May 272021
 

 

Ii won’t completely regurgitate what I wrote in the intro to Part 1 of today’s round-up. Suffice to say that I’m just spitting up a couple of tracks at a time today rather than leave a long blank space in what’s happening at the site. Part 1 leaned hard into doom, and the songs below should appeal to devotees of death (metal).

EXSANGUINATION

After a self-titled debut last year, Massachusetts-based Exsanguination are gearing up for the June 11 release of their debut album, Spectral Hymns. I haven’t had a chance to let the entire album bleed all over me, but the two songs I’ve heard so far (which you’ll find below), are damned good. Continue reading »

May 272021
 

 

This is a rare weekday at NCS. For the first time in maybe years, we have no premiere on our schedule. And none of my comrades has sent in a review or interview. And despite knowing that our calendar would be a big blank space today, I didn’t get my ass in gear to do anything in advance either.

So here I am, having wandered around exploring new music for a couple hours this morning but having written nothing. To avoid further delay in pitching something up onto the site, I decided to make a brief start with two new songs that seemed to fit together well (fans of doom will be attracted to them). As the day wears on, I’ll add one or two more Parts to this round-up as time permits.

THUMOS

Thumos is a mystery. Metal-Archives identifies the location as the United States, but the members are anonymous. On the other hand, it seems that Thumos is some kind of successor to a project named Mono No Aware, and M-A identifies that project as the creation of a Spaniard. So there, I’ve saved you a little time trying to ferret out background info about Thumos. With that, let’s consider “Epithumetikon“, the first song revealed from a Thumos album named The End of Words. Continue reading »

May 262021
 


Mannveira

 

Hopefully you know the drill with these “Overflowing Streams” round-ups of new songs and videos: A ton of music, fewer words than usual from me, and (to save some time) minus the usual artwork and some of the links. Apart from enjoying the process of picking the selections, I also do try to have fun arranging the songs in these things, and there’s a bit of a curveball at the end.

MANNVEIRA (Iceland)

Back after five years, these Icelanders are bringing forth only their third release in a decade, a debut album named Vítahringur. It comes out via Dark Descent on July 2nd. To pave the way, “Í köldum faðmi” was revealed yesterday. Continue reading »

May 262021
 

 

After releasing a pair of demos and an EP from 2012 through 2017, the Italian death metal band Riexhumation then turned their energies to the creation of a debut album that’s now set for release by Lavadome Productions on this coming Friday, May 28th — and it turns out to be a big, eye-opening surprise that should be greedily welcomed by death metal connoisseurs.

It’s not as if this quartet are green newcomers — in addition to those three previous Riexhumation releases, a glance at their resumes on Metal-Archives shows their involvement in other noteworthy extreme metal collectives — but this album is still a most impressive accomplishment.

To borrow some of the (accurate) words from the PR material, it embraces primeval and frightening energies that “dwell somewhere deep within the chasms of the cosmos” to create “ominous, old school death metal darkness” that’s alternately “doom-laden, eerie, raw, and blistering”. It evokes anguished dread, instinctual terrors, and visceral thrills in equal measure, and does so with admirable song-writing dynamism and instrumental execution. Continue reading »

May 262021
 

(Sweden’s Dödsrit are back with their first album as a quartet – out this Friday via Wolves of Hades – and Andy Synn has the exclusive scoop right here)

The formula for mixing Black Metal and Crust Punk is so deceptively simple, but so undeniably effective, that it’s really no surprise that the past several years – the past decade, really – have seen such a major increase in bands looking to embrace this particular style and make it their own.

Of course, the crossover between the two styles isn’t a new phenomenon by any means, and stretches back even further than you might imagine, but the fact that it isn’t new doesn’t make it any less devastating in the right hands… and there’s practically no-one else whose hands I’d rather see it in than Dödsrit.

Continue reading »

May 252021
 

 

Almost exactly five years have passed since Chicago-based Polyptych released their third album, Defying the Metastasis. That album was a genre-bending head-spinner, an unconventional mix of death metal and black metal with progressive and technical elements woven within it. It made such a striking impact that we pleaded for a chance to premiere something from it (and our wish was granted).

While that band’s continued existence has been in question since then, it turns out that three of its members — Young Werther, Scott Skopec, and Frank Lato — have joined forces in a new Colorado-based group called Headshrinker, which also features the considerable talents of Havok drummer Pete Webber. Their debut album Callous Indifference is now set for release on August 27th, and once again we have the chance to host a song premiere. Continue reading »

May 252021
 

 

(Our contributor Gonzo returns to us with a trio of reviews, focusing on records released within the last month — by Stone Healer, Dordeduh, and Kataan.)

 

STONE HEALER // CONQUISTADOR

To say “there’s a lot to unpack here” about the latest album from Connecticut duo (!) Stone Healer would only be touching the very tip of an extremely jagged and angular iceberg.

Practically bursting with trailblazing creativity at every turn, Conquistador is a massively satisfying listen. Brothers Matt and Dave Kaminsky manage to compress three or four albums’ worth of ideas into each of the seven songs here, and absolutely none of it sounds rushed or contrived. Just with opening track “One Whisper,” the brothers flex an incredible amount of musical muscle: They go from a light acoustic intro, segueing into a cowbell-laden alternative rock verse, and seamlessly shift into a punishing blast-beat. And that’s not even half the song length. Continue reading »

May 252021
 

 

(Here’s DGR’s review of the debut death metal EP by a group of Swedish veterans who’ve taken the name Grand Cadaver.)

It’s very likely that a large part of what might catch people’s eyes with a project like Grand Cadaver comes from the band’s lineup – so much so that I assumed our search bar had to be broken within our smoking crater of the internet since I could’ve sworn they’d gotten a shoutout here before.

The project itself is one of many recent creations of the swede-death revivalist forge. While the genre has never gone away, the last few years have seen a humongous resurgence of groups playing that blueprint-perfected, chainsaw-toned, snare-drum-thumping style of death metal. The revivalists often seem to have been made up of names from larger projects – many from the melodeath scene even, as if to stake some sort of claim along the lines of ‘We can play this type of shit too!’.

In the case of the newly founded Grand Cadaver project you have Dark Tranquillity‘s Mikael Stanne at the vocal front, and alongside him stands journeyman drummer Daniel Liljekvist (whom you might recognize as having sat behind the kit for In Mourning and Katatonia in times past), with Stefan Lagergren (whose resume is deep in the death metal scene, including an early stint in Tiamat as well as years in Expulsion), Alex Stjernfeldt (most recently of Let Them Hang, and Novarupta) and Christian Jansson (Pagandom, ex-Transport League) completing the lineup. To say that the group’s resume is stacked is putting it mildly.

So, when you see names like that with the death metal tag attached to it and a near-thirteen-minute EP entitled Madness Comes… you pretty much know what you’re in for from moment one. Continue reading »

May 242021
 

 

On May 28th Iron Bonehead Productions will release As Strangers We Depart, the third album by the German “Viking doom” band Cross Vault, and their first release since the 2016 EP, Miles To Take.

Each song on the new album is an immersive, time-traveling spell that seems to carry the listener back to a mythic age. They meld poignance and passion, heaviness and heartbreak, with an unmistakable feeling of reverence. It’s a devotional album meant to be savored, to be soaked up from start to finish, the kind of experience in which any sense of time passing vanishes. And thus we’re proud to present a full stream of it today. Continue reading »

May 242021
 

(Hold on tight as Andy Synn takes us for a ride with the new album from Hundred Headless Horsemen)

Finnish quartet Hundred Headless Horsemen aren’t the easiest band to pin down.

Mostly this is because the group resolutely refuse to adhere to the normal conventions (or restrictions) of songwriting or genre, going so far as to describe their uniquely unorthodox sound as “Psychedelic Death Metal”, a term which, while certainly intriguing, practically raises more questions than it answers.

Don’t get me wrong, there’s definitely a significant strain of Death Metal in the band’s DNA – though careful analysis will undoubtedly show that it’s more closely related to the Morbus Chron/Sweven offshoot than it is anything from the Floridian swamps or the Stockholm graveyards – but, whether due to natural selection or intelligent design, the sound they produce isn’t so easily classified.

Perhaps an even better comparison – or, at least, the best one I can come up with – would be to think of HHH as the Death Metal equivalent of their more “blackened” countrymen in Oranssi Pazuzu, a band with whom they not only share a love of sludgy grooves and psychotropic sounds, but also an almost pathological aversion to playing by the rules.

Continue reading »