AN NCS INTERVIEW: PROSCRITO

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Dec 232019
 

 

(Comrade Aleks helps us begin hell week with a fiendishly entertaining and perhaps surprisingly wide-ranging interview of guitarist Ricard of the Spanish death metal band Proscrito, whose debut album will be released on January 27th by Memento Mori, as well as by Discos MeCagoEnDios.)

Proscrito is a tough and ugly death doom outfit from Sabadel, Spain (referring to the music, to be clear). It was formed as a trio in 2016, not long ago as you see, but their progress from the demo El Calvario released in 2017 to the forthcoming full-length Llagas y Estigmas is remarkable. It’s straight and hellish, truly macabre and slow torturous doom, so I didn’t expect such an in-depth conversation from one of Proscrito’s crew. However, their guitarist Ricard provided a great interview that I’ve truly enjoyed. Continue reading »

AN NCS INTERVIEW: HANGING GARDEN

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Dec 182019
 


photo by by Kalle Pyyhtinen

 

(Today Comrade Aleks presents the following interview with Toni Toivonen, vocalist of the Finnish band Hanging Garden, whose name will be well-known to long-term visitors at our site, and whose latest album Into That Good Night was released by Lifeforce Records on November 15th.)

Started fifteen years ago as a melodic death doom band, Hanging Garden from Finland follow their way of metamorphosis from album to album, while keeping a few things inviolable. They have a dominating melancholic mood, through the general melody of their material and their artistic approach to performing their material, and emotional variety based on heavy and cleaner instrumental parts as well as extreme and clean vocals.

Their sixth album Into That Good Night saw the light of day on November 15th through Lifeforce Records, and we can tag it as “melancholic metal” as this term doesn’t imply any strict obligation. But why not try to root out Hanging Garden’s essence with one of its members — here’s the interview with Toni Toivonen (vocals). Continue reading »

AN NCS INTERVIEW: SUN OF THE DYING

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Dec 162019
 

 

(Comrade Aleks has had a very busy fall, and as a consequence we have many of his interviews lined up to appear between now and the end of 2019, including this discussion with members of the Spanish doom/death band Sun of the Dying.)\

Here we have Madrid-based Sun Of The Dying, a band that has developed shortly from a quite depressive yet melodic doom death metal of their debut album The Roar Of The Furious Sea (2017) to the richer melancholic and atmospheric themes of their brand new album. The Earth Is Silent saw the light of day on the 29th of November through Art Of Propaganda, and the band sounds really updated, and that’s not only because of a new vocalist on board.

It’s something rare, but almost the whole band took part in this interview. Let me introduce you to – Daniel Fernández Casuso (guitars), Eduardo Guilló (vocals), David Muñoz (keyboards), Jose Yuste (bass), and  Roberto Rayo (guitars). I don’t know why Sun Of The Dying’s drummer  didn’t take part into this — I hope he’s fine there. Continue reading »

AN NCS INTERVIEW: MORBID STENCH

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Dec 132019
 

 

(You may have noticed that during much of 2019 Comrade Aleks has turned his interests in doom in, shall we say, nastier and more deathly directions, and continues that pattern with this interview of The Master Butcher, vocalist of the Central American band Morbid Stench, whose potent debut album was released just a few months ago by Putrid Cult.)

Morbid Stench… Do you feel that taste on the tip of your tongue? A stench of death, doom, and Central American swamps? It’s an international project, as the Morbid Stench members live in both El Salvador and Costa Rica, and are members of such death bands as Conceived By Hate and Insepulto, which names are probably better-known to the NCS audience.

This band is relatively new – it was founded in 2014 and the full-length Doom & Putrefaction, released on September 30th by Putrid Cult, appears to be their first big work. Why not learn more about its rough, straight, and really morbid aesthetic with their vocalist The Master Butcher? Continue reading »

AN NCS INTERVIEW: SOLOTHUS

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Dec 112019
 


Solothus 2019 – Photo by Jami Kallioväli

 

(Today we present a new interview conducted by Comrade Aleks, and this time he has talked with Kari Kankaanpää, vocalist of the Finnish band Solothus, who have a new album coming our way in 2020 via 20 Buck Spin.)

Usually I try not to bother bands with questions about the origins of their names, and use Google to find the answers. It was a hard task to dig out what Solothus means, so their vocalist Kari Kankaanpää has explained it to me: “In ancient Finnish folklore there is this creature called “solothus” which comes in the darkest winter nights to bring diseases to households. Only way to satisfy the spirit is a blood sacrifice.” Nice story for a start!

The band itself has performed macabre yet quite epic death doom metal since 2017. They weren’t that fast –their debut Summoned From The Void was released in 2013, about six years after they started — and you could skip it indeed, but no one could ignore Solothus’ 2016 sophomore work No King Reigns Eternal, a healthy example of the band’s development towards thicker and more thoughtful sound. The gents finished their third album a few weeks ago, so let’s try to find out from Kari more details about Solothus’ career. Continue reading »

AN NCS INTERVIEW: RED MOON ARCHITECT

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Dec 042019
 

 

(Comrade Aleks rejoins us with this interview of Saku Moilanen, the man behind Red Moon Architect.)

Red Moon Architect was started by Saku Moilanen as a melodic death doom project in Kouvola, Finland, in 2011. He recorded the debut album Concealed Silence (2012) with guest musicians, but after two more albums and the transformation of the solo project into a full band Saku returned in the spring of 2019 with a fourth album Kuura, which tends to a funeral doom sound. We’ve discussed with Saku the way Red Moon Architect grows. Continue reading »

AN NCS INTERVIEW: CULTURA TRES

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Dec 032019
 

 

(We’ve got a new interview from Comrade Aleks, and this time his discussion partners are members of the heavy Venezuelan band Cultura Tres.)

I try to watch for certain bands’ progress, but sometimes I miss something, as I did with Cultura Tres. Formed in Maracay, Venezuela, in 2006, they pay tribute both to South American cultural and historical legacy and to modern sludge metal. They speak of current problems of their land and of bloody shadows from the past — I believe it’s an important element of any band to keep their ideology actual and hard.

I lost track of the band after their fourth album La Secta, released in 2017, and when I decided to approach the guys a month ago, they appeared to be in The Netherlands to my surprise! May Third World sludge exist and develop in the conditions of the Old World. Let’s find out what’s happening with Alejandro Londoño (guitars, vocals) and Juanma De Ferrari (guitars). Continue reading »

WAXING LYRICAL: DĀMIM

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Nov 232019
 

 

(Andy Synn returns with another episode in his series on metal lyrics, and today we have answers from Nathanael Underwood, lyricist/vocalist/guitarist of the UK death metal band Dāmim, whose latest album was released in June of this year.)

To quote my own review, the new record from Progressive Death Metal maestros Dāmim is “an album that doesn’t just stand on the shoulders of giants, but is more than capable of standing right alongside them.”

And since I’m such a fan of their new album, not to mention the fact that I’m going to be playing a short run of shows alongside them next month, I thought it was high time we heard from frontman Nathanael Underwood about what exactly it is that makes the band’s difference engine tick. Continue reading »

AN NCS INTERVIEW: ANATOMIA (TAKASHI TANAKA)

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Nov 222019
 

 

(Comrade Aleks has brought us this very interesting and informative interview with Takashi Tanaka, drummer and vocalist of the formidable Japanese death-doom band Anatomia.)

There’s a sort of niche genre – something between crude, quite extreme death metal and death doom. It was set by Asphyx and Autopsy back in the early ’90s, and a good amount of bands carry on this tradition of mixing these sonic elements with brutal lyrics and straightforward delivery. Japan has two main bands of that kind – Coffins and Anatomia. You could see interview with Coffins here in November 2018, and now it’s Anatomia’s turn. Why?

Well, this band always has a new release. Yes, there are only three full-lengths in their discography, but just add to this score 14 split releases and 5-7 releases of other formats and you get a full picture.

Takashi Tanaka (drums, vocals) runs three more bands at the same time, so I believed it was wise to focus only on his Anatomia achievements. Continue reading »

AN NCS INTERVIEW: FAÇADE

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Nov 182019
 

(In this new interview Comrade Aleks presents a discussion with Pim van Dijk, bassist of the Dutch band Façade, whose new concept album The Eternal Dance will be released on November 29th.)

Dordrecht, South Holland, seems to be a nice place: a lot of ancient buildings, museums, and a National Park alongside swamps in the vicinity… Façade was founded there in 2011, and since then the guys have performed their depressive and quite intricate doom/death metal. At least we could tell that in 2017 when they released their debut full-length Loathe, and now the gents have new material, and things turn to be even more complex.

Façade’s forthcoming album The Eternal Dance not only shows development of the ideas they represented two years ago, but this album also has a thoughtful concept and a more varied sonic palette, as these compositions sound richer and naturally deeper than Loathe. The band grows, it’s good…

Why not discuss these topics with one of its members? Pim van Dijk (bass) is on duty today. Continue reading »

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