Dec 292014
 

 

(HAIL GZOROTH! We filthy NCS human are pathetically grateful to Cretos Filthgrinder, provider of lead and crunchy guitars and utterer of gutturals and growls for A Band of Orcs, for accepting our invitation to share with us his year-end list. HAIL GZOROTH!)

1 Triptykon – Melana Chasmata

Tom G. Warrior should slay it all! Tusks up for the abysmal masterpiece that is Melana Chasmata. From the first ear-piercing guitar tone to the last oRcgelic female vocal, Melana Chasmata takes Cretos out of Hirntodia and into the maelstrom of Celtic Frost-style hooks and doom-inspired hauntings. Melana Chasmata very well could be the best offering since To Mega Therion.


Continue reading »

Dec 282014
 

 

Today we bring you Part 5 of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here.

Up to now, every song on the list has come from an album that we reviewed at this site. Today’s entries come from two albums we failed to review, though they are both excellent. However, we did write about individual songs from both albums, so we’re not complete failures. And I thought both songs would make for a nice pairing because of certain stylistic similarities in the music — but you be the judge of that.

WOLVHAMMER

Wolvhammer is one of those few bands who made a striking start with their debut album (The Obsidian Plains) and then just continued to make strong and steady progress with each successive release. Their third album, 2014’s Clawing Into Black Sun, is not only their high-water mark, it was also one of my favorite albums of this year. Continue reading »

Dec 282014
 

 

(Today we welcome Dan Barkasi to NCS. Dan plans to provide a monthly column on new metal releases that ring his chimes, and in this post he introduces himself with a year-end list of top albums and EPs.)

Hello, fine folks of NCS! My name is Dan Barkasi, and I’m a newcomer to this fine collection of music lovers. Who the hell are you, you say? Simply, you’re looking at a guy who – like yourself – has a very keen love of music. And, yeah, this guy tends to never shut up about it. But that’s good, as I get to share lots of goodies with you all!

I’ve been writing since 2003, am 32-years-old, and have been listening to the good stuff since I hit the ripe old impressionable age of 12.  So really, about two decades of living this sort of music. That makes one feel really old!

Anyways, the subject of this monthly column is going to be what’s been rotating that’s new and fresh in my scattered brain. Maybe a mention of some classics along the way, as well.

While thinking about what the best way to introduce myself to you fine folks, the conclusion was to cook up an extensive year-end list. You’ll get to know my musical preferences – which are all pretty damn eclectic – and maybe you’ll find a few gems that you may not have stumbled upon otherwise. Great! Enough of my blathering – to the tunes! Continue reading »

Dec 282014
 

 

(Our guest Grant Skelton returns to NCS with a thought piece about extremity in metal.)

“I know your works: you are neither cold nor hot. Would that you were either cold or hot! So, because you are lukewarm, and neither hot nor cold, I will spit you out of my mouth.”
Revelations 3:15-16, English Standard Version

The psychedelic haze of the 60’s wasn’t extreme enough for an unknown heavy blues band called Earth. So they read some occult fiction and wrote a song based on the tritone diabolus in musica, the Devil’s interval. The song was named for a horror film starring Boris Karloff — Black Sabbath — and the name became their own. After about a decade, Sabbath were no longer on the fringe. Their extremity had waned. Enter thrash metal. Booze-pounding, head banging, denim-donning guys with mullets. If Sabbath, Maiden, and Priest were too slow for you, throw on some Metallica, Megadeth, and of course Slayer. If those bands didn’t do it for you, you could dig deeper underground for Sepultura, Possessed, Pestilence, Death, Dark Angel, Celtic Frost, and so on. Don’t forget the Florida death metal scene. And the Gothenburg scene that answered right back. Then there’s Norwegian black metal that gave us the likes of Darkthrone, Emperor, Immortal, and Mayhem.

Each generation of metal musicians stands on the shoulders of those who came before. Every generation builds on what came before it, creating layer upon layer of extremity. What was considered thought-provoking ten years ago is stagnant today. And yet, there is something of a veneration for the bands of yesteryear. Old bands that broke up, or stopped recording prior to the Internet age, are seeing a resurgence in their popularity. Young, new fans are hearing older music and they want it. They want to stream it and buy it. They want T-shirts, they want tickets to shows. They want a reunion album and a tour. So they buy an older album that just got remastered and released via Bandcamp. Or they throw in on an Indiegogo, GoFundMe, or Kickstarter. They want perks and prizes. They’re not content to just hit the repeat button on YouTube. They want to be a consumer of quality music, and not just a passerby. Continue reading »

Dec 272014
 

 

Welcome to Part 4 of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here. Today we add two more songs, from two rising stars in the firmament of metal, both of whom match technically impressive instrumental skill with songwriting prowess.

BLACK CROWN INITIATE

At the moment, I can’t remember a current band whose fortunes have risen so far, so fast, as Black Crown Initiate from Reading, PA. On the strength of one four-song EP — Song of the Crippled Bull (glowingly reviewed here by TheMadIsraeli) — they landed on a slew of high-profile, kickass tours, the first of which was headlined by Behemoth (I reviewed the Seattle stop of that mega-tour here). That EP also landed them a spot on the roster of eOne Music, which released the band’s debut album this year — The Wreckage of Stars.

The album proved beyond doubt that Song of the Crippled Bull was no fluke. As DGR wrote in our review of the album: Continue reading »

Dec 272014
 

 

It’s been a little while since I posted some real Swedish fucking death metal on the site, long enough that I was starting to get the shakes, the night sweats, the dry mouth, and the volcanic gut rumbles. So I decided to do something about it. I’m tending to my needs, and bringing you some slaughter for your Saturday at the same time. But as you’ll find out, this is also a very bittersweet post for me to write.

TORTURE DIVISION

I first discovered Torture Division in March 2011, when they released a cover of Mastodon’s “Iron Tusk” from the Leviathan album, accompanied by an introduction that included these words:

“This is how we would have made this song, had we written it in the first place. But we didn’t, we just thought it would be nice to MASTODON to make a proper tune out of it. Kidding, kidding… MASTODON‘s cool. They are no TORTURE DIVISION, but hey — can’t win them all.”

I became an immediate fan, and have remained one in the years that followed (you can still hear that “Iron Tusk” cover in the first Mordbrand feature I prepared). I wrote about most of their other releases over the last three years (collected here) and liked every goddamn one of them. And now, sad to say, I’m writing about their final effort. Continue reading »

Dec 262014
 

 

We bring you Part 3 of our list of 2014′s Most Infectious Extreme Metal Songs. For more details about what this list is all about and how it was compiled, read the introductory post via this link. For the other songs we’ve previously named to the list, go here. Today we add two more songs — and I’ve paired these two for reasons that will become obvious.

GOATWHORE

We published two reviews of Goatwhore’s new album Constricting Rage of the Merciless, Andy Synn’s three-line, 14-word haiku review and DGR’s 1337-word tome. I’ll quote excerpts from each review:

“Rabid dogs learn some new tricks”

“In comparison to the group’s previous albums, Constricting Rage Of The Merciless is the most pit-fueled and ballsy of the Goatwhore albums. There is some serious stomping swagger on this record, like outlier ‘Baring Teeth For Revolt’. That song has a bluesy rock and roll riff made heavy by the rest of the band and a gallop designed, it seems, for the sole purpose of making people run in a circle.” Continue reading »

Dec 262014
 

 

We’ve been writing about the Elemental Nightmares music project since July 2013, when it was barely more than a bright idea. We followed its progress closely and posted about each of the first four splits when they were released (and even premiered two of the songs from one of the splits). And then, in a big rush, Elemental Nightmares released the last two splits over the space of the last two days, with Parts VI and VII coming on Christmas Eve and Christmas Day, respectively. (This accelerated finish was actually part of the release schedule as it was announced back in August, but still caught me by surprise.)

For those who haven’t yet heard of this project, it began as a vinyl subscription series and changed a bit as time passed. In its final (and now complete form), it has released seven 10″ vinyl splits featuring songs from 28 up-and-coming bands, most of which we had previously written about at this site. Each release has featured one segment of a single large piece of art, and you can now see the complete work at the top of this post (click the image to view a larger version). It’s fantastic.

I subscribed to this series as soon as I could and have relished the arrival of each installment. Later, Elemental Nightmares began offering each split for sale on a standalone basis, and the music is also available for download on Bandcamp. I’m not sure whether vinyl copies of each split are still available, but if they are, they can be acquired via the Elemental Nightmares online store, here: Continue reading »

Dec 262014
 

(Mortifera. Image borrowed from this location.)

(We present today the second part of a year-end list prepared by one of our Norwegian readers, whose pseudonym is eiterorm,  and who has been a valuable source of musical recommendations to our site. His list focuses on releases we’ve not written about on this site before.)

This is a continuation of the list of previously unfeatured releases of 2014 that began with Part I (here).

Grand Magus – Triumph and Power

This is another exception to the rule of “no clean singing”, and among the milder types of metal that’s been mentioned on NCS, so I won’t say too much about it. Grand Magus released a new album in 2014, entitled Triumph and Power. It’s a good heavy metal album, and a big step up from their previous one, which, at least to me, was a big disappointment. If you enjoy heavy metal and can appreciate clean vocals (did someone shout “blasphemy”?), you should check out the following couple of songs from the album. And if you don’t know the band from before, make sure you don’t miss their first two albums. Continue reading »

Dec 252014
 

 

I used to write an annual Christmas rant at this site. The first one I wrote, creatively entitled “FUCK CHRISTMAS”, still gets a few hundred new page views around this time every year despite the fact that it’s now more than four years old. I haven’t changed my mind about what I wrote four years ago, but I also don’t really have anything new to say. I guess I’ve also mellowed — somewhat — and now spend more time focusing on things that genuinely are worth celebrating during this season instead of things that turn my stomach. And so it will be today.

In an early display of marketing acumen (to be repeated in many other ways, both before and since), the Church created the festival of Christmas by co-opting and incorporating many of the traditions of various pagan celebrations that had occurred around the time of the winter solstice for many centuries before the birth of Christ. Celebrations of the birth of the Sun, for example, became celebrations of the birth of the Son. And in our time, of course, commerce has successfully co-opted the celebration of the Son, drowning it in an orgy of gift-giving.

But putting all that history to one side, we still have things worth celebrating today that have nothing to do with the traditional trappings and calculated origins of Christmas — time spent with family and friends, and of course, metal! And for me, it seems appropriate to celebrate with some excellent pagan metal, plus a compilation of Anti-Christmas music that costs nothing. Continue reading »