Oct 202011
 


My good friend Tre Watson is a very busy man who’s up to pretty much everything you can imagine in the world of music.  He’s either recording and producing someone else, writing and recording his own music, or playing with his band Carthage.  I’m reviewing not only the debut EP of Carthage, but also Tre’s recent solo EP called Gravestones.

Carthage plays a style of less-is-more and simple-is-best deathcore with “a little of everything” thrown in, as he put it.  This is pretty accurate, as the music has very small doses of thrash, melodeath, traditional hardcore, and death metal thrown into the mix to keep it varied despite the music’s simplistic approach.

Listening to the EP is like getting smashed over the head with boulders repeatedly.  There is undeniable, consistent groove here, combined with moments of melodeath riffing, deathcore and djent syncopated chugs, tremolo riffing, and badass lead-work everywhere.  I really like what’s going on here — it’s worth checking out.  It’s only a tiny bit underdeveloped, but that’s to be expected with even the best of first EP’s.  The potential is bursting at the seams.  You can stream the entire EP at Bandcamp, or right here at NCS after the jump. Continue reading »

Oct 192011
 

(As we announced HERE, NCS is co-sponsoring a UK tour beginning on October 24, headlined by Becoming the Archetype and including UK metal band Bloodguard, which is fronted by NCS writer Andy Synn. In this post, Andy provides more info about the other bands who will be appearing on the tour and also at a post-tour show that Bloodguard is doing.)

Hello everyone. As part of promoting our little tour coming up I thought I’d do a good deed and get some press out there for each of the bands who are joining us on the dates. Sort of a mass-exposure deal where hopefully there’ll be something for (almost) everyone!

As part of our week long festivities Becoming The Archetype and Bloodguard will be hitting:

Birmingham, The Actress & Bishop – Monday 24th October

Manchester, The Roadhouse – Tuesday 25th October

Nottingham, The Maze – Wednesday 26th October

London, The Purple Turtle – Thursday 27th October

And then, moving on from the dates with Becoming The Archetype, we have a show with Abgott:

Leicester, Lock 42 – Friday 28th October

So what bands are joining us? Well here they are… Continue reading »

Oct 192011
 

(Here’s a shout-out from TheMadIsraeli for a Tennessee band called Controlling Evolution.)

I usually do not, and in fact generally will not, write about local acts where I live.  For the most part, they fucking suck, are generic, or are generic and fucking suck.  With that said, I’ve got an in-state band worth pitching to you that deserves a chance.

After the jump is the Bandcamp player for some friends of mine, Controlling Evolution, that is streaming their free first album, In the Wake of Leviathan’s Campaign.  You can visit Bandcamp (here) and download it if you like what you hear, which I’m high recommending you do.  Playing a brand of technical, progressive, and dizzying metalcore with heavy jazz influences, these guys are set to take the metal scene by storm.  They are currently recording a new EP, and from what I’ve heard, it will make this first album look like child’s play.  Considering how badass this debut is, that almost scares me. (music after the jump . . .) Continue reading »

Oct 192011
 

(TheMadIsraeli contributes another look-back at a classic album of metal.)

Winter are a band who have remained unfairly underrated and unrecognized in the metal landscape.  These guys virtually created the deathdoom style, and on the basis of their only full-length album, they still qualify as the heaviest, most morbid, and most brutal band in the entire sub-genre; AND THIS ALBUM IS 21 YEARS OLD NOW!

What I am revisiting today is the original version of the album.  Winter’s Into Darkness can be purchased on disk along with an EP called Eternal Frost that was released in 1994. Despite being a whole new batch of material, the EP feels perfectly at home on the same disc with Into Darkness.  But for those who are interested, you can get Into Darkness from Southern Lord Records on its own without the EP.

Into Darkness is so dank, so dark, so putrid and vile you can literally feel and imagine yourself walking through sewage and corpses as you listen to it.  Winter were only a three piece, a small band for the time and still small by modern convention, but the three of them produced such unheard of sounds that the music must have come as a shock in contrast to the rest of what was going on in 1990.  Tuning their instruments down to A for fucking abysmal was something that had to have sounded nuts back then, at least in the States, though we know that even by this time, Swedish bands were tuning their instruments down to the same or similar keys. Continue reading »

Oct 192011
 

(Recently, NCS guest contributor Trollfiend reviewed the new EP by an Italian folk-metal band named Krampus. The album is called Kronos’ Heritage, and you can find Trollfiend’s review here. Today, he follows up that review with an interview of the band.)

First of all, thank you for taking the time to respond to this interview!

You’re welcome!

What made you choose the Krampus as the image to represent your band?

Well, the choice came after the name, chosen by the past guitar player Riccardo.

Your promo photos look very post-apocalyptic, not at all like the ‘swords and furs’ you usually see in folk metal bands.  Is this a theme you plan to pursue further?

We feel that this is the right outfit for our lyrical themes, all our songs are different from the “classical” folk metal themes. We talk about environmental problems, we speak against what we believe to be the new “demons” and foes of the modern world, but we try to do it with a “past values” approach. We think that everything went too far and we are probably heading to something we won’t be able to confront, if we keep wasting time and turning our heads away from all this, there will not be that much left to cry over. Let’s say, our “image”, it’s some kind of “word to the wise”.

Continue reading »

Oct 182011
 

(This is Part 2 of a post by BadWolf reviewing the 2011 edition of OGREFEST in Lansing, Michigan. Check out Part 1 HERE.)

Wastelander

Here begin the veteran acts. Wastelander Guitarist/vocalist Xaphan dedicated their set to his 14-year-old daughter, who attentively watched from the side while wearing an Asking Alexandria tee shirt. Ah, the generation gap. She should be proud of her papa; his band is badass.

Wastelander plays to my personal weaknesses with their mixture of black metal, groovy thrash, D-beat/crust punk and just plain ballsy metal-rock with a lyrical focus on post-apocalyptic survival. They sonically recognize Motorhead as the inception of all extreme metal, and play music that would make Lemmy proud, with twists of Amebix, mid-period Bathory, early Venom and NWOBHM-y goodness sprinkled on top. They made me go ‘ooh!’ and headbang from the first second—as they always do.

Growled vocals, big chords, mechanical beats (they used to play with a drum machine) and hairy, sweaty swing made for a compelling forty-five minutes of hair flying. I cannot imagine anyone, be they kvlt-er, beardo, neo-thrasher, or ordinary metalhead, who is immune to the charms of Wastelander. Since then they’re released a split 7” with a band called Abigail. (Their 2010 debut album is Wardrive.)

(more after the jump) Continue reading »

Oct 182011
 

This is the fourth of today’s four individual song posts. It begins with a story.

Once upon a time, there was a New Jersey band called Ripping Corpse. From 1987 to 1992, they recorded four demos and one full-length album called Dreaming With the Dead, and then , , , kablooie!. If you haven’t heard of the band, you may have heard of its members. One of them Eric Rutan, went on to join something called Morbid Angel. He’s done a few other things, too, like engaged in some Hate Eternal.

The rest of Ripping Corpse later joined together in a band called Dim Mak. Between ’99 and 2006, Dim Mak produced three albums. Now, five years after the last one, a new one is one its way. The original Dim Mak line-up hasn’t survived intact, but two of the key components are still there — both of them alumni of Ripping Corpse: guitarist Shaune Kelley (who was also with Hate Eternal) and bass player Scot Nornick. They haven’t exactly suffered a downgrade in the drumming department, since the current drummer is John Longstreth of Origin and Gorguts. The new vocalist is a dude named Joe Capizzi, who was once with a band I don’t know called The Dying Light.

The new Dim Mak album is titled The Emergence of Reptilian Altars. It will be released on November 29 by Willowtip Records, which is accepting pre-orders here. A new song from the album has been out for the last month, but I just found out about it thanks to new NCS reader/commenter Kevin — who is basically killin’ it with the tips, having recommended the new Ne Obliviscaris song we featured in one of yesterday’s posts. (more after the jump . . .) Continue reading »

Oct 182011
 

Here we are at the third of four song-posts for this Tuesday. Let’s start with an an age-old question: How much new ground must a band break before they’re deserving of praise? Do they have to break new ground at all, or is it enough that their music is solid, competent, and does justice to the genre in which they work?

I’ve been accused of being easy to please. That perception could be based in part on the fact that we generally don’t publish negative reviews at this site. That’s not to say that we don’t hear music that leaves us feeling meh or even disgusted; we just filter that out and ignore it in the pages of NCS, preferring to focus instead on metal we can honestly recommend. Still, compared to lots of metalheads I know and critics I read, I guess it’s true that I’m a soft touch.

Consistent with that truth, I like lots of music that doesn’t break new ground. But when a band is plowing existing furrows, I do want them to do it well — to dig that fucken groove deep, with sharp edges. Which brings me (at last) to Icon In Me. They’re a band “based” in Moscow, but they’re really a multinational collective of metal veterans (more on that later). They released an album on Goomba Music in July called Head Break Solution. I didn’t catch it when it came out, but I did catch their second official video from the album yesterday, for a song called “Lost For Nothing”.

The song isn’t ground-breaking, but man I do like it. It’s a vintage Soilwork-style cross between metalcore and melodeath that effectively spews vitriolic rage while plowing some very sweet grooves. Continue reading »

Oct 182011
 

Here’s the second song of four for this morning, and this one’s a video that surfaced yesterday. The band is Cannabis Corpse, and the song is the brilliantly named “Gateway To Inhalation”. It’s from their 2011 album, the brilliantly named Beneath Grow Lights Thou Shalt Rise. You gotta love a band who’s into gardening. Here’s the story about this video, as reported on Metal Injection:

“Last Saturday, October 8th, 2011, Cannabis Corpse’s van broke down and they missed their slot on the “Ritual Tour” that night with Black Dahlia Murder and All Shall Perish in Lancaster, PA. Through the band’s Facebook page, they were able to put out the word that the band wouldn’t make it and asked if anyone could help out with a DIY late night gig in the area.

“Rich ‘Bebo’ Abraham of Richolow Films, a Lancaster based metal music video company [link] got in touch [with] the band and coordinated a show for Cannabis Corpse right down the street from the BDM show to start at midnight. The guys made it to the venue in time to watch BDM and after the show marched with 100 local thrashers to a small venue up the street. A complete rager commenced. Richolow Films caught it all!”

Now THAT is fuckin metal. So is the video. If you know Cannabis Corpse, you know this ain’t gonna be stoner rock, despite the band’s name. It’s a blast of death-thrash, heavy on the partying. From the video, looks like it was a high old time in the house. Have fun after the jump. Continue reading »

Oct 182011
 

To start today’s festivities here at NO CLEAN SINGING, I have four songs for you, two of which take the form of new music videos. Instead of cramming them together into one long post like I did yesterday, I’m splitting them up — one song per post — and I’m dribbling them out. But I’m only letting 30 minutes pass between dribbles.

Why am I doing this? I’m not completely sure. Maybe it’s because I think each of these songs deserves its very own post. Or maybe I’m worried that your attention spans are like mine, and that your minds will wander before you get through 3 songs in a single post. Or maybe I’m just fucked up.

Where was I? Oh yeah, the first of three songs. This is the one that isn’t a video, but it’s by motherfuckin’ Venom. Thirty years have passed since their debut album, Welcome To Hell. They have a new album (Fallen Angels) set for release on November 28 via Spinefarm and Universal Records. Until yesterday, I was not looking forward to it. Yes, they are legends. Yes, they are given a large share of credit for spawning black metal. But really now, 30 years is a long fucking time, and honestly, they’ve done nothing in ages that provides much reason to think their new output will be worth the time it takes to listen.

But yesterday they released the first single from the new album, and I’m now interested. (Following a few more burblings from me, the song is after the jump . . .) Continue reading »