Aug 222022
 

(We present DGR‘s review of the new album by the Brazilian band Abstracted, which was released by M-Theory Audio this past April.)

It’s hard to remember how I came across Brazil’s Abstracted and their 2022 release Atma Conflux. The best guess would likely be the eye-catching cover art with its hues of blue and green. Cover art has often served as an impetus to looking into a band we probably wouldn’t have crossed paths with, though we are also the sorts who constantly dig around the underground for new music. I’ve dived head-first into releases for dumber reasons, and my review history here is a record of my atrocities.

Atma Conflux is an interesting prospect for Abstracted. Officially, it’s their first full-length but also feels like a new debut overall. Prior to the April release of this album, the band had put out a debut EP called Ophidian in 2015 and since then, a small sprinkling of singles – all of which have found their way onto the album.

With such a time-gap between releases you get the sense that this is a group who’ve spent a long time in the musical forge, working on their songs and playing with what direction they wanted to pursue musically. You also get this idea when you look at Atma Conflux‘s run time, divided up between seven songs and clocking in at nearly an hour and five minutes. If nothing else on Abstracted‘s first full length, they are clearly ambitious as hell. Continue reading »

Aug 222022
 

Amidst a time when industrial black metal regains considerable ground in the urban surroundings of COVID isolation, Costa Rica’s DUSK attempt to offer a peculiar recipe of their long-lost youth. An in-depth review by Axel Stormbreaker.

I always enjoy a good scavenger hunt. It’s tricky, spicy and refreshing in ways that contradict the mundanity of a busy city life. Same reason why I tend to avoid people who don’t like, or even appreciate, the first three chapters of the Indiana Jones film series. They lead lives of stolid mediocrity, yet shall revolt hastily when real change is imminent. They desire excitement, yet feel complacent in the safety of the norm. They don’t quite get it’s not the destination, but the journey itself, that broadens one’s horizon. Especially since everything could become the same bland fare, when provided to one a bit too freely.

All in all, Costa Rica’s Dusk do meet the said criteria of an exciting discovery waiting to be made. Especially when the vast majority of listeners either prefer to stick to the classics, or follow the bands others seem to enjoy. Certain metal labels also do pay attention to trends, or even a band’s country of origin, as their investment requires some ground fertile enough to cultivate a growing fanbase. Add to that how Costa Rica is known to mainstream metal for… basically nothing, and you can’t help but appreciate a (hypothetical) dose of well-concealed sarcasm. Continue reading »

Aug 192022
 

When we present song premieres we usually begin with information about the band and the forthcoming release, quickly followed by impressions of the music, and maybe, after all that, something about the conception of the song or its lyrical themes, assuming we know anything about those subjects. But for the Escarnium song “Deluged In Miasma” we’re reversing the usual order, and we think you’ll soon understand why.

Here is what Brasilian guitarist/vocalist Victor Elian tells us about the song’s inspiration and significance:

So, there is an expression in the area I grew up for when you have a place that kind of has a bad vibe/aura around it. You say, this place is ‘full of miasma’. Or, for example, if you have something like an old jacket of someone that has died, some people may say… ‘Don’t wear it, it is full of miasma.’ It’s sort of like a local superstition.

When the numbers of the dead from COVID started to get really high, our president ignored all the signs causing even more deaths. With all that was going on, I was thinking about the history of Brasil, all the bad things that we face on our daily life living in Brasil… so this song became sort of a metaphor of the dark side of Brasil. It’s a place that always believes things will get better, but it never gets better. Every good idea, or any good initiative, never comes to fruition. Life in Brasil is cheap. So, our land is full of miasma…

On the news recently one doctor said, Brasil now is like a leprosy home isolated from the rest of the world. Basically, every line of the lyrics is based on the dark side of Brasil from the coming of the Portuguese and slavery up to modern-day atrocities. Continue reading »

Aug 192022
 

(Today we present Comrade Aleks‘ interview of the formidable Lovecraft-inspired Swedish death metal band Puteraeon, who pride themselves on creepiness, catchiness, and aggression.)

The titles of the first demos recorded by Puteraeon in a short period (2008 – 2009) clearly shows the band’s ideology. The demos Fascination for Mutilation (2008), The Requiem (2008), and The Extraordinary Work of Herbert West (2009) formed the foundation of the first full-length, The Esoteric Order (2011)…

And since then Jonas Lindblood (vocals, guitars), Daniel Vandija (bass), Anders Malmström (drums), and Rune Foss (guitars) have kept on providing us their morbid Swedish death metal with a clear and sharp message of inevitable death, unavoidable legions of zombies, and inescapable cosmic horrors.

The Esoteric Order was only a start for a series of a few more EPs and full-lengths, but there was not much news from the band since the release of their fourth album The Cthulhian Pulse: Call from the Dead City in 2020. To allay our concerns about the band’s fate, we contacted Jonas Lindblood. Continue reading »

Aug 182022
 

The last 24 hours brought forth a deluge of new songs and videos, from names both prominent and obscure. It completely messed up my plan to use today’s column as a way of continuing to catch up with new stuff that emerged over the last week. Hopefully I’ll be able to get back to that, but everything in the following collection is hot off the presses.

AUTOPSY (U.S.)

Prepare for a heaving and stomping death/doom horror of massive proportions that screams, roars, and leaves pain and madness in its wake… and also convulses in outbursts of mindless marauding savagery, all of it accompanied by a suitably chilling video. So deep into their career, Autopsy still know how to make even long-lived metalheads sit up and take notice. Continue reading »

Aug 182022
 

When we had the opportunity to premiere We Disappear, the second album by Poland’s Hegemone (released in 2018), we introduced it this way:

“If you’re looking for titanically heavy music, the kind that will loosen your teeth and vibrate your spinal fluid, you’ve come to the right place. If you’re looking for music that glimmers and shimmers like the northern lights, you’ve also come to the right place. If you want the sounds of tension and pain, lead-weighted gloom and feverish desperation, mechanized warfare and sunrise grandeur, you’ll find that here as well — plus a steady dose of what makes people compulsively bob their heads…. The music surges and subsides, seems to crack the earth and heat the blood to a feverish boil, and spirits the listener away to heights of of perilous and panoramic wonder.”

We Disappear made our veteran writer Andy Synn‘s list of 2018’s “Great Albums”, and one of the tracks also appeared on our list of the year’s Most Infectious Extreme Metal Songs. No wonder, then, that we got very excited to learn that Hegemone would be releasing another album this year. The name of the new one is Voyance, and it’s coming our way on September 15th via Brucia Records.

Thankfully, we again get a chance to help introduce Hegemone‘s music, through today’s premiere of a stunning new song named “Inference“. Continue reading »

Aug 182022
 

(Our friend Comrade Aleks has an undisguised and widely-known devotion to Doom Metal, and when he discovered this Argentinian band doing it absolutely right, he reached out for an interview which we now present to you.)

Honestly, I don’t know a lot about the Argentinian music scene, and when I discovered Heléh’s debut self-titled album, I was intrigued. The trio from Cordoba provides solid traditional doom metal in the absolutely true old-school vein. They sound really grim and almost epic, so I was literally charmed with their low tunes.

It saddens me always when a good band with high potential has poor exposure, and there’s not much information circulating about Heléh. So we’ve done this interview with Gonzalo Civita (vocals) in order to reveal some facts about the band. Continue reading »

Aug 172022
 

We had another rare day today when there were no premieres on the calendars. Because I write almost all of those, this gave me some extra time to use in compiling another roundup of new songs and videos. But then my fucking day job unexpectedly reared its head like a hungry serpent, and greedily consumed almost all that extra time. So, this roundup wil be short, but hopefully you’ll find it sweet.

BLACK LAVA (Australia)

I always get a thrill when I see a new cover painting by Paolo Girardi. One of these days I’ll then discover that some album adorned by his artwork turns out not to be worth recommending. Maybe that has already happened at some point in the past, but if so I’ve forgotten it. It didn’t happen today.

What I saw today, and what you now see, is Paolo‘s cover painting for a debut album named Soul Furnace by Melbourne-based Black Lava. Lots of molten vulcanism in that verbiage, and the just-released title track provides some justification. Continue reading »

Aug 172022
 

(We present DGR‘s considered review of Övergivenheten, the new Soilwork album that’s coming out this Friday, August 19th, via Nuclear Blast.)

Look, an hour and five minutes (plus) is a very long time for an album. Not to put too fine a point on it here, but it’s a very long time for a Soilwork album as well. If you’ve been following the numbers game recently you’ll have noticed that Amon Amarth‘s The Great Heathen Army is not the only 12th album released by a long-running band this year, as Soilwork are also joining that prestigious club with their newest album Övergivenheten.

There’s a lot to be said for Soilwork‘s longevity, as a revolving door of cast members have kept the band lively over the years. Even through up and down periods in the group’s popularity, they’ve always found a way to morph themselves just enough to stay relevant within the modern-day scheme of metal. They have had “eras” as a result, which is a wild thing to say about a band who have always been so built around massive singles in recent years. Continue reading »

Aug 172022
 

(We’ve already written enthusiastically about the first music disclosed from a forthcoming second album by the Spanish death/thrash band Cruz, and so it was a very welcome gift to receive Comrade Aleks‘ following interview of the band, via its drummer Xavi.)

Cruz was formed in Barcelona in about 2013. It took some time before these guys made a decision to perform thrashy death metal glorifying the holocaust of ecstasy and freedom in the name of Cosmic Chaos and Lovecraftian Horrors. And even though their first album Culto Abismal (2016) was recorded relatively fast, it took six years to finish the sophomore work Confines de la Cordura, which will see the light in September 2022 according to Nuclear Winter Records’ schedule.

And while we wait until the stars align let’s take a glimpse into the world of Cruz together with the band’s drummer Xavi. Continue reading »