Jan 072016
 

Bhavachakra Album Art - S-T Jan 2016

 

(Austin Weber introduces our premiere of an amazing song from the debut album by Bhavachakra.)

Back in 2014 here at NCS, I covered a little-known new progressive death metal act called Infinite Earths based out of Orlando, Florida. The album they released at the time that I covered them was called Spirals From Spacetime, and the whole record was written by band member Kenneth Michael Reda. Sometime after that release, Kenneth left the group and informed me he was working on a brand new black-metal-focused project called Bhavachakra. He recently shared with me the first song he was about to release, and upon hearing it I got really excited and asked if we could premiere it on short notice.

So, here we are today to give you a sneak peek at the group’s upcoming self-titled record via the song “Sybaritic Apparitions”. Continue reading »

Jan 062016
 

Virulency cover art

 

On February 28 of this new year New Standard Elite will release the debut album of Virulency from the Basque Country of Spain. Entitled The Anthropodermic Manuscript of Retribution, it delivers eight tracks of eviscerating monstrosity and will include guest vocal appearances by Paolo Chiti (Devangelic, ex – Putridity) and Konstantin Lühring (Despondency, Revulsed, ex-Defeated Sanity), with eye-catching cover art by Russian illustrator Andrew Tkalenko (Cephalotripsy, 7 H.Target, Epicardiectomy, etc).

We’ve got the premiere of a song from the album for you today. You’ll need to take a deep breath before you say the name out loud. The song will also knock the wind out of you. “Myriapod Constructology I” is the name of the track. Continue reading »

Jan 062016
 

Manipulate-Becoming Madness

 

February 12, 2016, is the date set for release of a new EP by NYC’s Manipulate. Entitled Becoming Madness, it’s a six-track beatdown coming from Flatspot Records, and today we’re bringing you a track that shares the band’s name and closes the EP.

Manipulate’s members have paid their dues in a lot of other bands, and what they’ve brought to this EP is a knack for blending grim and heavy metal riffs and bone-crunching, skin-flaying hardcore intensity. “Manipulate” is a good example — it’s full of fire and fury, and it will leave you black and blue. Continue reading »

Jan 062016
 

Fall-Insatiable Weakness

 

(TheMadIsraeli introduces our premiere of a song from the new album by Texas-based Fall.)

So Fall is a band that should definitely have your attention. It’s progressive melodic death metal that’s compelling, technical, intensely brutal and jarring, yet also emotive. We’ll be streaming the band’s debut album The Insatiable Weakness come the 19th, a week before the record’s release, but I couldn’t go until then without some kind of a tease, in addition to the band’s other two other singles, which speak for themselves. Continue reading »

Dec 292015
 

Latitudes-Old Sunlight

 

As the old year gasps its final fetid breaths, it’s time to start looking ahead to the new one. On January 22 Debemur Morti Productions will bring us the third album by the UK band Latitudes. Entitled Old Sunlight, it will be a good way to help launch 2016. But you won’t have to wait until January to explore the music, because today we bring you the premiere of a new song: “Body Within A Body“.

As you listen to the song, you may be scratching your heads in puzzlement over our site’s name once again, because this is an exception to our “rule” — but one that’s well-deserved. Beneath the high, clean vocals, drifting like wispy clouds, there is a storm breaking in the music. Mammoth riffs and bruising drum beats smash like a deluge, while dissonant, flickering guitar leads flash like lightning. Continue reading »

Dec 252015
 

Apothesary 1976

Lots of people seem to be celebrating some kind of event today where you prove how much you love your friends and family by spending money you don’t have giving them things they didn’t ask for and probably won’t like. We’re trying to learn more about this event, but in the meantime, we have a gift of our own for you to unwrap. Actually, it’s not our gift to you, it’s a gift from San Francisco’s Apothesary. We know what the gift is, and not to spoil the surprise, but we’re pretty sure you’re going to like it.

It’s a gift of music, a song named “1976“. This isn’t the first time Apothesary have done this. Three years ago on this day they released an EP entitled They All Carry Ghosts. We wrote about that one, too (here). This gift is intended to tide people over until the band can bring more good tidings your way in the form of an album that’s in the works. Here’s more detail about this gift via the band’s lead guitarist Clayton Cagle: Continue reading »

Dec 222015
 

Jesusegg-ST

 

If you have any sense of irony at all, you would have a hard time thinking of a better date than Christmas Day for a band named Jesusegg to release an album named Jesusegg via a label named Seeing Red Records, especially when that album has not one fucking thing to do with peace on earth or good will to men (or women). You’ll see (or rather, hear), because if you scroll down in this post you’ll be able to listen to a full stream of the album.

Jesusegg come from Cleveland, a town I think of as one of America’s premier spawning grounds for extreme music that embodies politically charged rage and does so in ways that have lasting power. While hardcore may be the Cleveland genre that comes to my mind first, Jesusegg are split-personality grindcore militants who take their cues from the likes of Human Remains, Discordance Axis, Nasum, Rotten Sound, and Anal Cunt.

This new album collects recordings that span the band’s history from 2003 – 2007, most of which are previously unreleased. It’s intended as a laying of groundwork for new material that’s projected for discharge by the same label before next year ends. Continue reading »

Dec 212015
 

Ecferus-Pangaea

 

I vividly remember the first time, as a child, that I saw Disney’s Fantasia. The whole movie was wondrous, but the segment that made the biggest impact on my barely formed mind was the visual pageant of the earth’s beginnings and the growth of life, from the planet’s formation to the end of the dinosaurs, set to the music of Stravinsky’s Rite of Spring. Those memories came back to me when I first heard the song we’re about to premiere (“Creation of A Planet“) from the new album Pangaea by Ecferus, and not solely because of the music.

As you can see, the album is adorned with brilliant cover art, created by Romanian artist Luciana Nedelea. With striking colors and bold strokes, she captures the sense of a violent, primeval time, with the earth in upheaval. The artwork is a match for the imaginative concept underlying the album as a whole, as described in this statement from I, Voidhanger Records, who will be releasing it on February 6, 2016: Continue reading »

Dec 212015
 

Dendritic Arbor-Sentient Village-Obsolescent Garden

 

(Austin Weber presents our full streaming premiere of the new EP by Dendritic Arbor.)

As strong a year as 2015 was for both established and new metal groups, I don’t think anyone had as impressive a year as Pittsburgh-based black metal noisey grinders Dendritic Arbor.

While I’d been tipped off to their existence prior to this year, for most people they came out of nowhere and shot right up to a fairly high amount of name recognition and warranted praise. In today’s crowded climate, that’s especially impressive. Continue reading »

Dec 172015
 

Hordak-Padre

 

January 10, 2016, is the date set by Russia’s Casus Belli Musica for the release of Padre, the new album by the Spanish metal band Hordak, and today we have for you the premiere of the album’s title track.

This is Hordak’s fourth album in a career that began in 2002. For those unfamiliar with the band, they have described their music as “Celtiberian Pagan Metal“, a word that refers to the peoples formed by the merger of emigrated Celts and the native Iberians of what is now Spain — the Spanish equivalent of Scandinavian Viking music and Slavonic pagan metal from Eastern Europe.

The new album is a musically diverse work, with some songs that are warlike in their savagery and fiery pacing and others that are stately and majestic. Some of the songs include textures added by acoustic guitar, flute, violin, and even xylophone, while others simply ride you down in ripping onslaughts of metallic fury. And the album also includes guest vocal appearances by Forefather’s Wulfstan and Uruksoth from CrystalMoors. Continue reading »