Jun 092017
 

 

Five years on from the release of Revulsion of Seraphic Grace, the Georgia death metal monstrosity known as Father Befouled returns with its fourth album, Desolate Gods. It will be released by Dark Descent Records on the 23rd of June, and it includes the terrifying new track we’re about to premiere — “Ungodly Rest“.

Prepare yourselves for a deep descent into a nightmarish crypt filled with still-festering corpses and hungering ancient evil, for what you’re about to hear is the kind of staggering doom and seething death that spawns such visions. Continue reading »

Jun 082017
 

 

Sierpes is a new demonic duo from Columbia and Ecuador consisting of vocalist/drummer Melissa and guitarist/bassist Muerto. Their first offering was a four-track demo released by Tanatofobia Productions and later re-issued by the Salvadoran label Morbid Skull Records, and now the same Morbid Skull is poised to release Sierpes‘ debut album, Visiones Caóticas. That will happen tomorrow… but today you can listen to the album through our streaming premiere at the end of this post.

Sierpes were inspired by an array of old-school South American and European bands to re-create the classic sound and feel of primitive black speed metal and black thrash, and on this new album they’ve done that with authentic spirit and scorching vehemence. Continue reading »

Jun 082017
 

 

The last time we encountered the German death metal band Cytotoxin was in 2012, as they released songs from their then-forthcoming second album Radiophobia. The music made a strong impact, provoking impressions at our site such as these: “sonic insanity… vicious, pulverizing, technically off-the-hook… thoroughly body-slamming… radioactive… blistering… a brutal tech-death-metal flamethrower… hyper-speed riffing… high-bpm drumwork… heavy on the groove and laced with ominous melody.” Naturally, we’ve been very interested to hear more from this band, and now we can — and so can you, because we’re premiering the title track to the band’s new album, Gammageddon. It will be released by Unique Leader Records on July 28th.

Thematically, Radiophobia took as its subject matter the horrifying accident at the Chernobyl nuclear power plant in Ukraine that began during the night of April 26th, 1986, a catastrophic reactor meltdown that spewed a cloud of poison into the atmosphere and across large swaths of Europe and devastated the region around the plant. Gammageddon is connected to the same terrible incident, its conceptual focus described as follows: Continue reading »

Jun 082017
 

 

Lethean Lament is the second album from the New York black metal band Mavradoxa, which follows their full-length debut early last fall, a wonderful album named Sojourners. The new one will be released on June 22nd by Hypnotic Dirge. One song named “Crimson Waves of Autumnal Flame” has already premiered, and today we’re fortunate to host a second one: “Across the Nival Grove“.

For those new to Mavradoxa, it is the musical vehicle of two people, guitarist/bassist Nival and drummer Lux, both of whom also contribute their voices to the music.  Their atmospheric, nature-influenced music is often grouped within a realm populated by such bands as Agalloch, Alda, Waldgeflüster, Falls of Rauros, and Obsidian Tongue. Continue reading »

Jun 072017
 

 

Now more than 15 years into their career, Dawn of Ashes has undergone more than one musical transformation, reflecting the evolving interests of the band’s founder, composer, and frontman Kristof Bathory. The band’s current musical character is on display in their new album Daemonolatry Gnosis, which will be released by Metropolis Records on June 9th, and as you’re about to discover through our premiere of a full album stream, it strikes (and shakes) the earth like an imperial hellish leviathan.

On this album (which was mixed and produced by Mick Kenney of Anaal Nathrakh), Bathory is joined by guitarist Raum, bassist Angel Dies, keyboardist Behemoth, and drummer Rage, and it includes a guest vocal performance by Cradle of Filth’s Lindsay Schoolcraft on penultimate track “Magick of the New Aeon”. Continue reading »

Jun 072017
 

 

In the annals of brutal death metal, few bands have a profile as large or as indelible as Pathology’s. With nine albums on their resumes since 2006, including their new self-titled one, they essentially followed an annual release schedule until the three years that have now passed since Throne of Reign. Despite the passage of those years, the line-up has remained intact: Dave Astor, the only consistent member of the band since its inception, is still behind the kit; Tim Tiszczenko still wields the axe in a way that dispenses with the need for a bass player; and the beastly Matti Way remains in control of the vocal onslaught. In other words, the triumvirate who reunited with 2013’s Lords of Rephaim are still in harness together.

If you take the long view of Pathology’s career, you could argue that they’ve been marching toward greater degrees of intricacy and stylistic flare within a genre known for its primitive, gore-soaked, head-smashing heaviness, arguably reaching a zenith in their progress with Throne of Reign. And so what has happened in the intervening three years? And could the band’s decision to self-title their new album after that stretch of time be taken as a sign of a re-start or a re-set?

Well, rather than barge into a review of the entire album, let’s just stick to “Shudder” — which is the track we’re premiering today. Continue reading »

Jun 062017
 

 

Originally the solo project of musician Dimon’s Night, the Greek band Humanity Zero produced six albums between 2008 and 2013 — one per year. But four years have separated the last one from the seventh album that’s now on the verge of release, and the passage of time has produced some significant changes in sound. Where previous recordings embraced death metal in the vein of such bands as Death, Hypocrisy, Unleashed, Nile, and Immolation, the new full-length Withered In Isolation takes a turn in a more doom-dominated and atmospheric direction, as reflected in the song we’re premiering today — “Horrendous Growls“.

On this new album Dimon’s Night is joined by vocalist Johnie Panagiotidis (aka Giannis Grim) (who does indeed possess a horrendous growl), lead guitarist Baggelis Vee Kappa, and violinist Stelios. Together they have given birth to a beast of pain. Continue reading »

Jun 062017
 

 

In just a few seconds Sator establish an utterly bleak and convincingly venomous atmosphere in “Heartache“, the first single from this Italian sludge band’s new album Ordeal, which will be released by Argonauta Records this coming fall. And although the album is still months away, “Heartache” is a powerful sign that it will be worth the wait — as you’ll soon discover through our premiere stream of the song at the end of this post.

In those opening moments, the band make an immediate impression with huge, groaning chords, kidney-punching drumwork, and the kind of vocal intensity that will make your own throat feel like it’s bleeding from a dozen wounds. Just as quickly, the music will get your head moving too, because the monster riff at the core of this track is as infectious as a plague virus. But that’s only part of the story of this song. Continue reading »

Jun 062017
 

 

The politically charged Serbian band Nadimac have been explosively venting their brand of crossover-thrash since 2003, with a discography that now includes about 25 releases, including four albums. Last year they signed to Spain’s Xtreem Music for the release of a fifth one, which will be upon us early next month. Entitled Besnilo, the album is a 14-track attack with lyrics and song titles in the band’s native language. It will be discharged on July 3rd, and to help pave the way, we have the premiere of a song named “Kapitalizam je Kanibalizam” (Capitalism is Cannibalism).

I first came across Nadimac at the time of their last album release, a full-length “so goddamn full of energy, so loaded with high-octane riffs and turbocharged drumming, so infectiously groovy and inventive, that I found it irresistible”. I can say the same of Besnilo, and of the individual song you’re about to hear. Continue reading »

Jun 062017
 

 

You would be forgiven if you’ve already got the wrong idea in your head about this song we’re about to premiere. I’ve already forgiven myself after I got faked out. I mean, look at the evidence:

The band is named Party Cannon, sometimes spelled PaRtY-CaNnOn. Their logo looks like something you might find on a child’s lunch box. The name of the song we’re premiering is “Keg Crusher“. And it comes from an EP named Perverse Party Platter (which will be released on July 7th by Gore House Productions). Also, the band refer to their music as “Party Slam“. Plus, there’s this comment by the band’s bassist Chris Ryan:

“While some bands in our genre take a more ‘mature’ route in later releases, we have definitely not.”

On the strength of such evidence, one might deduce that these Scots are a big joke, even before seeing this photo: Continue reading »