NO CLEAN SINGING

SEEN AND HEARD ON A SUNDAY: FISTULA, GATEWAY, CORPORAL RAID, I’M IN A COFFIN, DEATH COURIER, ALTAR OF OBLIVION

Jun 262016

I enjoy hosting premieres of music here, but when those commitments accumulate in large numbers as they did over the last three days, they tend to restrict my ability to assemble round-ups of music appearing elsewhere. And so once again I find myself awash in new discoveries with not enough time to roll them all out for you. Hard choices must be made, and I’ve made them.

I confess that my decisions may have been influenced by the bleak feelings of dismay that I’ve been experiencing over the results of a certain referendum across the Atlantic coupled with the celebratory gasbaggery of a certain apricot-faced hellbeast hoping to capitalize on similarly ignorant, bigoted, and self-destructive impulses among the electorate on this side of the ocean. But I’ve also attempted to express my foul emotional state in a musically diverse way. Continue reading »

THE REARVIEW MIRROR (DISINCARNATE)

THE REARVIEW MIRROR 10 Responses »

Jun 262016

For yet another week I’m devoting this backward look at metal’s past to a band I’ve only recently discovered. The band is Disincarnate, and the music I’ve chosen to stream is their lone album, 1993’s Dreams of the Carrion Kind.

The band was formed by guitarist James Murphy. Before then, he was a member of Death on their 1990 album Spiritual Healing, a session soloist on Cancer’s 1991 album Death Shall Rise, and a member of Obituary for their 1990 album Cause of Death. He was also a member of Testament from 1993 to 2000.

In 2001, Murphy was diagnosed with brain cancer but recovered after surgery. He has been a busy record producer and operates a recording studio (SafeHouse Production), and he has made guest appearances on dozens of albums (listed here). Continue reading »

AN NCS PREMIERE: SIMULACRO — “ECO II”

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Jun 252016

Simulacro are a talented trio based on the Italian island of Sardinia. They released their debut album, Fall of the Last Idol, in 2013 and an EP named SuperEgo this past March. In September, the UK-based label Third I Rex will release the band’s second full-length, bearing the title Echi Dall’Abisso (“Echoes From The Abyss”). The album includes eight “echoes”, denominated by Roman numerals, and today it’s our pleasure to premiere the second one in the sequence, “Eco II“.

While Simulacro’s roots are in black metal, the sound of their creations has been evolving. The conceptual approach of this new album was explained by the band’s drummer and backing vocalist Anamnesi: Continue reading »

AN NCS ALBUM PREMIERE: INTERNAL SUFFERING — “CYCLONIC VOID OF POWER”

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Jun 242016

Internal Suffering is a name well-known to fans of technically proficient yet brutal death metal. In a career that reaches back into the late 1990s and included a move from the band’s home in Pereira, Columbia, to Madrid, Spain, Internal Suffering has released five albums — and the fifth one, Cyclonic Void of Power, is out today via Unique Leader Records. We’re giving you the chance to stream all 10 tracks right now.

It’s worth mentioning that Cyclonic Void Of Power was recorded by Stefano Morabito (Eyeconoclast, ex-Hour Of Penance) at his 16th Cellar Studios in Rome, where scathing onslaughts by such bands as FleshGod Apocalypse, Hour Of Penance, and Hideous Divinity were also captured, and that this new work is a concept album divided into three chapters, again exploring the mad, mystical universe the band has used as their music’s setting in previous releases. Continue reading »

AN NCS PREMIERE: LIQUID GRAVEYARD — “INFLUENCE CORRUPT”

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Jun 242016

The word “supergroup” gets tossed around a lot, but in the case of Liquid Graveyard, it’s a fitting label. The band was created by Raquel and John Walker, the frontman and leader of the seminal British death metal group Cancer, and in addition to that formidable duo the line-up includes Napalm Death’s Shane Embury on bass and drummer Nicholas Barker (Lock Up, Brujeria, ex-Dimmu Borgir, ex-Cradle of Filth), with live bass duties now being handled by Spanish musician Daniel Maganto (Eternal Storm).

After two well-received albums released in 2009 and 2011, On Evil Days and The Fifth Time I Died, the band have completed a new full-length entitled By Nature So Perverse, which is projected for release in July on CD and vinyl by the Greek label Sleaszy Rider Records. It’s our pleasure to bring you the premiere of a song from the new album named “Influence Corrupt“. Continue reading »

AN NCS VIDEO PREMIERE: MONOLITHE — “THE BARREN DEPTHS”

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Jun 242016

“The Barren Depths” is the third and final song on Zeta Reticuli, the monumental new album by the unusual French progressive doom band Monolithe, which is set for release on July 8 by Debemur Morti Productions. In its full length, the song lasts for 15 magnificent minutes (as do the other two tracks). However, Monolithe have also prepared an edited version of the song that is almost exactly half that length, and it has been made the soundtrack for a stunning video that we’re premiering today.

After a sequence of four records (collectively known as “The Great Clockmaker” saga), each of which consisted of a single album-length track, Monolithe spent most of 2015 on a new project with an expanded line-up, recording two connected new albums respectively titled Epsilon Aurigae and Zeta Reticuli (each named for a binary star system). The first of those was released in December 2015, and Zeta Reticuli will follow six months later. Continue reading »

AN NCS VIDEO PREMIERE: LORD OF WAR — “EMBRYO”

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Jun 232016

Next month Unique Leader Records will release the second album by San Diego’s Lord of War. It’s an 11-track, 45-minute affair entitled Suffer, adorned by the cover art of Colin Marks. Today we’ve got the premiere of a playthrough video for the album’s third track, “Embryo“.

The video features the performance skills of the band’s two guitarists, Alex Walshaw and Daniel Richardson. With heads down, they devote themselves to the task of both bludgeoning listeners like buildings marked for destruction in a demolition zone and generating the queasy, pestilential atmosphere that shrouds the song. Continue reading »

AN NCS PREMIERE: NECROPTIC ENGORGEMENT — “REALMS OF INCESSANT BLOODSHED”

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Jun 232016

New York’s Necroptic Engorgement are on the verge of releasing a new EP — in fact, tomorrow is the appointed day. Entitled Realms of Incessant Bloodshed and featuring the distinctive cover art of Mark Cooper, it will be delivered by Manifest Records, whose personnel will no doubt be wearing body armor as they attempt to distribute this piece of weaponized mayhem. If you’ve got any body armor lying around, you might want to get strapped in yourself before you press play on our premiere of a full stream below.

As a title for this new release, Realms of Incessant Bloodshed provides truth in advertising, because that’s the landscape you’ll be entering through the portal of these six songs (which include such other titles as “Endless Malevolence”, “Bound Gagged and Gutted”, the tender ballad “Sandpaper Masturbation”, and a song about a brain-eating amoeba named “Nagleria Fowleri”). Continue reading »

AN NCS ALBUM PREMIERE: GRACE DISGRACED — “LASTING AFTERDEATH”

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Jun 232016

Tomorrow — June 24 — is the official release date for Lasting Afterdeath, the third album by Moscow’s Grace Disgraced. Today we’re helping spread the word about the release by premiering a full stream of the album.

The music is, of course, the paramount factor in deciding whether to add Lasting Afterdeath to your collection, but this is one of those albums that offers a lot of visual enticements, too. The accompanying booklet includes separate eye-catching artwork for each song, as well as gatefold cover art, by Velio Josto. And so before we get to the music, here’s a view of the full cover as well as the art for two of the songs: Continue reading »

NEILL JAMESON REMEMBERS THE FORGOTTEN 1990S

Off Topic, RANDOM FUCKING MUSIC 8 Responses »

Jun 232016

(Neill Jameson (Krieg) returns to our site with some remembrances about under-appreciated albums from a formative period.)

Recently I did a piece for Invisible Oranges about discovering Alice in Chains and Nirvana as a young boy stuck in the shitty Pittsburgh suburbs in the late 1980s, and that got me to thinking about that period of time for music and how there’s some really great records that almost never get mentioned because people’s tastes generally stick to what they hear about, akin to how so much great early ’90s black metal is missed because of a lack of a controversial narrative to them.

So I figured I’d share a few records that never really got their due from that era in my continuing mission to be on your newsfeed as often as possible without it being for exposing myself at a playground. And we’re off! Continue reading »

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