Islander

Mar 192021
 

 

(We present Comrade Aleks‘ interview of two members of the superb death-doom unit Rotting Kingdom from Lexington, Kentucky, whose debut album was released one year ago by Godz Ov War Productions.)

A year ago Godz ov War Productions released a debut full-length album A Deep Shade Of Sorrow by the Kentucky-based band Rotting Kingdom. The album got quite a lot of positive feedback, and it seems to have been the obvious reaction to clear and artistic old school doom-death (with a noticeable emphasis on the second). First-class growling, a truly grim sound with lots of weight and melody, and tangible macabre passion mark this material, making the album a remarkable journey into the absolute ruin of Rotting Kingdom.

Brandon Glancy (drums) and Chuck McIntyre (bass) guide us to the Kingdom’s heart. Continue reading »

Mar 192021
 

 

The Toronto-based technical death metal band Apogean will be introducing themselves to metal-loving peoples world-wide through a new EP named Into Madness. It’s based on a conceptual narrative that is intensely disturbing on a planetary scale — in the band’s description, a story “of the fall from the heights of sanity, to the very depths of madness and all that can be experienced on this journey,” with the music carrying the listener on “this path of knowledge, loss, and resurgence”.

Apogean will be releasing the EP as a series of singles, and today we present a lyric video for the first of them, a track called “Chrono“. It is the second track on the EP, and the second chapter” in the story arc. Continue reading »

Mar 192021
 

 

We’re going to assume for the moment that you caught our premiere of a track off the debut album by Becerus about one month ago. If you did check out that song (““Primeval Ignorantia”), then you already know that the music of Becerus is surprising in more ways than one. It’s surprising, first, because this Sicilian group sound a lot more seasoned than their newcomer status would suggest (perhaps less of a shock when you learn that the band includes members of Assumption and Balatonizer). But it’s also surprising because there’s more going on in their songs than brutish caveman bludgeoning, which is what the outward trappings of the band might lead you to guess.

And if you didn’t catch that previous premiere, then you’ll get to experience these surprises for the first time, because today we’re presenting yet another song off the new album, Homo Homini Brutus, which is set for release on April 30th by Everlasting Spew Records. Continue reading »

Mar 182021
 

 

Almost four years ago we had the pleasure of premiering the self-titled debut album of Wreche, a now-Oakland-based project with a distinctive approach to black metal, in which John Steven Morgan‘s kaleidoscopic piano performances took the place of guitars. It was an inspirational album that twisted and expanded the genre’s musical antecedents in eye-popping ways, creating music that was adrenaline-triggering, mind-bending, and utterly fascinating.

And thus it was an exciting development to learn that Wreche had completed work on a second full-length, and equally exciting to be invited to premiere its first excerpt, which we’re now about to do. The name of the album is All my dreams came true, and it will be released on May 14th by Handsmade Records. The name of the song we’re presenting today is “Scherzo“. Continue reading »

Mar 182021
 

 

In 2015 the Belarusian brutal death metal band Ominous Scriptures independently released their debut album Incarnation of the Unheavenly, which was followed the next year by a CD release through Permeated Records. The band went on to release their sophomore album The Fall of the Celestial Throne last year through Willowtip Records, which we reviewed here.

But now an Italian label named Lethal Scissor Records (founded by members of Bloodtruth, Instigate, and Vomit the Soul) have returned to Incarnation of the Unheavenly and will be reissuing the album on March 30th in two CD editions as well as digitally. To help pave the way for that release, a lyric video has been produced for a track from the album named “The Corpses of Archangels in Bonfire“, and we’re premiering it today. Prepare to be gutted and pulverised. Continue reading »

Mar 182021
 


Spanish Love Songs

 

(Seb Painchaud, the main man behind the Montréal band Tumbleweed Dealer, has very expansive and eclectic musical tastes, which is one reason why for five years in a row we’ve asked him to share a year-end list with us. He did that for 2020 (here), but as explained below he has found some other (mainly non-metal) 2020 releases he wants to recommend.)

As you might have noticed reading my year-end list, I wasn’t in a very good place mentally when I wrote it. Reflecting upon such a shitty year amidst attempts to make holiday plans around the pandemic and knowing the disappointment that was in store for my kid made what is usually the highlight of my year turn into a chore. Even the wife remarked that I’m usually in a great mood afterward and looking forward to it being published, when this year I seemed to power through it like a chore and be happy to just have it done with. I did, and I was.

Seasonal depression had met OCD-induced anxiety and they both basked in my negative outlook as I tried to find something good to say about anything that happened in the last twelve months.

The year itself, other than the plague-filled mess it became, was also a reaction to a 2019 spent scouring new releases where I honestly just wanted to jam some familiar classics. The year-end lists filled me with dread rather than glee, and that was just one more thing that COVID had taken away from me. I gotta admit, I didn’t put in the time I usually do to compile the list, and just didn’t listen to as much new music as I did in previous years.

After a beginning of 2021 spent ignoring all recent albums and basking in nostalgia, my passion for seeking out new stuff has returned, and I’m now realizing 2020 had some damn good releases I just plain slept on. Some I missed completely, some I passed on after too quick of a listen, and some just didn’t click at the time.

So here are 10 albums I slept on last year that you need to check out: Continue reading »

Mar 172021
 

 

(We present Karina Noctum‘s new interview of drummer extraordinaire Derek Roddy.)

It was time to catch up with Derek Roddy (Serpents Rise, Nader Sadek, Malevolent Creation, Nile, Hate Eternal). We talked about drumming, but also more about his band Serpents Rise and the making of Nader Sadek’s latest EP The Serapeum (premiered in part and reviewed at NCS here), which was a collaboration with Karl Sanders (Nile) and Morean (Dark Fortress), among others — as well as other interesting endeavours. Continue reading »

Mar 172021
 

 

The Brisbane-based band Feculent chose for their name an adjective that means “foul with impurities” and “saturated in waste”. That was obviously a carefully considered decision, because their brand of death metal is foul and disgusting, unhealthy and repugnant, devoid of hope and lethal in its objectives. But Feculent’s administration of audio murder is multi-faceted — they are as capable of delivering the most pulverizing of punishments as they are at radiating sensations of flesh-eating contagion.

And they are very, very good at doing all that, and more. Perhaps this shouldn’t come as a surprise, because although Feculent is a new name, the line-up includes members of Snorlax, Shackles, and Resin Tomb, who’ve already made horrifying names for themselves.

Feculent’s debut release is a six-track monstrosity named The Grotesque Arena, and it’s coming out very soon (March 19th) via Brilliant Emperor Records — but you need not wait a moment longer to experience it, because we present a full stream today. Continue reading »

Mar 172021
 

 

(This is Nathan Ferreira‘s review of the new album by Michigan-based Throne, which is set for release by Redefining Darkness Records on April 9th.)

In my constant search for the most devastating, pulverizing sounds I can find, what sometimes gets lost in the journey, at least in the more abstract and fuzzed-out realms of death metal, is emotion. Amidst the hyperspeed tempos, atonal and warped guitarwork, and reverb-slathered vocals meant to sound as inhuman as possible… well, I don’t really feel it. Sometimes you just want music that hits you right in the gut, that lets you channel that sense of pure rage where nothing makes sense except for turning whatever is in front of you into a pile of rubble.

It would appear that around the turn of the century a lot of death metal musicians had the same feeling I did, and attempted to alleviate the issue by mixing the calculated chaos of death metal with the raw, unhinged emotion of another heavy genre, the ever-present companion influencing metal’s development – hardcore. In many ways, though, it was a wonky transition, with many metalcore and even deathcore bands turning to the wretched scream/sing formula, and the scorn from collective metaldom was prominent enough to inspire the name for this very site. But what if there was another way? Continue reading »

Mar 162021
 

 

“Formed in 2016 while on the night shift”, the British band Halveksia took their initial inspirations from a mix of doom, gothic rock, and melodeath, but have evolved in a direction of death/doom — albeit with an interweaving of stylistic ingredients not often heard in the genre. Their music is undeniably heavy and head-moving, but also haunting, and capable of channeling harrowing emotions in ways that aren’t easily forgotten.

Halveksia’s debut EP is named Miasma, and it’s now set for release on March 26th by Infernum Records. The EP’s opening track, “The Rift“, emerged first, and today we’re premiering a video for the EP’s title track. That track is divided into two parts on the EP, but those are combined in the video, and the effect of them together is a changing experience that is as captivating as it is disturbing. Continue reading »