Jan 302014
 

Noctem are from Valencia, Spain. Their 2011 album Oblivion was a favorite of this site (Andy Synn reviewed it here and named it to one of his lists of 2011′s top albums). Noctem are now ramping up for the release of a new album entitled Exilium, which will be available in North America on March 3. Last week we featured an advance track from the album named “Eidolon”, which has been streaming on SoundCloud, and now the band have also provided a worm-ridden lyric video for the song.

I’ve been spinning this song a lot since first hearing it. To quote what I wrote about it last week, it explodes with percussive ferocity, bestial roars, and winding riffs. Equal parts thunderous death metal and ripping melodic black metal, the music has an air of monstrous grandeur counterbalanced by a dark, swirling guitar melody — and it includes a brief, surprising acoustic interlude. It’s a riveting listen, and the track is such a grabber that I’ve already added it as a candidate for our list of 2014’s “Most Infectious Songs”.

In the words of frontman/songwriter Beleth, “‘Eidolon’ talks about the ancient Sumerian demons Thamuz and Ereshkigal, which is the queen of the underworld; destruction of the earth and proclamation of a self-destructive and anti-Christian ideology”. Gaze upon the lyric video next and let the music infest your head.  Continue reading »

Jan 292014
 

Due to the demands of my fucking day job, I haven’t had much time to go exploring for new music and news items over the last 24 hours, but on a very quick excursion through the interhole and my NCS in-box I did spy the following three items for your edification and enjoyment.

WARPSTONE

The last time I mentioned the name Warpstone on NCS was in April 2012, in the context of a feature on the painted art of that great Italian madman, Paolo Girardi. One of the pieces I used in that feature was Girardi’s cover for a then-forthcoming album by Warpstone entitled Daemonic Warpfire. At that time, I could find no music from the band available for streaming and I failed to follow up and check out the album when it was released.

This morning I noticed the painting by Paolo Girardi for Warpstone’s forthcoming second album, Into the Phantasmancer Celestial Castle, and it’s simply stunning. To see a larger view of the cover, click the image above. Fantastic.

Warpstone have also put three songs from the new album on Bandcamp for streaming, and I’m including the player for them below, as well as a YouTube clip for one of the new songs. They are genuinely impressive. Continue reading »

Jan 282014
 

I was going to post this yesterday, but we had so many other things to do yesterday that I ran out of time. But although a day late, the five songs collected here are still fairly new. All of them premiered since last Friday and all of them caught my ears in a vice-like grip and shook my head like a maraca, producing a similar rattling sound with the small object inside my skull. As usual for these collections, the styles of metal are different, but it’s all good. The bands are presented in alphabetical order.

MANTAR

Mantar are a new two-piece band, half German and half Turkish, whose debut album Death By Burning is scheduled for release by Svart Records, on February 7. I hadn’t heard any of their music before, but the strange cover art drew me into CVLT Nation’s debut of a new track named “Spit”.

Interestingly, the only instruments used on the album are guitar and drums (no bass), but “Spit” is still plenty heavy. Comparisons have been drawn to the likes of Melvins, Motorhead, and Darkthrone. “Spit” is a black, hammering rocker with a boatload of fat, distorted riffs and a drum attack that seems bent on dismantling skulls. It’s catchy as fuck, and Mantar’s vocalist has the kind of raw, scarring tone that leaves faces in shreds. Excellent nastiness. Continue reading »

Jan 282014
 

Pray for us, Lucifer, because Poland’s Behemoth have just released another new song from their forthcoming album The Satanist. And the song’s name is “Ora Pro Nobis Lucifer”, which is Latin for… pray for us Lucifer.

The song stream comes in the form of a lyric video that includes artwork and text from inside the digipak booklet. Nergal wrote the music. The lyrics were written by Nergal and Krzysztof Azarewicz.

The song provides yet further cause to be excited for The Satanist. It rumbles, it rolls, it stalks in a solemn procession. The guitar melody drills like a weapon and rings like chimes. Nergal, of course, sounds like he thoroughly believes in his pronouncements. Listen next. Continue reading »

Jan 272014
 

I came across some new live videos last night that I’d like to share. The first two are performances by Ævangelist and Artificial Brain at Brooklyn’s St. Vitus bar on January 25, 2014. I’ve been following both bands for a long time, but this is the first time I’ve seen what they look like on stage.

The new album by ÆvangelistOmen Ex Simulacra, was released last November by Debemur Morti. For my money, the most compelling track on a very compelling album is the long closing song “Abysscape”. To quote what I’ve previously written, it’s “a dense, bottomless, indigo whirlpool of doom, made for immersion. Immense grinding guitars match up with immense, horrific vocals and stunning drumwork. Alien keyboard melodies call out like the cries of homeless souls. The ravaging music alternately storms and drifts. You look into the void, and ‘Abysscape’ is there, looking back at you.”

How nice that the Ævangelist video filmed at St. Vitus by Frank Huang was the performance of “Abysscape”. And how nice that the alien nature of the song was matched by an otherworldly performance, beginning with the band’s live bassist — ][ — shrieking his lungs out for minutes on end before the song kicks into gear and lead vocalist Ascaris starts discharging his horrific, abyssal roars. Performing against a red backdrop but nearly immersed in shadow, both ][ and the band’s musical mastermind Matron Thorn are covered in strange sigils, and the top of Ascaris’ face is concealed by a creepy mask. Visually, the band is as arresting and unsettling to watch as their music is to hear. Continue reading »

Jan 262014
 

I went to an annual party last night with co-workers, friends of theirs, and friends of mine. It’s a celebration of the life of Robert Burns on his birthday. He would be 255 years old if he were still around. I feel 255 years old this morning. I blame the amber bead.

As has become traditional, this morning I’m going to a “hangover-cure, southern-fried” feedbag at a friend’s house, attended by whoever else besides me survived last night’s blowout. There will be hair of the dog, in addition to a mess of high-calorie comfort food, none of which will cure my hangover — but misery loves company.

All of this is by way of excusing the fact that I don’t have a big mess of comfort metal to serve you today. But I hate to let a day go by without something new, and thanks to my NCS comrades, I have two somethings to throw up here on the site before I go ineffectually attempt to cure my hangover.

Did I just say throw up? A Freudian slip. Continue reading »

Jan 242014
 

The creative juices are REALLY flowing out there in metaldom . . . SO much juice . . . So sticky, so pungent . . . You just want to smear it ALL over and massage it into your scalp and make fluffy merengue with it . . . and

Ooops, sorry about that.  Where was I?  Oh yeah, a lot of creative juicing going on. LOTS of new metal songs to be spread around, like. . . well, you know. Here’s just a small smear of what I found this morning (more of what I found over the last 24 hours can be seen and heard here).

AGELESS OBLIVION

In July 2012 our own Andy Synn reviewed the debut album by a band from Hampshire, UK, named Ageless Oblivion. Here’s a relevant excerpt:

“You may not have heard of this band, but doubtless you will be doing so more in the future. With a fresh take on the death metal dynamic, this, their debut album, provides a master class in modern death metal, shot through with unusual progressive impulses. . . . The playing throughout is deft and highly skilled, without veering into territory one could describe (often dismissively) as “tech”. While there is no doubt some complex fretwork going on here, it’s always done in service to the song and as part of an overall pattern of interlocking riffs, woven together seamlessly. Drums clatter and pound with impressive force, eschewing the simple blast-blast-blast approach in favour of punchy, jarring kick patterns and sharp, hammer-blow snare-beats, while the vocals favour a tormented, guttural howl that successfully captures an all-too-human sense of rage and despair, making a rare emotional connection with the listener.” Continue reading »

Jan 242014
 

Collected in this round-up are a few new videos and songs I came across over the last 24 hours that I thought were worth your time. This is the first of a two-part “Seen and Heard”. More recommended new things will appear later today.

STAM1NA

I’m a big fan of Finland’s Stam1na, but despite the fact that I really do enjoy their music, I always finding myself writing about them because of their videos (previous posts collected here). And I write about their videos because they’re so damned funny. And here I am again, writing about yet another Stam1na video — but not for the usual reasons.

This one premiered yesterday (credit to TheMadIsraeli for tipping me to it) and it’s for a song named “Panzerfaust” from their new album SLK (due for release on Feb 7). Man, did I get a surprise. First, the song hits like a blowtorch opened all the way up — a jolting piece of jabbing, hammering, thrashing mayhem with a swirling finger-tapped guitar melody and a stomping martial finish. When choral voices and militaristic chants aren’t being heard, Antti Hyyrynen’s vehement voice is raking like sharpened claws. Continue reading »

Jan 232014
 

 

Not long ago a certain web site that referred to the almighty Gojira as “French art-metallers” (wha???) premiered a live video of the band performing “Flying Whales” at London’s Brixton Academy last year, and holy shit, is it good!

The video is included in a CD/DVD of the entire performance at Brixton Academy, which will accompany an art book entitled Les Enfants Sauvages. One of the photos from the book appears above and more can be viewed at that other web site. You can order the book here.

Watch the video after the jump. You’ll be glad you did. Continue reading »

Jan 232014
 

Dan-Elias Brevig is a wonder. He has taken “The Violation”, by those Italian maestros of utterly bombastic death metal, Fleshgod Apocalypse, and created a completely a cappela cover of the song in a YouTube video. And by “a capella”, I mean that he has not only recorded the growls and falsetto cleans from the song, he has also used his voice to mimic the song’s instrumental arrangements.

Think about the original for a moment, and ponder what this would entail. After you’ve stopped shaking your head and going “No Way!”, move past the jump and see/hear for yourselves. Mr. Brevig calls it a parody, but it’s pretty damned impressive.

(Dan-Elias Brevig is from the vicinity of Oslo, Norway; he has a band named Immetic (whose music may be found here); and his Facebook page is at this location. To give you another example of his pipes in action, I’ve included an Immetic song after the video; it’s partially an exception to our rule, but I’m digging it — and it sort of helps explain his affinity for Fleshgod Apocalypse.) Continue reading »