Oct 142016
 

hierophant-mass-grave

 

I nearly decided to call this round-up “Overpowering Audio Carnage” or “Your End Is Near”, but decided those headlines wouldn’t quite suit everything I’ve collected here — though they would suit most of it.

I guess I’m in a bloody frame of mind, and these songs struck the right chord, some of them because they’re fucking bloody and cathartic and some of them because they turned my fevered mind in other appealing directions. I’m going to start with the especially nasty and destructive stuff.

HIEROPHANT

I’ve been meaning to check out the music from Hierophant’s new album Mass Grave and finally took the plunge when CVLT Nation premiered a track from it yesterday (thanks to Utmu for pointing me to it). I’m glad I was sitting down or it would have knocked me flat. Continue reading »

Oct 142016
 

crator-the-ones-who-create-the-ones-who-destroy

 

(Norway-based metal writer Karina Noctum returns to NCS with this interview of guitarist Jeff Liefer and vocalist Jason Keyser of the band Crator, whose line-up also includes drummer John Longstreth and bassist Colin Marston. Their debut album The Ones Who Create : The Ones Who Destroy was released last month and can be streamed at the end of this interview.)

I think Crator is the best of all the bands you play with (Origin, Krallice, Skinless) and it makes it sound pretty unique actually. Why did you guys feel the need to start this band? What are you aiming for with this project?

Jeff:  The aim was to create something punishing, dark, and cerebral.  Our styles clash to create a production whose sound diverges from our separate projects yet still retaining each individual’s creative signature. Continue reading »

Oct 132016
 

Escarnium-Interitus

 

Last fall we had the pleasure of premiering Godless Shrine of Decay, an album-length compilation of music by the Brazilian death metal band Escarnium. Godless Shrine was released by Redefining Darkness Records to pave the way for the band’s new album, which will be released on October 14 by the same label in North America and by Testimony Records in Europe. The name of the new album is Interitus, and today we’re able to bring you a full stream of the album on the eve of its release.

Since the band’s founding in 2008, they’ve released one previous full-length, 2012’s Excruciating Existence, and a handful of shorter offerings. As a retrospective, Godless Shrine of Decay documented the maturation of this band over time into a group of ravagers with a knack for writing and executing songs of soul-plundering savagery and relentless ruthlessness. As evidenced by this new album, they have developed a truly impressive, sure-handed mastery of evil, primal, old school death metal. Continue reading »

Oct 132016
 

vvirus-2016-photo-by-kim-solve

Virus 2016 – photo by Kim Sølve

 

(John Sleepwalker of Avopolis.gr returns to us with this rare interview that occurred at Blastfest 2016 in Bergen, Norway, last February. And the timing of this publication suits the upcoming performances by Virus in Greece this month — about which you can find info at the end of the following transcribed discussion. )

What happens when key members of Virus, Dødheimsgard, Ved Buens Ende, Thorns, Audiopain, and Beyond Dawn sit around the same table?

Admitting how unexpected this meeting was would be a reasonable mention, but I think I should better state it turned out into one of the nicest memories an avant-garde fan could cherish. This interview took place during my stay in Bergen for Blastfest 2016; I remember I had to go to a hotel for some press activities and I found there two members of Virus and Dødheimsgard enjoying a cup of coffee. While we were talking about gigs and music, we thought that was a good chance to turn this into an interview (or keep it like a pleasant discussion, taking into account its overall flow).

However, what we didn’t know at that moment was that more people would sit down and join our company, while the interview was still taking place. You could easily tell this resulted in a meeting with a scene, and not with a band, even if some mandatory subjects are unfortunately missing. Needless to say, of course, Czral was a bit too kind — he felt quite sick and his cough was intense, but still wanted very much to participate. This, of course, is one of the rare occasions you don’t really encounter, so I think it is time you should grab your own cup of coffee, for it is quite an interesting read. Continue reading »

Oct 132016
 

arkona-lunaris

 

We have three months left in 2016, and there are still can’t-miss releases on the horizon before we reach New Year’s Day. Judging by the stunning new song you’re about to hear, we’re compelled to say that the new album Lunaris by the long-running Polish band Arkona will be one of these. The album is set for release on November 4 by Debemur Morti Productions, and the name of the song is “Ziemia“.

Arkona must be considered among the pioneers of Polish black metal, with demos that date back to 1994 and a debut album (Imperium) released in 1996. Lunaris is the band’s sixth album in that long career, and the second following a span between 2003 and 2014 when the band only participated in a few splits. This is their first album on the Debemur Morti label. Continue reading »

Oct 122016
 

hour-of-penance-cast-the-first-stone

 

Yes, there are quite a lot of names in the headline of this post, but what follows isn’t quite as daunting as you might think. The first two items consist of news and art for forthcoming releases, but no music yet, and the last two items are just brief teasers of new music. In between I’ve sandwiched four full songs and videos, and I’m quite happy with what I’ve chosen, not only because the music is very good considered in isolation but also because collectively they make for a nice, varied playlist (and the two videos and album covers are quite eye-catching, too). At least it should be nice for people who have eclectic tastes. Here we go….

HOUR OF PENANCE

That’s a hell of a metal album cover up there, isn’t it? It was disclosed yesterday by Italy’s Hour of Penance and Prosthetic Records, who will release the band’s new album Cast the First Stone on January 27, 2017. The cover was created by Gyula Havancsak, whose work we’ve praised before in these pages.

The announcement was accompanied not only by a quote from our site (yay!) but also by the following statement from the band’s vocalist Paolo Pieri concerning the concept of the album, which revolves around the idea that “the injustices suffered during the Crusades and Colonialism do not justify the chain of hate that propagandizes the destruction of the West”: Continue reading »

Oct 122016
 

buckshot-facelift-art

 

(Austin Weber prepared this multi-part unearthing of new music, and today he focused on releases from three bands — Buckshot Facelift, Omnea, and The Conjuration — while also urging you to go spend your time at another site!)

While I’m not quite egotistical enough to think anyone who reads this site has missed my multi-part underground music articles, I can at least speak for myself and say that I’ve missed doing them! With that in mind, there will be at least three or four more editions of this article to come. So prepare thyself for both weirdness and madness, because a heaping shitload of both will be covered by the time this article wraps up.

For the sake of brevity, I’m going to refrain from covering any obscure stuff I’ve covered or helped stream early through my other gig at Metal-Injection. But in spite of that, I urge you to peruse what I’ve covered there in 2016 so far through the following link here. You might be surprised at the stuff you uncover that hasn’t been covered here at NCS to date! Now onto the first installment of some new gems you absolutely must give a listen to. Continue reading »

Oct 122016
 

slegest-vidsyn

 

In December of every year our putrid site rolls out a list of the year’s “most infectious” extreme metal songs, as chosen through our own infallible judgment. This song we’re about to bring you by the Norwegian band Slegest has vaulted onto the list like Superman leaping a tall building in a single bound.

The name of the song is “Wolf” and it appears on Slegest’s second album Vidsyn, which is being released by Dark Essence Records. Continue reading »

Oct 122016
 

queen-elephantine-kala

 

With the song you’re about to hear, we’re taking a few steps off our more usual beaten paths. The song doesn’t fracture skulls or lacerate flesh, but it definitely has an irresistible effect on the body and the mind — and one that grows ever stronger as it unfolds. The name of the song is “Onyx” and it appears on Kala, which is the fifth album by Queen Elephantine, due for release on October 21 in a variety of formats by a consortium of different labels.

To be honest, I wasn’t familiar with the band before delving into this album, but you can now count me among those intrigued and fascinated by the music. For others who may also be discovering Queen Elephantine for the first time, the group was originally formed in Hong Kong in 2006, moved to New York the next year, and are now based in Providence, Rhode Island. The line-up hasn’t remained fixed over time — and no fewer than 10 people are credited with contributions to the music on Kala. Continue reading »

Oct 122016
 

demon-eye-band-1

 

(Comrade Aleks is back with an interview of Erik Sugg, vocalist/guitarist of North Carolina’s Demon Eye, who brings us lots of news about the band’s next album)

It started when Erik Sugg (guitars, vocals) and Larry Burilson (guitars) played in a band named Corvette Summer which covered ‘70s rock bands (Budgie, UFO, Humble Pie, and others), and that’s how they met Bill Eagen (drums, vocals) and Paul Walz (bass). Once after a weekend on a wooded mountainside Eric returned enlightened and asked if the guys could support the riffs he wrote there alone on an acoustic guitar… Just like that story with Moses – you know… The real commotion started.

So since 2012 Demon Eye have recorded two stunning, successful albums performed in the way of heavy doom metal charged with demonic energy! The debut full-length Leave the Light was full of sheer killer-songs, and the sophomore work Tempora Infernalia developed its ideas further. Just one year has passed since the Tempora Infernalia release, but I’m already anxious as the news has spread that Demon Eye are in the studio again. Are they conjuring a new ominous grand work? Erik Sugg will answer this and few other questions in the interview below. Continue reading »