Sep 292013
 

We’re actually going to have a “THAT’S METAL!” — BUT IT’S NOT MUSIC” post today, but we’re beginning with something on the flip side of that, using a title that I think BadWolf originally coined for something else we posted that doesn’t fall within our usual ambit. We don’t do this often, because we know people don’t usually come here for non-metal music. Also, I almost never listen to anything but metal. But I did yesterday.

One of the blogs I follow is written by fellow Seattle-ite Gemma Alexander. Yesterday she wrote about two live performances she caught on Friday night at Seattle’s Decibel Festival, “a world class celebration of underground and experimental electronic music”. Her vivid description of what she saw and heard (which I highly recommend) intrigued me so much that I went in search of music by the two performers — Nils Frahm from Germany and Ólafur Arnalds from Iceland.

Later, having spent more than an hour immersed in the music of both, I decided I ought to share what I found, because it’s pretty amazing.

NILS FRAHM

Nils Frahm is a Berlin-based contemporary/experimental composer whose principal instrument is the piano — and an assortment of electronic effects that transform the sound. I gather that in his live performances, Frahm improvises and experiments, in essence creating new works using his recorded music as the template. Here’s how Gemma described what she witnessed: Continue reading »

Sep 282013
 

Happy Saturday motherfuckers (and of course I mean that in the nicest possible way). You haven’t asked what I’ve been listening to this morning, but I’m going to share that with you anyway, because sometimes people want things that they don’t know they want, and I feel sure this is such a time.

PHANTOM

In listening to the kind of albums I, Voidhanger releases, I’m used to getting my brain pureed in a blender or torn apart by black hurricanes of harrowing noise. But this morning I listened to the first song on a forthcoming I, Voidhanger album that takes a different turn. The album is Incendiary Serum by a Danish band named Phantom, and it’s scheduled for release before the end of this year. The opening track is “Ghostly”, and it is ghostly (and ghastly).

The aura of the music is still very black and bleak, still filled by vocal vomit, but it’s slow, crushing, and melodic. Powerful degraded riffs stomp and moan, twisted tremolo trills flit through the murk, minor-key piano melodies sing the songs of dead, homeless souls. You can headbang, and you can sink into a state of melancholy bereavement. This is an excellent melding of doom, death, and black metal. I, Voidhanger does not disappoint. Here’s “Ghostly”: Continue reading »

Sep 272013
 

I know it seems like all we’ve done recently is collect new songs for you to hear, but there’s a good reason for this: All we’ve done recently is collect new songs for you to hear. In fact, we’re doing it again in this post, though we’ll be breaking the habit with a review or two later today. I’ve had more time than usual to go exploring, and I continue to find new music that get’s me pumped up. So, here we go again… and the bands, in alphabetical order, are MindGrinder (Norway), Vaura (U.S.), and Year of No Light (France).

MINDGRINDER

Until about two days ago I didn’t know MindGrinder existed, despite the fact that they produced two albums in 2004 and 2005. But in my defense, eight years is a long time between albums, and yes, they did release a new album on September 20 entitled Prop Agenda. I found out about it haphazardly, because the artist who created the cover (Eliran Kantor) is someone who I follow on Facebook and he happened to post the cover on his page.

That peaked my curiosity and I went in search of music and found two cuts from the album. The first one I heard is a cover of Emperor’s “I Am the Black Wizards”, on which the father of Emperor’s Samoth (who is a renowned blues artist in Norway) laid down the bass track. It blew my fuckin’ mind (you can tell I’m enthusiastic because I can’t help but use the F word when I get excited). Continue reading »

Sep 262013
 

Amoral are a Finnish band who I first heard about almost two years ago through my internet pen pal fireangel of the Night Elves. They released their fifth album, Beneath, in 2011, but they recently announced that they’ve completed a new one entitled Fallen Leaves & Dead Sparrows that will be released next year. Today they began streaming the first advance track from the album, a song called “If Not Here, Where?”

I gather from some info that fireangel sent me in the past that Amoral’s sound began to change following the addition of new vocalist Ari Koivunen before the recording of the fourth album — more melodic songs with big choruses, more clean vocals, a drift toward more “classic” metal, with even some glam overtones. You can probably guess why I didn’t dive right into Beneath. I did post a video for one of the songs from that album (“Wrapped In Barbwire”), because it was such a catchy motherfucker, with groovy riffs and a repeatable chorus — but the vocals still weren’t my kind of thing.

The new song, on the other hand, has hooked me — and not just because the clean vocals are balanced by jagged howls. At more than 9 minutes, it’s an ambitious undertaking, one that begins with an extended, primarily acoustic overture and Koivunen’s power-metal-styled tenor in the spotlight. For some reason, I thought I was about to hear a previously unreleased Journey or Yes song. And then the heavy riffing began, and the song grew progressively more interesting as it grew more  . . .progressive. Continue reading »

Sep 262013
 

I know that I’ve already posted one round-up today, but I found more things I wanted to share. So, here goes:

GHOST B.C.

I have an extremely powerful attraction to Ghost’s music, even though I listen to almost nothing else that comes within ICBM range of it. So, I was drawn like a fly to honey when I saw that a new Ghost video had premiered yesterday at Rolling Stone. It’s a professionally filmed clip of the band performing the infernal carnival of “Secular Haze” at a sold-out Webster Hall in New York. It reminds me of how damned much I’ve enjoyed the multiple live Ghost performances I’ve seen.

So, of course, I’m embedding the video here. Watch it next. Continue reading »

Sep 262013
 

Here’s a round-up of noteworthy things seen and heard over the last 24 hours.

MARYLAND DEATHFEST

The organizers of MDF XII have been slowly announcing the names of bands who will appear at next year’s edition of the best metal festival in the US. The most recent announcement came earlier this week with four new names: Cancer, from the UK, who will be making their first US appearance since 1993; Sacrifice from Canada, who will be making their first appearance since 1992; Nocturnus (who for legal reasons must call themselves Nocturnus A.D.), who will be playing the entirety of their debut album The Key; Crowbar; and Death Toll 80K from Finland.

I have several friends who are especially hot over the return of Nocturnus, including NCS writer BadWolf, who reviewed The Key in retrospective back in July 2012 (here). There seems to be some uncertainty about which of the band’s original members will be appearing, other than drummer/vocalist Mike Browning. However, Nocturnus performed songs from The Key live in Mexico City last April. Photos of that show can be found here, and videos are on YouTube, too. I wouldn’t recognize the performers, but presumably it will be the same line-up at MDF.

Here’s one of those videos: Continue reading »

Sep 252013
 

In this post I’ve collected three new songs from three new albums that caught my ears over the last 24 hours, as well as a full-album stream of another recent release. As you might have guessed from the title of the post, all of the music flies the black metal flag, but the styles are nevertheless significantly different from each other. The bands are Inferno (Czech Republic), Slegest (Norway), Darkmoon Warrior (Germany), and Patrons of the Rotting Gate (Ireland). I might add that all four albums are adorned by some very eye-catching artwork.

INFERNO

Inferno’s current album, their sixth, is entitled Omniabsence Filled By His Greatness and was released on September 24 by Agonia Records. The fantastic cover art that you see above was creatd by Fenomeno Design (Blut Aus Nord, Glorior Belli, Perdition). Yesterday Agonia uploaded one of the new tracks to Soundcloud.

“The Funeral of Existence” rings with chiming guitars and thrums with heavy weight in the low end. It rocks and rolls, its ephemeral melody will reverberate through your skull, and when the blasting and growling begins it will be time to run for cover before the roof comes down. Damned fine piece of progressive black metal, and really well-produced. This may well be a damned fine album, too — I now intend to find out. Continue reading »

Sep 252013
 


Within the last day or two, a number of new albums became available for streaming in full. Here are four that I think are worth checking out. In some cases I’ve been able to embed the streams here. In other cases, I’ll have to give you a link to hear it elsewhere. The bands are listed in alphabetical order; as you’ll discover, this selection includes a lot of Exceptions to the Rule around here (you know, the one about singing).

DOOMRIDERS

Doomriders, the Boston outfit fronted by Converge bassist Nate Newton, are releasing Grand Blood on October 15 via Deathwish Inc. It’s the follow-up to Darkness Comes Alive. Stream it at Pitchfork Advance here. Continue reading »

Sep 252013
 

We’ve been way light on the content today. I don’t mean to imply any misgivings about Andy Synn’s Otargos review, but we’re way past mid-morning here on the West Coast of these United States, and on a typical day we would have three or four posts up on the site by now. However, I was out listening to live metal last night (a review is coming), didn’t get home and to bed until nearly 3 a.m., and am only now dragging myself into the world of the living (hail satan that I didn’t have to go to work at the usual hour this morning).

I do have a new post in the works, but it will take me a while longer to finish it. In the meantime, enjoy “Zochrot”. That’s not the name of a foot fungus. It’s the name of a “B-side” track recorded by Carcass that isn’t on their new album Surgical Steel but instead was included as part of DECIBEL magazine’s Flexi-Disc series. Subscribers to the magazine got a copy with the August issue. Everyone else is shit out of luck because, at least for now, it isn’t being released in any other format.

However, today DECIBEL did start making the song available for listening on Soundcloud. It’s got a bouncy groove (definitely not the deathgrind side of Carcass’ personality) and a couple of nice solos. Not a bad way to pass the time while I get my shit together. You can hear “Zochrot” by visiting this page (DECIBEL didn’t make the song embeddable): Continue reading »

Sep 242013
 

I’ll make this short: Wolfheart — the new solo project of Tuomas Saukkonen (ex-Before the Dawn, ex-Black Sun Aeon) — has just released a new official video for “Routa Pt. 2”, a song that will appear on Wolfheart’s debut album Winterborn.

The video, which was beautifully filmed and produced by OneManArmy, is full of fire and ice, just like the song. The video also includes an excerpt of a certain review of Winterborn that I’m quite fond of. In case you want to read all of it, I’ll refer you here. In a nutshell, it says that Winterborn is one of the year’s standout albums.

The album and related Wolfheart merch can now be pre-ordered at the following location, and pre-orders will get two bonus tracks — “Frey” and “4:19 A.M.”; eventually, we understand that the album will also become available digitally, but the details on that haven’t yet been announced.

http://www.madsupply.com/en/shop/band+merchandise/wolfheart

Now, watch and listen to the video for “Routa Pt. 2”: Continue reading »