Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to bring to your attention that I’ve divided them into three parts, this being the second (Part 1 is here). The first three items in this round-up are mainly visual.

OBITUARY

Those long-running Floridian death kings Obituary have a new album named Inked In Blood coming out on October 28 via Relapse Records, and yesterday the cover art was revealed. As you can see, it’s brutal. The art is by Andreas Marschall. I’m hoping for equally brutal music. Continue reading »

Aug 072014
 

Jet-setter that I am, I’m on the road again this week in my old hometown of Austin, Texas. Until last night I haven’t had as much time as usual to check out new music or write about it. I missed a lot, and am trying to catch up before having to leave the world of metal for the rest of today.

I discovered so many things I want to recommend that I’ve divided them into three parts, this being the first.

DECAPITATED

In advance of their new album Blood Mantra (scheduled for September 26 release by Nuclear Blast), Poland’s Decapitated have begun streaming a new song entitled “The Blasphemous Psalm To The Dummy God Creation”. It’s being released as a digital single via Amazon, iTunes, Google Play, or direct from Nuclear Blast (here). Continue reading »

Aug 062014
 

MYRKUR

I wrote a feature about this supposedly one-woman Danish black metal band a month ago after discovering a song named “Nattens Barn” (“Night’s Child”) from the band’s forthcoming debut EP on Relapse Records. At the time, I knew very little about the woman in question, but yesterday, through the help of a few readers, I learned a lot of info — conflicting info — plus discovered another new Myrkur song — “Latvian Fegurð”.

The music speaks for itself — and I think it’s quite good; you’ll find the new song at the end of this post. As for the woman behind Myrkur, Relapse released a video in which she speaks (in Danish) of the motivations behind her music, her face mainly obscured behind a mop of pale hair while “Nattens Barn” plays in the background: Continue reading »

Aug 062014
 

(Here’s another installment of Andy Synn’s irregular series devoted to his favorite things that come in fives. As always when he does these things, please feel free to share your own list in the Comments — in this case, your favorite bands you’ve never seen live.)

It’s been a while since I’ve written one of these random little columns. I bet you were beginning to think I’d forgotten about them, hadn’t you?

Well, my strange predilection for numerical lists of my favourite things has reared its ugly head again, and this time we’re dealing with the mournful issue of bands I’ve never (for a variety of reasons) managed to see live!

EXTOL

Let’s start with a big one, shall we? I love Extol. They are one, if not the biggest, of my favourite bands. Their dissolution back in 2007 seemingly put paid to my chance of ever seeing them live, but now they’re back with an amazing new album and are playing a few select live shows… well, let’s just say that there are few things I wouldn’t do for a chance to see and hear them perform! Continue reading »

Aug 052014
 

 

(DGR compiled this round-up of news items and music, the theme of which you will figure out… because you’re a geek.)

OVID’S WITHERING

Ovid’s Withering are releasing a chiptune interpretation of their album Scryers Of The Ibis at the end of the month and calling it Scryers Of The Ibits. It’s being done by a guy named Josh Foreman. Right now the only available pre-order is 50 bucks because you get a poster, the original Scryers, the 8-bit version, A Shirt, and a 7″ sculpture. All physical goods on top of the downloads.

Right now, they’re streaming “Murder To Dissect”, which we named as one of last year’s Most Infectious — so thats a good start — and “Acheron”, another really good track. I’m curious as to how “Panikon Deima” is going to handle the “PANIKON DEEEEIMA….TERMINUS!” yelling section. Also, it has a new intro.

http://ovidswithering.bandcamp.com/album/scryers-of-the-ibits Continue reading »

Aug 052014
 

We’ve collected here a quintet of new videos for your viewing and listening pleasure. In a rare display of brevity, I’m not going to attempt to describe the sounds or what you’ll see in the videos. I’ll identify the music and provide a band link, and then let you dive into the streams… beginning with an exception to our Rule.

ANATHEMA

Song: “Anathema”
Album: Distant Satellites
https://www.facebook.com/anathemamusic Continue reading »

Aug 052014
 

 

Louisiana’s Abysmal Lord chose well when they named their debut EP Storms of Unholy Black Mass. The five songs on this forthcoming release deliver an unstoppable deluge of massively destructive blackened death metal, a bestial onslaught that vividly creates an atmosphere of pestilence and unholy malignance. Yet the music is more than merely ruinous in its intent and effect. The riffs crackle with ebon energy, the drumbeats strike with bone-jarring immediacy, and the slithering, doom-stricken melodies prove to be unexpectedly seductive. As undeniably venomous as it is, listening to the EP is an electrifying experience.

Today we bring you a taste of what Storms of Unholy Black Mass holds in store, as we premiere the EP’s third track, “Angels of Persecution”. It rains unholy fire and brimstone from the skies in a torrential downpour of grinding, radioactive riffs, thundering percussion, and lightning-strike guitar solos, with ghastly vocals that vomit forth noxious clouds of sulfurous poison. The slashing storm breaks periodically, long enough for the band to deliver slow, skull-flattening hammer blows, just in case you missed the message: only doom awaits. And that rhythmic dynamism is a hallmark of the EP as a whole — Abysmal Lord are as adept at delivering crushing beatdowns as they are at mounting assaults of accelerated violence. Continue reading »

Aug 042014
 

I’ve spent the last three days having a fantastic time at the Denver Black Sky festival, about which I’ll have more to say and show in the coming days.  My traveling companions and I will be headed back to Seattle soon, and so I doubt I’ll be posting much on our site today, but I wanted to get you a few new things to hear before I once again enjoy the wonders of airport security in the 21st Century, even though I don’t have time to say much about the music itself.

HORNED ALMIGHTY

This Danish black metal band have recorded their fifth album, and the first since 2010′s Necro Spirituals. The new one is named World of Tombs, it features cover art by Mark B. Hansen, and it’s scheduled for release on September 1, 2014, by the band’s new label, Scarlet Records. In June I wrote about the first killer single from the album, “Diabolical Engines of Torment”, and today brought us a second one — “In Torture We Trust Pt. II”.

Through the use of my superior deductive skills, which have justly become famous throughout my own mind, the song title suggested to me that a song named “In Torture We Trust Pt. I” might exist somewhere. Undoubtedly its existence would be well known to fans more familiar with Horned Almighty’s full discography than I am. But this is why Satan created Metal-Archives. Continue reading »

Aug 042014
 

 

(DGR reviews the debut EP by Leprous Divinity.)

Given that California has a huge population, you could rightly assume that this state dishes out a humongous amount of music on a daily basis. Not only that, but genre shifts and sonic waves seem to be massive here — moving through the metal scenes here like tsunamis. So if there is one sound that seems to be catching on, a ton of bands will be doing just that — or will be newly formed to play around with the style.

You could also correctly assume that right now, judging by the scale of California’s metal output and no doubt because of the massive spotlight being shined on it by the recent renaissance of the Unique Leader label and its slate of artists, that we seem to be on one hell of a death metal kick at the moment. Whether it be the brutal, tech, slam, or prefix-core aspects of the genre, you better believe that we’ve been dishing it out in spades.

Thus, it is hard as hell to get noticed, especially if you’re just launching your band off the ground and are attempting to tread a super-fine line. Such is the situation faced by Leprous Divinity, a group whose sound is rooted in the combination of brutal death metal’s slamming elements and the downward-focused chug of deathcore, resulting in a super-slow, gargantuan slab of metal designed for the sole purpose of crushing people beneath its weight. Continue reading »

Aug 032014
 

 

(DGR wrote this piece about a song by The Fevered.)

The single-song review is an odd thing for me, mostly because we’re always trying to grab huge swaths of new material, and most of the time a single three- to four-minute track doesn’t lend itself all that well to my habitual jawing-until-my-face-falls-off writing style.

I’ve managed to choke five paragraphs out of just about anything I can think of at one point or another, but I recognize when it doesn’t work all too well — which is why I tend to save those reviews for songs of a longer caliber, ones where the ten-minute runtime could be re-imagined as an EP in its own right. But there’s something about “Epicenter” by Brisbane, Australia-based The Fevered that has set the gears in my mind in motion — no doubt a creaking so loud that I’m writing this review later in the day so as to avoid violating any sort of noise ordinance.

“Epicenter” is a song that The Fevered released close to four months ago now, but one that I’ve only recently discovered through a habitual “random check in on Facebook with bands I haven’t thought about in a bit”. It’s a habit that lends itself well to discovering new material, but I’m now drawing a fifty/fifty shot on not being the most prompt in reporting what I find. In the case of “Epicenter”, the song was released as part of a compilation in dedication to an individual named Chris Torpy. The compilation came out through Art As Catharsis records and they described the release of the compilation and its purpose as follows: Continue reading »