
(Here’s DGR‘s extensive review of the new album by Goatwhore, out now on Metal Blade Records.)
There was a block of time during the decade that was the 2010s when it seemed like Goatwhore were unstoppable and ever-present. They released consistently good-to-great albums like clockwork and few bands out there embodied the concept of “professional homeless person” quite like this hard-touring group. It seemed like they were always on the road and ready to answer the call if there was a show that needed its ass saved from a last-minute cancellation. Hell, there were times when the band wouldn’t even be part of an event yet would somehow pop up within the area because what the hell else were Goatwhore going to do with their free time? Not play live?
That’s why sitting down and gazing over the numbers gap between the group’s 2017 Vengeful Ascension and their latest salvo in early October, Angels Hung From The Arches Of Heaven, and seeing the five-year mark just looks wild, especially for a band whose previous longest gap between releases was at best on the long side of three. One could only expect that we’d see a release from Goatwhore a whole hell of a lot sooner had we not had to effectively put the world on pause due to a worldwide plague, because otherwise the Goatwhore camp probably would have been out on the road and writing just as hard as they normally do. Continue reading »









