Jun 292012
 

A Forest of Stars (or more precisely The Gentlemen’s Club of A Forest of Stars) is a 7-person UK band whose music I haven’t previously explored, though their name is wonderful. My ignorance about them vanished rapidly today. They’ve collaborated in the creation of a new music video that’s probably the best one I’ve seen this year. I have a difficult time imagining that it will be surpassed.

The video is for a nearly 10-minute song called “Gatherer of the Pure”, which is drawn from the band’s new concept album A Shadowplay For Yesterdays. The album is scheduled for release on August 13 by Lupus Lounge / Prophecy Productions.

The music is a kind of very eccentric black metal. In keeping with the Victorian garb of the band members and their archaic names (e.g., “Mister Curse”, “The Gentleman”, “Katheryne, Queen of the Ghosts”, “Mr John “The Resurrectionist” Bishop”), the song sounds like history re-imagined — an occult conflation of the old (and odd) and the new.

The music is sometimes symphonically bombastic, sometimes waltzing, sometimes skin-scaping, and much else besides. It tells a story. I don’t know that from the lyrics, much of which I can’t make out, but the mere progression of the music makes that undeniable.

The animated video tells a story, too — a very dark and dramatic one. Visually, it’s stunning — no other word for it. It’s like watching the Indonesian shadow puppet theater called wayang kulit set against a backdrop of Victorian London and seeing it through a 19th-century stereopticon (don’t ask me where I pick up all this trivia). The visuals are so amazing that they almost overshadow the music, though I think that’s because what you see and what you hear mesh so seamlessly. Continue reading »

Jun 292012
 

As explained in Part 1 of this feature, I mean no disrespect to any of the bands mentioned herein when I refer to them as riff-raff. I guess I’ve been called a motherfucker so many times by bands during live shows that I’ve become convinced we’re all riff-raff, and surely that’s how the straight world looks at all of us, so why the hell not? Plus, there’s the appeal of alliteration.

This post is a continuation of my earlier report on news, music, and videos I saw over the last 24 hours that I thought were worth sharing. Even after dividing this into two parts, there’s still a shitload of stuff left to pass along. So I will try to be brief with my verbiage (yeah, like that will happen). In this post: Reports of new Season of Mist albums from Rage Nucleaire (featuring Cryptopsy’s Lord Worm) and Khonsu (featuring the Grønbech brothers and Thebon from Keep of Kalessin); Jucifer’s new Bandcamp page; new music videos from Profane Omen and Whitechapel; new songs from A Band of Orcs and Dysrhythmia; and for Mike Patton fans in the audience, a blurb about the revival of Tomahawk.

RAGE NUCLEAIRE

I just saw this, but three days ago Season of Mist announced the signing of a four-piece black metal band called Rage Nucleaire. It got my attention because the band was formed by Lord Worm, former vocalist of Cryptopsy. The band are working on a debut album called Unrelenting Fucking Hatred and they describe the music as a “hate-filled blend of melodic black metal and violent industrial.” Their list of influences range from early Emperor and Immortal to Anaal Nathrakh and Mysticum. The other members are bassist Alvater (ex-Frozen Shadows), guitarist/keyboardist Dark Rage, and drummer Fredrik Widigs.

The band have a new Facebook page here, which will allow me and you to sniff around for more info as it emerges. At the moment, although I’m hungry for some music by this group, I have none to share, nor do I have a release date yet. Continue reading »

Jun 292012
 

Yes, I’m still trying out titles for these posts in which I collect metal news, new videos, and new music that I’ve seen recently. I mean no disrespect to any of the bands featured in this post. In my lexicon, “riff-raff” is a compliment, plus I really wanted some alliteration; otherwise I probably would have called this “Rounding Up the Motherfuckers”.

Yesterday I saw and heard a lot of things worth passing on, so I’m dividing this collection into two parts, with the second part to follow a little later this morning. In this Part 1 are observations involving new albums from two excellent bands —Results by Murder Construct and Cold of Ages by Ash Borer — plus a recent live performance by In Mourning caught on film, plus a from-the-horse’s-mouth report on a potential Mastodon collaboration with Opeth’s Mikael Åkerfeldt and In Flames’ Björn Gelotte.

MURDER CONSTRUCT

This band is a super-group of sorts, featuring Cattle Decapitation’s Travis Ryan on vocals, Exhumed/Phobia/Impaled’s Leon del Muerte on guitar and vocals, Intronaut/Uphill Battle’s Danny Walker on drums, Bad Acid Trip’s Caleb Schneider on bass, and Fetus Eaters/Watch Me Burn’s Kevin Fetus also on guitar. The name of their game is death-grind, and I fuckin’ loved their 2010 self-titled debut (described here). Continue reading »

Jun 282012
 

(Andy Synn has music recommendations for Gojira fans . . .)

So with this being unofficial Gojira week here at NCS, I thought I’d try and continue the theme a bit, while also branching off in my own direction.

What you’ll find here are five bands, some of whom we’ve covered before, who I think will appeal to a good number of you Gojira fans out there, for a variety of reasons.

Now I’m not trying to say any of them is better than the French eco-behemoths, nor am I trying to replace them in your affections. Instead this column exists for two reasons:

1. I know that Gojira are one of those bands who captivate even the most casual of metal fans. I know several people myself who aren’t obsessive metal-explorers like myself and instead have a much more varied taste in music, but who nevertheless carry a pretty impressive torch for the band. So for these people I wanted to bring some attention to other bands who might suit them, who they might otherwise not have time to investigate for themselves.

2. I also know that many of us (myself included) have a real appreciation for Gojira, but don’t LOVE them unconditionally, as many do. Now while that does make me the perfect (cough…) candidate to critically appraise the band from a pretty objective standpoint – hence why you might find find my reviews a little more critical, in some ways at least, than others – it also makes me feel like I’m missing something. I know exactly how good the band are, and there are songs I do love, even albums, but for some reason the band and I are just not getting to the stage where I can put a ring on it. SO for those like me who “get” Gojira, but don’t “GET” Gojira as much as others, here are a few alternatives that might just fill that empty hole. Continue reading »

Jun 272012
 

These are short notes about things I saw and heard over the last couple of days that I couldn’t make room for in any other post. And yes, I’m trying out yet another title for these posts. I confess that I’m still partial to “Brain Fuckerings! I Haz Thems!”, but the search goes on . . . In this post: Ensiferum, Testament, As I Lay Dying, and Beherit.

ENSIFERUM

I saw the artwork above. It definitely caught my eye, (a) because it’s for Ensiferum’s new album, Unsung Heroes, and (b) because it depicts the wise, godlike Väinämöinen from the Finnish Kalevala epic in gorgeous reddish colors with a forest and a lake and a vaulted sky of stars. Also a sword, a shield, and . . . what the hell is that thing he’s holding?  A harp of some kind perhaps?

Anyway, it’s a damned epic cover, and I expect no less from the music. The album will be released on August 27. As previously mentioned on this site, it’s available for pre-order at Finland’s Record Shop X (here), which ships worldwide.

TESTAMENT

I also heard a new song from Testament’s next release. It’s called “True American Hate”, and it will be on the group’s forthcoming album, Dark Roots of Earth, which is due on July 31 from Nuclear Blast Records. It includes kickass cover art, too. We featured it once before, but one good turn deserves another . . . Continue reading »

Jun 262012
 

As an interlude between our second and third Gojira reviews today, I have for you a big old death metal dessert: three big scoops of Swedish sweetness. You’ll have to find your own whipped cream and nuts (yeah, have fun with that line in the Comments), but I got you covered on the core of this three-flavored sundae.

NECROVATION

Of the three Swedish bands featured in this post, Necrovation is the least well known, and certainly a new find for me. I spied them because they have a new self-titled album that Agonia Records released today in Europe (it will be out in North America on August 14). This follows their album debut way back in 2008, which I haven’t heard, though it has the mouth-watering title of Breed Deadness Blood.

I’ve started listening to the new album, and so far it’s very impressive. Today, Agonia put up one of the new tracks for streaming on SoundCloud, and that’s the first big scoop of rich death metal in this dessert. The song is called “Sepulchreal”, and man, is it a trip. It begins with a deceiving instrumental, just a dreamy bit of ambience to get your guard down — and then it begins to rip hell with a blackened torrent of double bass and eviscerating guitar.

But there’s a lot more to come in the song, as it switches both tempo and style and lays out an attention-grabbing guitar solo before ramping up again for a blasting finish. Hope you like “Sepulchreal” as much as I did. It’s right after the jump. Continue reading »

Jun 252012
 

To start this Monday off in style, we have two videos, one new and one that has become new again because it won a prize. And starting off a Monday in fine style is always a good goal, because I ain’t feelin’ too fuckin’ stylin’ on a Monday, and any kind of Monday style is a big goddamn plus, don’t you think?

MAGOA

This French band’s last song and video jumped me up like an electrode in the bunghole. Not that I would know what that feels like, mind you, but it seems like a fitting metaphor. Magoa’s “Animal” video is one of the best of the year, and if you haven’t seen it yet, by all means please go visit our earlier post about it. But as of yesterday, Magoa have a new song + video that is a bunghole insertion with extra voltage.

If there’s another modern band doing old-school groove metal with as much punch as Magoa, then I really want to hear about it. Their new song, “Enemy”, is like a brigade of machinists punching rivets through the steel girders of your thick skull. It really is the archetypal convulsive headbanger, a cleverly calculated formula for making people go into paroxysms of spastic neck-snapping.

And if that weren’t enough, it includes a hooky chorus and an old-school breakdown — by which I mean a breakdown that isn’t announced by a big fucking bass drop and one or two atonal chords. The production is just about perfect for this kind of metal — powerful, cathartic, and man, when the double bass comes alive, you’ll want to ram your head into the nearest wall. Even better, the song is a free download. Continue reading »

Jun 242012
 

“Metal Kitty” by bloodspit.

(This post was written by Phro. He brings us head asplody things.)

In the metal world, there seems to be a lot of anger, hate, filth, and skullfucking. I approve of this. In fact, I approve of this so hard that I sometimes get rage boners for no other reason than that I love how much negativity there is in the metal world. That said, a bit of humor goes a long way to making a good band a great band. And a shitty band an almost tolerable band.

But what we don’t have (for better or for worse) is much cuteness.

Now, that’s to be expected when you get a lot of misanthropes, bitter assholes, badasses, and posers all in the same general area. (I’ll let you decide for yourself which one of the four you are.) But, hey, it’s the weekend, so you have some free time to remove the corpse paint, take off the studded bracelets, hide in your room, and indulge in a little childish, high-pitched squealing and giggling.

BABY METAL

Baby Metal has released a new video. I love it. I’m not being ironic, sarcastic, or coy. It’s just fucking absolutely nothing more than shitty Jpop with a few rejected riffs and some random douchebag doing “death metal growls” in the background. But I still love it. (I may have brain damage.) Continue reading »

Jun 222012
 

(DemiGodRaven reviews another recent show at The Boardwalk in Sacramento, and again uses the write-up to introduce music from a group of up-and-coming bands who might hook you.)

You know, sometimes the internet has a habit of inflating your sense of how popular you think a band really is. I say this mainly because lately it seems like we’ve become something of a heavy metal echo chamber in which one person says, “Hey! You should check this band out!” and then two more pick up on it, and so on. Surely, that means somebody must’ve picked up on it because everyone is talking about it.

Then you actually go to the show and it occurs to you that, yes, this is still a small local band show. It’s a group of guys busting their asses and slumming it out to try and get someone to pay attention to them, even if the big name on the bill couldn’t make it due to a family emergency (that’s 2 for 2, Fallujah, Sacramento remembers the dates that stand it up) and one of the other death metal bands couldn’t make it, so a smaller group had to step in. It’s a show that maybe fifty to sixty people made it out to, including the other bands.

There was a weird sort of hopeful energy, where no one knew who I was (well, except for the one guy who was playing that night who I played with in a band for about two months…) and they were just excited to have someone interested in what they were doing. It’s probably the most hipster and, ‘Oh you’ve probably never heard of them’ that I’ll ever get to be.

The internet is also amazing because it really does widen a band’s reach. Can you believe we had someone from Australia complaining in the comments for the Soma Ras demo review that they couldn’t go to this specific show? How strange is that? You have bands who have anywhere from 800 to 2000 likes on Facebook playing what should be a hometown show to a small crowd, yet you have people 3,000 miles away mad because they couldn’t see it. Continue reading »

Jun 202012
 

Following up on 2009’s Night Is the New Day, Sweden’s Katatonia have completed their next studio album, Dead End Kings, which will be released on August 27 (a day later in the U.S.) by the Peaceville label (it’s available for pre-order here). Today, Peaceville and the band released a lyric video for one of the tracks on the new album — “Dead Letters”.

It is an Exception to the Rule here, because . . . clean singing. But ever since my one and only witnessing of Katatonia in a live setting, I’ve had a soft spot for the band’s music (it was quite a show), and so I had to pay attention to this. Glad I did.

The video showcases some of the wonderful artwork by Travis Smith that will appear in the album booklet, and the imagery well-suits both the lyrics and the music. The song is a blending of the heavy and the ethereal, both moody and jolting, dark and meditative. I don’t think fans of Katatonia will be disappointed in what they hear. Check it out following the jump.

In addition, Peaceville has made the song available for free download, in exchange for your email address. To get that, GO HERE. Continue reading »