Dec 232012
 

(I again twisted the arm of recording engineer and musician Sean Golyer (Oak Pantheon) to get his year-end list of personal favorites because I had a feeling it would be an interesting one, and he relented.  I hope he doesn’t need both arms for his work.)

I was originally going to go a more traditional route this year and write a bunch of nonsense reviews about why I like each of these releases. However, even I don’t like seeing myself ramble on trying to quantify reasons why I like band “x” over band “y”. I’ve come to realize I can’t explain my taste in a way that would make sense to anybody but me. I listen and I either like it or I don’t. This year also saw a lot of big changes for me and my bandmates regarding what we enjoy listening to now. This includes a lot of non-heavy music, but important none-the-less. They’re each “metal” in their own way.

So, I’ll continue my own tradition as I did last year by simply posting my favorite songs from my favorite releases with a brief description, all in no particular order. Feel free to discuss or debate the music below with me, or discuss something entirely different. That’s cool too.

Porta NigraFin de Siècle

One of my favorite releases of the year. A unique blend of black metal and rock, Porta Nigra’s debut is total debauchery with a late 19th century spin. Full of memorable hooks, varied vocal performances, and solid song structure, all with just a hint of opium-induced insanity. Continue reading »

Dec 222012
 

January 1, 2012. That’s the date on which I first saw the album cover for the next full-length release (the 8th) by California’s Deeds of FleshPortals To Canaan. Naturally, I posted about it immediately in an installment of our EYE-CATCHERS series. The artist is Raymond Swanland.

At the time of that post, the only music we had was a “pre-production teaser” for the new album — just Guitar 1 and “drum mapping” (no 2nd guitar, leads, or vocals). Now we’re almost a year down the road, and finally today brought us the debut of the first song from the album — “Rise of the Virvum Juggernaut”.

It’s been a very long wait for new music from this band, especially with the first album teaser being released almost one full year ago. But yes indeed, the wait has been worthwhile. “Rise of the Virvum Juggernaut” is a mechanized slaughterhouse of crushing brutality combined with a brain-centrifuging swirl of start-stop technical acrobatics. It seethes and swarms with alien energy and gnashes its sharp teeth in voracious hunger. It sounds already like the tech-death monster to beat in 2013. Continue reading »

Dec 222012
 

(In this post, TheMadIsraeli continues his reconsideration of the music of Kataklysm. To see what this is all about, check out his introduction to the series here.)

Temple Of Knowledge (Kataklysm Part III) (1996) is a fucking intense low tuned flesh stripping cacophony of almost demonic overflow that you either love or hate. There are reasons to dislike this album for sure. The mix, while well rounded on the frequency front, kind of blows. It isn’t very loud; the guitars, while sludgy, don’t have a lot of life to them; and Houde’s vocal phrasing is kind of off the wall with extremely mixed results. The style on this album is very reminiscent of the feral hyperblast insanity contained on The Mystical Gate of Reincarnation, but taken to a whole new level.

The drummer on this particular album is also worthy of note. Nick Miller (who as far as I can gather only played on this album) has a really intense style. If he’s not blasting or grinding the grooves he does have a jazz fusion technical style attack that makes even the more reserved moments on this album froth at the mouth.

This album also cements what would become part of Kataklysm’s identity from here on — tuning their guitars down to B. While I will admit that the songwriting on Temple Of Knowledge is sketchy, what can’t be denied is that, so far in my Kataklysm listening, this is the best album on the guitar front. Jean Dagenais writes some downright sinister stuff this time around, blending styles of melodic death metal, tech death, black metal, grindcore, and even a bit of hardcore during the groovier parts. Continue reading »

Dec 222012
 

I’ve been distracted for days and consequently have fallen behind in taking note of new music and videos. The catching up begins now. So does the sonic slaughtering, with three ear-grabbing and eye-catching new videos.

FLESHGOD APOCALYPSE

This Italian band is one of our site’s true favorites, and their 2011 album Agony was a big hit around here, as it was just about anywhere else you might have looked in the world of metal last year. 2011 was a breakout year for FA. Extensive touring was one reason for the band’s sky-rocketing profile, but their fantastic official video for “The Violation” had a lot to do with that, too.

As of this morning, we now have a second official video for Agony. This time the song is “The Forsaken”. The video was again directed by Salvatore Perrone, and it’s another winner. It’s ingeniously conceived and beautifully filmed, and it captures the quasi-gothic, neo-classical drama of the song, which is one of Agony’s best. It’s right after the jump. Continue reading »

Dec 222012
 

Although we’re far along in our own series of Listmania posts by NCS staff and guests (and have more to come this weekend and throughout next week), we’ve continued to keep an eye out for lists appearing at “big platform” sites around the net. Today brought one more we’ve been expecting: a list of the Top 10 Metal Albums of 2012 by NPR.

Once again the NPR list was compiled by Lars Gotrich, who has a good ear for metal and a nice way with words, too. Last year, NPR’s list was 25 names long, so this year’s list reflects even greater selectivity. However, although NPR apparently insisted on 10 and 10 only, Lars included 15 more on his personal blog. So, it’s still really 25. Actually, Lars also named the five best splits on his blog, and that list is worth seeing, too.

The Top 10 aren’t ranked numerically, but alphabetically, and links to full-album streams were provided where available.  I think you have to say this is a highly personal list, rather than an attempt to cover a genre waterfront. And although NPR’s audience is predominantly not-metal, the Top 10 list isn’t an attempt to pander to cosmopolitan (or hipster) tastes.

The list includes veteran names such as Asphyx (pictured above) and Testament, Pig Destroyer earns yet another high finish, and there’s a healthy dose of doom-influenced metal to be found as well. In addition, I was interested to see the appearance of a band I’ve heard about only recently through recommendations by multiple sources — Pittsburgh’s Derketa. In fact, I was writing about them for a post that will appear later today when I saw the NPR list. Continue reading »

Dec 222012
 

Much earlier this month we reported the announcement of the VOICES FROM THE DARK tour of North America, co-headlined by Marduk (Sweden) and Moonspell (Portugal) and including the talents of Inquisition (U.S.), The Foreshadowing (Italy), and Death Wolf (Sweden) (which features members of Marduk). At the time of our earlier report, no dates had yet been announced. Now they have.

I’m gratified to see that it will be stopping in Seattle. I know this will make you happy, because I know you want me to be happy and I am indeed happy about this tour, especially because of the chance it will give me (finally) to see Marduk and Inquisition. Maybe you will be able to see this tour, too. But if not, I will still be happy, and therefore you will still be happy.

FEBRUARY

2/20 Springfield, VA @ Empire
2/21 Poughkeepsie, NY @ The Chance
2/22 Worcester, MA @ The Palladium
2/23 New York, NY @ Gramercy Theatre
2/24 Montreal, QC @ Club Soda
2/25 Toronto, ON @ Wreck Room
2/26 Millvale, PA @ Mr. Small’s Theatre
2/27 Chicago, IL @ Reggie’s
2/28 Saint Paul, MN @ Station 4 Continue reading »

Dec 222012
 

(I successfully prevailed upon Ben C, the proprietor of the immensely entertaining Church of the Riff, to share with us his year-end list of 2012’s best albums.)

Were you ready for the end of days? I was stocking up on porn, Cheetos, and liquor since January. Was gonna watch this sucker go up in style.

Anyway.

I hadn’t really intended on making a year-end list, as just the thought of sifting through the heaps of good music released this year was making me feel like taking a nap. However, once I was horribly mutilated – I mean, graciously asked – by Islander, I hiked up my underoos and set to work.

I should probably warn you now that these aren’t strictly metal albums but instead run the gamut of metal’s extended family, from sleazy skate rock to energetic pop-sludge. The majority of the ten albums I’ve picked will hopefully be new to your ears, as only two of them have been featured here on NCS. So without any more jibber-jabber, let’s get to the music shall we? Continue reading »

Dec 212012
 

(In this post, TheMadIsraeli continues his reconsideration of the music of Kataklysm. To see what this is all about, check out his introduction to the series here.)

As you can see, this cover is for a version of Kataklysm’s 1995 debut album Sorcery that includes the EP I just reviewed.  There is actually an EP before this album called Vision the Chaos that only has two songs on it, but I decided not to bother as the Kataklysm fandom doesn’t seem to give two shits about it either.

Sorcery is the band’s first fully fledged album, and one that within its first seconds immediately distances itself from the style of hyperblast insanity found on The Mystical Gate of Reincarnation.  The first thing you’ll notice is that the band has actually tuned their guitars UP from their EP days, moving from C to D (for all the guitar geeks out there who care), and the tone of the music has an overall sort of blackened edge to it.  The mix is very trebly, very harsh to the ears in comparison to The Mystical Gate…, which was rather well rounded for a mix at its time.

The music is also far less manic, still as deadly but with a more precise yet varied attack.  The thing about this album that will throw people off, I think, is that the band almost sounds as if they didn’t know what they wanted to bemusically.  Some of these songs are blistering death metal mammoths that are all over the place and have more of an emphasis on alien or unconventional melodies, while those numbers are completely contradicted by trailblazers that are purely melodic death metal.  Continue reading »

Dec 212012
 

We’ve been re-publishing the Best Metal of 2012 lists that we’ve seen on other web sites, focusing on sites that have really big audiences — which sorta means, by definition, that they’re not metal-only sites. So far, we’ve reported about the lists on Pitchfork, Exclaim!, Stereogum, PopMatters, and Loudwire (and we also included DECIBEL magazine’s Top 40 list and a list from Amazon.com). You can catch up on all that by using this Listmania link.

Today, we’re reporting on The Top 50 Albums of 2012 as selected by Adrien Begrand for MSN Entertainment. MSN Entertainment (which is owned by Microsoft) is another broad-scope entertainment site that includes coverage of music, film, games, videos, celebrity gossip, and a wide range of music. They claim over 23 million unique visitors to the site every month, narrowly edging out NCS in audience size. Once again, we’re featuring their list of the year’s best metal because we’re curious about what mass-audience outlets are touting from our precious underground genre.

MSN Entertainment has been rolling out their Top 50 list all week in segments, and as of this morning, the list is now complete. To see the list at MSN Entertainment, along with Adrien Begrand’s comments about each album, GO HERE.

A few thoughts about the list, plus the list itself, appear after the jump: Continue reading »

Dec 212012
 

(This is the fifth and final installment in NCS writer Andy Synn’s week-long series of year-end lists. To see his lists of the “Great” , the “Good”, the most “Disappointing”, and the “Critical Top 10” albums of 2012, go herehere,  here, and here.)

Cards on the table here, this list is a lot more fun, and involves a lot less second-guessing and self-awareness, than the others. I just pick the ten albums I’ve loved and listened to most this year. Some of them might not be objectively the ‘greatest’, but I love them all the same. They’re heavy, they’re fast. They’re melodic, they’re brutal, sometimes they’re even a little beautiful. But they all just ‘clicked’ with me better than any other albums this year.

To add a bit of variety to things I’ve even included an extra list of my ten favourite songs of the year, each drawn from a different album, just to give you more of an insight into the workings of my twisted mind.

So, without further ado, here are the ten albums, and ten tracks, that have defined my experience as a listener and a fan (and not as a critic/journalist/blogger/whatever) this year. Continue reading »