Jul 052010
 

Lots of social networking feeds are used in ways we don’t understand. We’re talking about people who use Twitter and Facebook posts and MySpace bulletins to tell the world about their latest bowel movement or what they just ate or their current mood or what they just did with their right index finger. Sometimes it’s funny, and we know lots of bands think it’s good marketing — a way to keep their names in the forefront of people’s heads. But most of this minute-by-minute minutiae is just dull as dishwater, or worse.

But because we’re still feeling slightly guilty about using up today’s NCS space with an extended rant about Dave Mustaine, we thought we ought to do something else before calling it quits for the day. So we’re indulging in that same Twitter-esque impulse to just tell the world what we’ve been doing this morning. Don’t worry — we’ll keep the details of our latest bowel movements to ourselves. This will have something to do with music, though in a completely random way.

It’s just a log of what we’ve listened to and/or watched in our day so far. We’re not even recommending it. It’s just what we did, and like all those tweeters out there, we just presume you’ll be vividly interested.

First up is something that’s NSFW, but since it’s a holiday for most people in the U.S. and since most of our readers are probably out of work anyway, we’ll forge ahead. Plus, it will give us a chance to one-up some of the video nastiness that our guest contributor Steff Metal served up in her post about Metal from NZ a week ago.

This lead-off video, which is brand new, is from an Austrian band called Mastic Scum. It’s for a song called “Construcdead” from the band’s 2009 album, Dust. The song is a bruising piece of street-gutter death metal that’s pretty good. The conceptual theme of the video is someone’s idea of over-the-edge debauchery, framed in a metaphor of vehicular wreckage.

So, if it’s been a while since you snorted coke, shot-up with heroin, cavorted with oiled-up dominatrixes, stuffed your face with food, been bull-whipped, had a golden shower, took it up the bunghole with a black dildo, or dribbled snot uncontrollably — well, you can relive those fond memories by watching this:   (after the jump, of course — and more of our morning log follows it . . . .) Continue reading »

Jul 052010
 

Against my better judgment and most of my principles, two days ago I watched the video of the “Big Four” performing on stage together in Sofia, Bulgaria on June 22. In fairness to me, it’s not like I searched for it. I was just scrolling through the latest drivel on Blabbermouth, looking for the occasional item of interest that does occasionally lurk within the drivel, and there it was. All I had to do was click the “play” button.

Still, I paused.   A long time.   For one thing, although I still like Slayer (and “like” is about all the enthusiasm I can muster), Metallica, Megadeth, and Anthrax have no current relevance to me. The fact that they broke major ground once upon a time doesn’t mean it makes sense for me to listen to their music today, when there are so many other bands I’d rather hear. For another thing, I wasn’t a slobbering fan of most of those bands even when they were current.

And for a final thing, I’ve just grown sick to death of reading about this whole “Big Four” tour. For purposes of this NCS blog, I feel compelled to keep up with current events in metaldom, but to hunt for things that really do interest me, I’ve had to pass through a fecal waterfall of interviews, press releases, and blogger babble about this fucking tour. Enough already!

And for a final, final thing, I knew if I watched the damn video I’d have to see Dave Mustaine.

But I watched it anyway. And as jaded as I am about these bands and this tour, I did get a mild thrill out of seeing all four of them on stage playing together. Certainly not because of the music, because “Am I Evil?” is a forgettable song, and no one in this performance went out of their way to turn it into something better.

That was two days ago. And then yesterday came, and I saw a transcription of an interview Dave Mustaine gave on July 1 in Vienna, and I was vividly reminded all over again why that guy makes me wanna projectile vomit and why I should have passed right over that video without pressing play.    (unfortunately, there’s more after the jump . . .) Continue reading »

Jul 042010
 

Fair warning: This will be one extended session of spittle-flecked frothing at the mouth, because we haven’t been this blown away since stumbling into a full-fledged Seattle windstorm last winter. So get the safety glasses on and strap on sanitary masks if you got ’em.

The subject of our enthusiasm is Nothnegal. They’re a band from The Republic of the Maldives that now includes two non-Maldivian heavyweights — drummer Kevin Talley from Dååth and keyboardist Marco Sneck from those Finnish swamplords Kalmah. They’ve got a four-song EP to their credit called Antidote of Realism and they’ve just signed with Season of Mist for the release of their debut album early next year.

Oh yeah, they’re also playing with Arch Enemy this month and touring Europe in the fall with the likes of Rotting Christ, Samael, and Finntroll.

And we’d wager that most of you have never heard of them. Until earlier this week, we hadn’t either. But this band shows all the seismic signs of an impending Vesuvius-sized eruption onto the scene — and based on the band’s output to date, it would be well-deserved.

If you like technically immaculate, headbangingly compulsive, Scandinavian-style melodic death metal played at autobahn speed, stay with us after the jump. Among other things, we’ll stream all four tracks from that EP and we’ll show you how to download a cut from Nothnegal’s forthcoming debut album. Continue reading »

Jul 032010
 

This seems to be video day here at NO CLEAN SINGING. We didn’t plan it that way, but we just keep running across brand new videos from bands we like.  Here’s one more.

This one veers pretty far outside our usual stomping grounds. It’s another one of those radio-friendly hard-rock songs that Apocalyptica has been putting out with name-brand guest vocalists. This particular offering, “End of Me”, features Gavin Rossdale, former lead singer of Bush and current husband of Gwen Stefani.

So, the song isn’t metal, but it’s an Apocalyptica song, and your NCS co-authors have had way too much headbanging fun at their live shows in Seattle to ignore even a non-metal song like “End of Me”. So, we’re invoking our Exception to the Rule rule and posting the video. It’s a catchy song, it features a bunch of long-haired dudes rocking out on their cellos, and it ends with an ornately dressed woman fading into smoke.

If you’re in the mood for that kind of thing, you can watch the vid after the jump. And if not? Have a nice fucking day anyway. Continue reading »

Jul 032010
 

Suicide Silence is one of those lightning-rod bands. They came out of nowhere not so long, riding the new tide of internet-driven popularity to become one of the premier icons of deathcore. With their latest album, No Time To Bleed, they moved further into straight death-metal territory, but they’re still a lightning rod for fans/critics who get their shorts in a bunch over the tsunami-sized popularity of the band.

Most people who follow extreme metal will have an opinion about the band — you’ll either love ’em or hate ’em. We’re in the love ’em category, and we suspect the hate ’em crowd wouldn’t care nearly so much if they weren’t so fucking meteorically popular with the kids.

If you’re in the love ’em category with us, or if by chance you don’t even know what we’re talking about, the band has just released “Disengage”, a brand new video that was filmed on February 19 in the Los Angeles area with director Thomas Mignone (MUDVAYNE).

In our humble opinion, not only does the song kick the holy hell out of a placid Saturday, but the video is also a refreshingly straight-forward vehicle for the delivery of the music. There’s no stupid story line, no gratuitous T&A, no special effects — just a well-edited, multi-angled film of these dudes hammering the shit out of a good song against a pristine white background. Soak it up — or skip it — as your tastes may incline you.

And while we’re on the subject of “Disengage”, we recommend that you go back to a post we put up more than a month ago that featured the Cameron Argon (“Big Chocolate”) remix of this song. It makes a nice bookend to the original, with your squashed brain in the middle. Here’s the link.

Jul 032010
 

We were big fans of the 2008 debut album from Montreal’s The Last Felony (called Aeon of Suffering). It was a brain-coring mash-up of technical death metal, deathcore, and hardcore styles, slightly blackened,  that we found ourselves coming back to whenever we wanted to just rock the fuck out.

We’re now greedily anticipating the August 17 release (in North America) of the band’s second effort, Too Many Humans, on Lifeforce Records. The album art up above would have warranted a test drive in our “Eye-Catchers” series, except we already knew about the band and its music, and the album title sits well with us, too. We pretty much have that thought on a daily basis, when we personally encounter or read about, uh, assholes. Just too damned many humans, and not enough emu’s.

Wholly apart from the strength of the band’s debut album, we’re psyched about the new one because of a few tastes of what’s to come. Three tastes, to be precise — and we’ll serve them up for you like delectable amuse-bouche while you wait for the main offering in August.

First, there’s a promo video for the album. We usually don’t even watch these things because so little effort goes into most of them — but this one is really well done.

Second, there’s a song from the new album (“Quandary”) that was included on the free compilation available for download from the Canadian label/distributor Sonic Unyon (the subject of a post you can find here).

And third, there’s another song from the new album that the band has recently put up for streaming, with the truly inspired title “We Are Future Housing Developements For Maggots”.

Figuratively wrap your mouth around all three tastes after the jump . . . Continue reading »

Jul 012010
 

I don’t really have time right now to embellish this story with my own snarky comments, but it really doesn’t need much embellishment — it’s fucking hysterical all by itself.

In a nutshell, over-the-hill fruitcake Ozzy Osbourne is paying a research lab to map his genome. The lab he’s using specializes in identifying and interpreting the genetic code of particular individuals in order to find links to disease. Usually, fat cats pay them to do this because they’ve got concerns over their health.  But in Ozzy’s case, after decades of substance abuse, he’s trying to find out why he’s still alive, not what could kill him.

It’s kind of like donating your body to science, except while you’re still alive. And in Ozzy’s case, what kind of scientific advancement can we expect from the mapping of his genetic code? How to drink a fifth of vodka every day without turning your liver into Swiss cheese? Who knows? I guess we’ll find out.

Now, without further ado, here’s the gut-busting piece that reporter Georgina Gustin wrote for the St. Louis Post-Dispatch (which we saw in today’s Seattle Times at this location). Your own snarky comments will be welcome.

ST. LOUIS — He is famous for many things. For his eerie scream. For his “Satan worship.” For biting the head off a dove. And a bat.

But Ozzy Osbourne mostly has become famous for indulging in decades of near-legendary substance abuse — the kind that would vanquish most — and surviving.

Scientists now may find out why.  (more hilarity after the jump . . .) Continue reading »

Jul 012010
 

Not too long ago, we told you about a Metal Blade summer sampler available as a free download on Amazon.com that includes a remarkably strong line-up of music. Unfortunately, we’ve heard that folks outside the U.S. can’t get the download from Amazon.com — though it’s probably already up on some download site if you look for it.

Yesterday, we found another free summer-oriented comp of music, this time from Canada — and it also includes some hot-shit music from some ass-kicking bands, including NCS favorites Neuraxis, Bloodshoteye, Odium, and The Last Felony, plus music from bands we don’t know but are curious to check out.

Most of the music is from previously released albums, but the comp does include a previously unreleased track from Drudgery and a song from The Last Felony‘s forthcoming new release.

The download is being made available by Sonic Unyon, a Canadian record label, distributor, and online retailer. After the jump, you can see the track listing for the album and info about how to get it (plus we’ll give you a couple tracks to stream right here, just to wet your whistle . . .) Continue reading »

Jul 012010
 

Another month has ended, and like a drug-resistant strain of sexually transmitted disease, we’re still here.

And because we’re now a full six months into 2010, it’s time for another monthly update to the list of forthcoming new albums we first posted on January 1. (All the other updates can be found via the “Forthcoming Albums” category link on the right side of our pages.) Below is a list of still more projected new releases we didn’t know about at the time of our previous updates, or updated info about some of the previously noted releases.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Perhaps needless to say, these are bands that mostly fit the profile of music we cover on this site — the kind that would like to tear your head off.

So, in alphabetical order, here’s our list of cut-and-pasted blurbs from various sources since our last update about forthcoming new releases. Look for the bands you like and put reminders on your calendar. Or if you’re like us, just stick post-it notes on your forehead. Of course, if your foreheads are the low, sloping kind, you may only have room for a few, so be choosy.

BURDEN OF GRIEF: “German melodic death/thrash metallers BURDEN OF GRIEF will release their new album, Follow The Flames, on July 2 in Europe via Massacre Records. The follow-up to 2007’s Death End Road will contain 10 new songs. The limited-edition version of the CD will include a bonus disc featuring cover versions of eight metal classics.”

CEPHALIC CARNAGE: “Denver, Colorado-based technical death/grind metallers CEPHALIC CARNAGE have set Misled By Certainty as the title of their new album, due on August 31 via Relapse Records. The follow-up to 2007’s Xenosapien was recorded at the band’s own studio with longtime engineer/producer Dave Otero. The CD is described in a press release as a ’50-plus-minute journey into metal’s most extreme realms’ which ‘see[s] these veterans takes it to edge before pulling it back with ‘Repangea’, perhaps their most sprawling and epic work to date.'”

(lots more after the jump . . .) Continue reading »

Jun 302010
 

We’ve been waiting for the seed of Insidious Disease to blossom forth from the fertilized earth. Will it be a putrescent mass of unearthly purplish life, writhing with hungry tentacles and awesome in its otherworldly magnificence? Or will it be just another pumpkin?

Why do we wonder? Because of who’s in the band:

Marc “Groo” Grewe (ex-MORGOTH) – Vocals
Sven Atle Kopperud (a.k.a. Silenoz) (DIMMU BORGIR) – Guitar
Shane Embury (NAPALM DEATH) – Bass
Tony Laureano (ex-DIMMU BORGIR, NILE, ANGELCORPSE) – Drums
Jon Øyvind Andersen (a.k.a. Jardar) (OLD MAN’S CHILD) – Guitar

We got so stoked when we first heard about this line-up that we wrote about it two months ago, and we’ve been waiting not-so-patiently for more news ever since.

Now we know that Insidious Disease will release their debut album, Shadowcast, on July 12 in Europe and July 27 in the U.S. via Century Media Records. And now we have a video of the band performing a track from that album called “Rituals of Bloodshed”. Watch it after the jump, and decide for yourself: Awesome putrescent mass or just another pumpkin? And while you’re deciding, be stunned and amazed by the infernally amazing special effects. Continue reading »