference, but also those that offend, shock or disturb.”

The full article cited by Nergal is here. It’s not clear how the EC’s position or Poland’s treaty obligations will affect the progress of the case against Nergal, but it’s definitely an interesting and encouraging development. Continue reading »

SHORT BUT SWEET: BEYOND MORTAL DREAMS – “DREAMING DEATH”

 Album Reviews, Eye-Catchers, SHORT BUT SWEET  9 Responses »
Oct 232012
 

It’s not often that in the space of a four-song EP a band establish themselves as a paramount force in their chosen genre of music, but that’s what Beyond Mortal Dreams have done on Dreaming Death. This Australian band recorded a debut album in 2008 (From Hell), but this April 2012 self-released EP is a new beginning, reflecting both a revised line-up and an especially powerful take on dark, supremely brutal death metal.

Three of the songs are original and the fourth is a cover of Beherit’s “Beast of Damnation” — and the choice of a Beherit song should tell you something about this band.

The music on Dreaming Death is both galvanizing and transfixing. It made me imagine standing in the presence of an infernal creature that’s monstrous and yet magnificent, a sight that would freeze you in place with fear yet accelerate the rush of blood through your veins in a supercharged burst of adrenaline.

The hyper-speed riffs swarm like a horde of red-eyed bats bolting straight out of Hell. It’s a dense, raw, distorted sound that’s almost overpowering.The listening sensation is horrific, like being caught in the cataclysmic destruction of a battlefield or being processed through a giant meat-grinder capable of turning entire populations into sausage stuffing, bones and all.

The guitar solo’s erupt like sheets of white lightening. They’re scalding and blazingly fast, yet they’re also melodic — if you can wrap your mind around that conundrum. Continue reading »

EYE-CATCHERS: SAM NELSON, BUNCH, STOIC DISSENTION, KITEZH, HANDSEL

 Eye-Catchers, RANDOM FUCKING MUSIC  5 Responses »
Aug 282012
 

One thing leads to another. In late July, I came across an awesome album cover by Denver-based artist Ken Sarafin (Sarafin Concepts) for a death metal project created by Sarafin called Bunch (and posted about that here). Though it isn’t available yet, the album will be titled Otero.

Then yesterday I saw the amazing artwork you see above, which appeared on the Bunch Facebook page. It’s an alternate cover for Otero (Bunch will eventually have three alternate covers for the album, with the third one coming from Mark Cooper of Mindrape Art — and one day I’ll devote a post to him, too). The artist is Sam Nelson, who’s also in Denver and calls his graphics business Stigma Art.

Well, having seen that killer Otero cover, I had to find more of Sam Nelson’s work, which I did — and holy hell, is he good. Some of his most striking recent works turn out to be covers for forthcoming albums by metal bands whose names were new to me. So of course I had to find some of their music, and it turns out to be worth sharing — and voilà, this post came together!

So, after the jump, feast your eyes on Sam Nelson’s cover art for Stoic Dissention and Kitezh, listen to some of their past music, and also check out a couple tracks from a music project between Nelson and Sarafin called Handsel (yeah, it’s really annoying that these dudes also have musical talent in addition to being fine artists), plus a few more examples of Sam Nelson’s creativity. Continue reading »

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