(Andy Synn reviews the forthcoming 10th album by Austria’s Belphegor.)
Both criticised and praised (often in the same breath) for their focussed commitment to blackened sonic savagery over the years, it’s probably not unfair to say that Belphegor have had their sound established for a while, and that a number of their albums were – if not interchangeable – at least very closely related to one another.
And please don’t read that more harshly than it’s intended. I love Belphegor, and for many years their sound was one that didn’t need to change, aside from the occasional tweak here and there. It was pure extremity and blackened blasphemous brutality, no frills, no fat, no filler – just album after album of lean, mean, killing machine music.
But change is inevitable it seems, and three and a half years after the release of the ravenous Blood Magick Necromance, the Austrian sadists have returned with their new album Conjuring The Dead, which on the one hand demonstrates a noticeable shift in approach, and yet on the other still feels altogether too familiar… Continue reading »










