Sep 022012
 

It may be Labor Day Weekend here in the U.S., and although it’s fair to say that I’m fucking off even more than usual with a 3-day weekend to enjoy, I’m also still prowling the interhole in search of new metal experiences worth sharing with our beloved readers, without whom I would just be talking to myself like the average homeless person. And man oh man, did I find some intriguing items yesterday.

I knew only one of these bands before seeing and hearing what I saw — Allegaeon. But we’ve slobbered over them a lot at NCS already, and they’re getting buckets of slobber from fans and critics already, so despite the fact that their new video is indeed awesome, I’m putting them last today. In front of them come three more obscure collectives that deserve the front end of the spotlight.

BROOD OF HATRED

I’m pretty sure that the first and last time I wrote about a metal band from Tunisia was in July 2010, when the subject was a band named Barzakh, in a series on Metal From North Africa. Yesterday I found another Tunisian band named Brood of Hatred, thanks to the wonderful Middle Eastern-based metal blog, Metality. This past March, Brood of Hatred released their debut EP, New Order of Intelligence, which is available for free download on Bandcamp (here). But though I’m now interested in hearing that, what I heard (and saw) yesterday that grabbed my attention was something even more recent.

It’s a brand new video for a new single called “Cacophony In Creation” that will appear on the band’s debut album, Skinless Agony. The song is excellent, both very well written and very well performed.  Continue reading »

Sep 012012
 

We’ve never written about a Malaysian metal band in the nearly three years that NCS has been fouling up the interhole. If you had asked me two days ago to name a Malaysian metal band, I couldn’t have done it. I know there’s a scene there, and my guess is that, like a lot of Southeast Asian metal, it’s dominated by brutal/technical death metal and grindcore bands, but as for concrete facts, I had none.

However, within these last two days, by sheer coincidence, I’ve come across two Malaysian bands, both of whom have recently been signed by noteworthy record labels: Lavatory and Humiliation. They’re both devoted to old school death metal (though not the same kind), they’re both working on their label debuts, and they both sound tasty.

LAVATORY

It seems this band (above) is very new, having released their first music in the form of an EP called Transgression just earlier this summer (which I found on cassette at Hells Headbangers). But that EP was enough to snag the attention of Pulverised Records, who signed them for the release of a debut album.

Pulverised can be relied upon to deliver quality, and by “quality” I mean death metal that the average human skull isn’t strong enough to withstand. So the Pulverised signing alone was grounds for high hopes. I also found a song from Transgression that provides further grounds. Its name is “Blinded By Darkness”, and it’s a goddamn good song. The power of the filth is strong with these young ones. Continue reading »

Aug 312012
 

Someone left a comment on one of today’s earlier posts saying “NCS has always been the most long-winded out of all the metal sites.” Really hurt my feelings. Made me feel real low and pouty. Some people just wanna know if the shit is awesome or not. Makes me wanna just clam up and let all this shit that I saw and heard today speak for itself.

EARLY GRAVES

New Early Graves album. Red Horse. Out 10/30 on No Sleep Records. Pre-Order available at http://www.nosleepstore.com/. New song, too. Also called “Red Horse”. Fucken explosive crusty punky grindy mayhem. Pure awesomeness. (thanks Utmu)


Continue reading »

Aug 312012
 

It’s time to celebrate another metal anniversary. Tomorrow, September 1, 40 years will have passed since the official release of Black Sabbath’s fourth album. Hard to believe: Forty. Fucking. Years.

As I’ve done in the past, I’m stealing from my fellow metal blogger Full Metal Attorney, who is a lot more on the ball watching the calendar for events like this than yours truly. He discusses the significance of this album on his own site today, proclaiming it the pinnacle of Black Sabbath’s career, surpassing each of the band’s first three albums — Black Sabbath (1970), Paranoid (1970), and Master of Reality (1971).

FMA attributes the album’s excellence mainly to Tommy Iommi’s riffs, especially on “Supernaut”, “Wheels of Confusion”, “Cornucopia”, “Snowblind”, and the song he calls “the heaviest Sabbath song of all”, “Under the Sun”. But he also praises the performances of the rest of Sabbath — Geezer Butler, Bill Ward, and of course Ozzy.

As FMA himself acknowledges in the article, lots of people would disagree with him putting Vol. 4 above Paranoid and Master of Reality. He chalks that up to the presence of the weird experimental track “FX,” the relatively long acoustic instrumental “Laguna Sunrise,” and the piano/synth ballad “Changes” — but he asserts that these quirky, imperfect songs are precisely what has made the album so memorable after 40 years, in addition to all of the album’s phenomenal successes. Continue reading »

Aug 302012
 

Here’s a quick round-up of news items I saw today. I may have more later . . .

SOILWORK

That’s a really good promo shot up there, don’t you think? It was taken by Hannah Verbeuren. Could there be a relationship to the band’s fabulous drummer Dirk Verbeuren?

In addition to seeing that great photo, I also saw the news that Soilwork’s new album, The Living Infinite, is going to be a double-album. According to the band’s front dude Björn “Speed” Strid , it will be: “A REAL double album, in the true sense of the word, which means no fillers and no left-overs.”

Oh, let’s hope that will prove to be true! And let’s further hope that with all that extra room it will include the kind of harder-edged, melodeath marauders like “Needlefeast”, “Follow the Hollow”, “Like the Average Stalker”, and “The Chainheart Machine” that Soilwork once enjoyed delivering, in addition to the catchy, poppier, cleanly sung stuff that dominated The Panic Broadcast (2010). I’m not saying I didn’t enjoy that last album, because I did, but I kept waiting for something with real teeth in it . . . and waited in vain. Now I’ll start waiting again . . . .

On the other hand, I don’t think lack of teeth will be the problem with this next band’s new album. Continue reading »

Aug 292012
 

As mentioned in today’s last post, the last 24 hours have brought a torrential flood of news and new music that I care about, and because I care about all this shit, I’ve been grinding my talons down to nubs on the keyboard, on the assumption that you will care about it, too. And if you don’t, please keep that to yourselves, because I bruise easily. Without further ado, here are four more items to add to the long list that has already filled up our site today.

KATATONIA

We published a very, very early guest review of Katatonia’s new album, Dead End Kings, in this post. We also were fast in posting about the wonderful music video for the first song to debut from the album, “Dead Letters”. For reasons I haven’t figured out, we’ve been getting a ton of hits on both of those posts over the last 3 or 4 days despite the fact that both of them are two months old. We might as well add something a bit more current.

This afternoon, DGR alerted me to the fact that the entire album is now streaming at the Canadian Exclaim.ca web site. HERE is the link for that. Dead End Kings was released yesterday (August 28) via Peaceville.

KRODA

We’ve written so many times about this Ukrainian black metal band that I’ve lost count (actually, I could count them if I had more fingers, because all the previous posts are collected here). Schwarzpfad was probably my favorite 2011 black metal album of all the ones I heard last year. It also showed up on Andy Synn’s list of the year’s Critical Top 10 albums, as well as his list of 2011′s Great Albums, and I included a song from Schwarzpfad on our list of the year’s Most Infectious Extreme Metal Songs. Continue reading »

Aug 292012
 

For someone of my tastes, this has been an action-packed 24 hours in the world of metal, and hence the flood of posts on our site today. But the new videos from Enslaved and Kvelertak, the new song from Daylight Dies, the new free download from Impureza, and . . . uh . . . the new video from Baby Metal . . . have just been the tip of the iceberg. I’ve seen and heard a lot more things that have got me really pumped up at the moment — so much so that I’ve written two of these “seen and heard” posts. This is the first one.

GLOWSUN

First things first: that colorful album art caught my eye in a big way. It wasn’t the name “Glowsun”, because I hadn’t heard of that band (or their music) before seeing the artwork. It turns out that Glowsun are from northern France, and their second album Eternal Season is scheduled for release by Napalm Records on September 28. It also turns out that the cover art was created by Glowsun’s own singer and guitarist Johan Jaccob.

So, having been hooked by the cover art, I listened to a track from the album that Napalm debuted today, not knowing what to expect. What I got was . . . completely bowled over by the song. Stylistically, I suppose you’d classify “Reverse” as psychedelic stoner metal, with a real retro feel, but for those of you (like me) who don’t immediately start salivating when you see that genre label, just bear with me a moment longer:

Glowsun have ultra-mad guitar chops. Their guitar chops have guitar chops. The song’s opening riff got my head nodding quickly . . . but that proved to be just a small appetizer for the soloing explosion to come on the back half of the song. Fuckin’ caused my hair to start smoking. Listen: Continue reading »

Aug 292012
 

“Normally, we like to pen a few lines of senseless drivel to entertain before you click that orange button thingie, but today—as August rightfully wanes into oblivion—our digital inkwell is virtually dry. Parched, if you will. That being said, we’re going to let Daylight Dies dash your hopes and weather-make your sunny day outright cloudy. They can do that, you know. It’s time to enter an overcast state of mind.”

With those words of introduction, DECIBEL today began streaming a new song from Daylight Dies’ forthcoming album, A Frail Becoming, which is out October 9th on Candlelight Records USA and is available HERE for pre-order.

The song is “Infidel”. As you might expect if you know this band’s fantastic previous music, it’s a combination (on the one hand) of the deep, the dark, and the crushing, and (on the other) the sublimely beautiful. A Frail Becoming has been very high on our site’s list of most anticipated fall releases, and I can tell you that the rest of the album is every bit as strong as “Infidel”. A review is forthcoming . . . .

THIS is the link that will take you to DECIBEL to hear the song.  On that page there’s also an interesting interview with the band’s bassist/vocalist Egan O’Rourke. GO!

Aug 292012
 

The new album by Norway’s Enslaved, RIITIIR, comes out Sept. 28 in Europe and Oct. 9 in North America on Nuclear Blast. It’s already available for pre-order in a variety of bundles at this location. The deluxe digi-pak edition comes with a bonus DVD that includes segments on the making of RIITIIR, the band, the recording studios, and the artwork. But the coolest looking bundle is the one with the bone-and-charcoal-splatter double-LP gatefold, which is limited to 1,000 copies.

About three weeks ago NPR debuted a long new song from  RIITIIR called “Thoughts Like Hammers”. Now the band have debuted a lyric video for the song, which you can watch after the jump. The song is such a trip. It’s part stoner metal, part indie rock, part prog, and the whole package is wrapped up in a blackened skin. It’s also an exception to the rule around here, because it includes clean vocals as well as scalding rasps, but man, the clean vocals are really good.

I usually find lyric videos to be distracting and annoying. Most of the time I’d rather just hear the music. But at least the words to “Thoughts Like Hammers” aren’t ridiculous. To the contrary, they’re interesting. So yes, I think the video is worth seeing, especially if you haven’t yet heard this song.

But the “Thoughts Like Hammers” video isn’t the only goodie from Norway we’ve got in this post. Last night I also watched a professionally filmed and edited video of Kvelertak’s live performance at the AREA4 festival in Germany on August 18. It’s about 22 minutes long, and I ate up every minute. To be fair, I’m already a Kvelertak fan, but I have a feeling that even people who haven’t yet gotten into their recorded music will rock out to this jam. Continue reading »