Feb 102018
 

 

Impure Sounds is an appropriately named independent label and recording studio based in Melbourne, Australia. Their past releases have included works I’ve written about at NCS, including a split by Graveir and Mar Mortuum, and the debut album by Dødknell. Impure Sounds now has two new releases on the way, one of which can now be streamed and downloaded in full and the other of which has an advance track up for listening — and both are very good.

 

GOLGOTHAN REMAINS: PERVERSE OFFERINGS TO THE VOID

Sydney’s Golgothan Remains launched their first demo two years ago and are now following that with a full-length record through Impure Sounds named Perverse Offerings To the Void. A digital version of the album is available now, and a 12″ vinyl is scheduled for April 20.

Vehemence (Through Pain Divine)” opens the album in stunning fashion, with titanic rumbling and booming in the low end, bursts of freakish, swarming guitar dissonance in the upper reaches, and grim grinding in the mid-range, like a bone saw scything through gangrenous limbs. The destructive barrage of sound is segmented by slower cascades of pile-driving brutality. A heartless roaring monstrosity has somehow seized the microphone, venting a tyrannical tirade in the midst of this war zone. Continue reading »

Feb 082018
 

 

On February 9th — tomorrow — Cimmerian Shade Recordings will release a new EP by Negative Slug from Zagreb, Croatia. Before this record, the band had released a trio of EPs and a debut album. I hadn’t heard any of them, but I read the song titles before listening to the new release.

As a representative sample, they included tracks named “Horrendously Noxious”, “Black Smoke Atrocities”, “Rotten Existence”, “Thermal Piss Eyes”, and “Blotted Rotted”. I began to expect something foul and mean-spirited was headed my way. And of course the name of the new album is Bliss Of Corpse.

Some of the song titles on the new record can be found on the earlier releases, as well as the title track and an ode named “Slugs & Snails”. I was not expecting happy or polite music. Aural hell was what I was expecting. I mean, look at that creepy-as-shit album cover up there. Continue reading »

Feb 062018
 

 

All good things must come to an end, and so I must end this Tuesday torrent of tumultuous sound in order to pay a small amount of attention to the rest of my life. If you’ve managed to make your way through all four parts of this round-up, congratulations on your fortitude and thank you (and I’m sure the bands would thank you too), but I assume no responsibility for the cost of medical treatment for your eardrums.

In this final chapter, I’ve ranged far and wide in genre terms, perhaps more so than in the previous chapters. Buckle up for a swerving ride.

CARDIAC ARREST

Songs like “It Takes Form” make me feel like Pavlov’s dog at the sound of the dinner bell: I start salivating uncontrollably. This kind of utterly morbid but powerfully electrifying vintage death metal, composed and performed this masterfully, always seems to have that effect. Continue reading »

Feb 062018
 

 

“Once more unto the breach, dear friends… when the blast of war blows in our ears, then imitate the action of the tiger; stiffen the sinews, summon up the blood, disguise fair nature with hard-favour’d rage….”

And I do have some raging metal in this third installment of today’s new-music round-up. Furthermore, despite how much savage new stuff I’ve launched at your earholes today, I have one final installment planned. And now, cry “Havok!” and let slip the dogs of war.

RUST

To begin Part 3 of this round-up I’ve chosen “Windumanouth“, a track from Urstoff, which is the debut album of the Italian black/death band Rust. It will be released in the spring of this year by Dusktone, which characterizes the music as “magical, evocative and enchanting work, as well as tragic, apocalyptic, cruel, painful, fatal, nefarious, violent and deadly….” With one possible exception, I wouldn’t quarrel with any of those adjectives. Continue reading »

Feb 062018
 

 

I’m continuing to parcel out new and newly discovered music as time permits today, almost all of it displaying cyclonic ferocity in different ways, hence my decision to give the “SEEN AND HEARD” title a rest in favor of something more connected to the sounds.

RIVERS OF NIHIL

We’ve been writing about Pennsylvania’s Rivers of Nihil since January 2012. I count 14 posts featuring them since then, including album reviews, song premieres, and live concert reviews. I guess you could say we’re fans. And now they’ve given us a reason to add Post No. 15 to the list.

On March 16, the band will release a new album entitled Where Owls Know My Name, and today the first advance track from the album appeared on Bandcamp. “The Silent Life” is the song’s name, but it isn’t a quiet and contemplative piece of music… though surely no one would have expected that anyway. Continue reading »

Feb 062018
 

 

I decided to give the “SEEN AND HEARD” title a rest today, if only because DGR used it twice yesterday. And yes, even though his two-part round-up tossed eight new songs and videos at your head to start this week, I have many more I want to hurl your way, too. Most of what I’ve selected tends to hit like a plague of tornados, hence the title to this post.

As the post title also implies, I’ve divided this collection into bite-sized pieces rather than one massive meal (and the next bites will likely be smaller than this first one). I haven’t written the other parts, but will attempt to dribble them out as the day goes on. I’m going to do something similar with a SHADES OF BLACK series as well, picking up where I left off on Sunday. There is just too damned much good metal coming out!

DANTE

It seems that Dimmu Borgir and Vesania drummer Dariusz “Daray” Brzozowski has formed a new band named Dante, along with guitarist/vocalist Lucas and guitarist Yony. Their debut EP Paranoidosaur will be released digitally on February 22nd, and yesterday they revealed a lyric video for a track called “Fathers Die Sunday“. Continue reading »

Feb 052018
 

(This is the second part of a new-music round-up compiled by DGR. You can find Part 1 at this location.)

 

The Kennedy Veil – Bloodletting North America Full Set Live

We ended the first part of this collection with a live music video from Rotting Christ, and speaking of live shows, let’s check in with a Sacramento death metal crew who also wound up with a recorded live show in 2017. This one is courtesy of The Kennedy Veil, whose label Unique Leader recently uploaded the twenty-some-odd-minute full set from when the band were on opening tour duties for the tech-death-packed Bloodletting North America tour, which saw them playing alongside the likes of Origin, Archspire, Dyscarnate, and Defeated Sanity. Continue reading »

Feb 052018
 

 

(DGR compiled a round-up of new music to launch our Monday at NCS, an eight-song collection that we’ve divided into two parts, with Part Two slated to come very quickly after this first installment.)

 

I’m not going to lie to you all, I’ve been pretty distracted around the NCS office as of late. Usually I’ve unleashed a handful of ridiculous-length reviews by this point, but so far the beginning of 2018 has had your buddy here firmly ensconced in the news trenches, freeing up some of the other folks around here to fully dive into the deep and murky waters of all things underground and unlistenable.

It doesn’t help that I’ve also had tabs open alongside the news haul consisting of album streams from Dagon’s victorious return on Back To The Sea, Bloodshot Dawn’s surprisingly tech-death oriented ReanimationAfgrund’s mean and urgently-now The Dystopian, and even the occasional leap back into 2017 with Ireland’s Weed Priest and their stoner doom throwback; all of which are seeing constant listens and hopefully time to deep-dive in the near future. Shit, there is even a new Apophys disc entitled Devoratis that we covered very briefly but need to dive back into.

Of course, now that all of that has been written down, the news flood will get worse and I’ll get something done just in time to watch the moon finally escape Earth’s gravity and go sailing off into space as we’re devoured by the Sun’s outer layers as it goes red giant.

But enough jokes about things that seem preferable to going outside and facing the world. Let’s get on with the music. Continue reading »

Feb 042018
 

 

I almost never watch anything available through on-line streaming services like Netflix. I don’t watch multi-part TV series available through cable networks like HBO either (I’m one of four people in the U.S. who has never seen a Game of Thrones episode; the other three have been in a coma since 2010). It’s not that I’m uninterested. It’s a question of time, and choices among what I’d have to sacrifice in order to make room for all the hours of viewing. But I made an exception last night.

My wife is out of town visiting one of her sisters. Time with my wife, who has no interest in watching the kind of shows referred to above, is one of the things I’d have to sacrifice if I watched more TV. Time with NCS is another one. But with my wife gone and with my NCS post for today (not this one, the next one) at least planned out in my head, I decided to start watching Altered Carbon on Netflix. The first season became available on February 2nd.

The book of the same name, by Richard Morgan, is an old favorite of mine; I’ve read every other sci-fi book he’s written, too, but I always thought it would be great if someone turned Altered Carbon into a movie or TV series. So, with some extra time on my hands, this was a temptation I couldn’t resist. Continue reading »

Feb 032018
 

 

I got a late start on this Saturday’s round-up of new music, and then burned a lot of time trying to decide what to include. I didn’t have time to do much rounding up over the last couple of weeks due to the daily roll-out of my 2017 Most Infectious Song list and the usual platter of premieres, and during that interval my notes of things to check out became mountainous.

I know that DGR is pulling together his own round-up for Monday, which will help us catch up a bit, but there’s still quite a lot to do. I’ll at least make a modest start with the four songs I’ve packed into this post.

MORBOSIDAD

I still have vivid memories of the first time I saw Morbosidad play live, which was also the last time. That was at California Deathfest in 2015. They were absolutely barbaric, a blackened death metal war machine unleashing non-stop savagery from start to finish.

They were fronted by original vocalist Tomas Stench, a menacing shaven-headed figure clad in gauntlets with six-inch spikes and crossed bandoliers fully loaded with bullets. When he wasn’t banging his head during instrumental breaks, he was spewing ghastliness with head thrown back like a wolf calling to his kind. He also set an unbound Bible on fire and tossed the smoldering pages into the audience. Since the pages didn’t fully ignite, some helpful audience members finished the job, starting a small bonfire in the mosh pit. Very cool way to start that Saturday night. Continue reading »