OVERFLOWING STREAMS (PART 2): LOCK UP, MASSACRE, MASTODON, MIRE, ORANSSI PAZUZU, SARKE, SELBST, WOMBBATH

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  3 Responses »
Oct 032021
 

 

And now to conclude the big round-up of new songs and videos I started here earlier today. I’m continuing to arrange everything in alphabetical order by band name, picking up where Part 1 ended, and continuing to add only scattered comments instead of more effusive verbiage.

LOCK UP (Sweden)

Last weekend I started a round-up with the same cover art you see above, though at that time there was no music. Now there is, along with a video made by Chariot of Black Moth. The song is from Lock Up‘s new album The Dregs of Hades (November 26, Listenable Records), and includes vocals from Kevin Sharp (Venomous Concept, ex-Brutal Truth) was well as Tomas Lindberg (At the Gates). Prepare for screaming, scathing, hammering death/grind madness. Continue reading »

OVERFLOWING STREAMS (PART 1): AQUILUS, ARCHSPIRE, DER WEG EINER FREIHEIT, ENSLAVED, HYPERDONTIA, HYPOCRISY, IN MOURNING

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Oct 032021
 

 

I’m playing catch-up, as usual. I had hoped to get this humongous round-up of new songs and videos (and one news item) posted yesterday, but the day didn’t work out as planned. Should you choose to go through everything (and you damned well should), it will take a while, because there are 15 items here, divided into two parts. And on top of that I still hope to pull together a SHADES OF BLACK post.

I’ve again alphabetized the selections by band name. There is singing to be found, especially in Part 2, as well as many candidates for my year-end list of Most Infectious Extreme Metal Songs. To get this done I’ve again limited my own verbiage to just brief scattered comments, without artwork and missing some of the usual pre-order links.

AQUILUS (Australia)

I don’t have any music to share for this first band, merely the long-awaited news (and yes, a 10-year gap between albums qualifies as “long-awaited”) that Horace Rosenqvist has a new Aquilus album named Bellum I set for release in early December by Blood Music. That’s so exciting that I thought it was worth including the news, which I usually never do when there’s no music yet. Also, the cover art by Julius von Klever is great. Continue reading »

GONZO’S HEAVY ROUNDUP, SEPTEMBER 2021

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Oct 012021
 


Unto Others

(NCS contributor Gonzo returns with another end-of-month roundup of music that caught his ears.)

There are a few bittersweet observations I’ve come to realize in the past month, related both to music and to the endless hellscape that is the human condition:

As of this writing, 2022 is just three months away and I’m still processing whether 2020 was even real. This means that while I survived the endlessly overwhelming shitstorm of that year, it does beg the question of how much worse this planet could get for humans over the next decade.

While live music is back and I’ve been reveling in the joy of sweaty venues and the sleep deprivation that comes with festivals again, I was just notified that Judas Priest is postponing the rest of their tour due to Richie Faulkner’s heart condition.

The next date would’ve been where I would see them (for the first time, no less) here in Denver.

Fuck.

The good news? Sabaton, who opened for Priest on this tour, is still playing a show in Denver, and by the time this piece goes to print, I’ll have seen the show and will post a full review in the coming days.

In the meantime, I’m at least somewhat distracted by the troves of amazing heavy music that keep blasting out of the darkest corners of the netherverse as of late.

Join me as I take you through some unfettered heaviness and savagery that’s emerged in the past month and kept me sane as we descend into 2021’s final few months. This month, I’ve got two albums and three singles for you to delve into. Continue reading »

OVERFLOWING STREAMS (PART 2)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Sep 122021
 

 

Due to me frittering away my time with lazy and inconsequential pursuits, Part 2 of this weekend roundup of new songs and videos is like Part 1 — generally bereft of artwork, the usual links, and my own descriptive commentary. Nonetheless, it does reflect the exercise of my own (possibly addled) judgment about what is worth your time, plus a desire to provide variety.

As explained in Part 1, I alphabetized 16 choices by band name before dividing them into two segments. Here we pick up with “M” and make it to “W”.

MASTODON (U.S.)

I’m getting memories of Crack the Skye from this new Mastodon song, which is a very good thing (at least it is to me). The well-made video is mysterious, and ultimately disturbing. The new album is Hushed and Grim, due for release on October 29th by Reprise Records. Continue reading »

OVERFLOWING STREAMS (PART 1)

 Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC  1 Response »
Sep 122021
 

 

Yesterday a combination of factors prevented me from posting the usual Saturday round-up of new songs and videos that appeared during the week. I did spend a big block of time surveying the field and making selections, but by the time I finished doing that it was mid-day and I decided to fuck off instead of beginning to write.

It has become clear to me that I can’t do the usual writing today either, if I’m to have any hope of preparing a SHADES OF BLACK post today. So I’m resorting to the format of just throwing all this stuff at you without artwork, or most of the usual links, or my usual commentary, just a few scattered notes.

But trust me, I did exercise some judgment about what I thought was worth sharing. It’s just that I thought A LOT was worth sharing — 16 songs and videos, to be precise. I alphabetized the collection by band name and then divided it into two parts.

ANOMALIE (Austria)

This is a very welcome return after a four-year hiatus between albums. The new full-length features Nornagest of Belgium’s Enthroned on harsh vocals. The new album, Tranceformation, is coming on November 5th from AOP Records. Continue reading »

CHROME WAVES – THE RAIN WILL CLEANSE

 Album Reviews, Exceptions to the Rule  6 Responses »
Sep 082021
 

(Andy Synn presents another fully justified exception to our usual rules in the form of the exceptional new album from Pittsburgh’s Chrome Waves)

It is always fascinating, often a little bit thrilling, and even occasionally slightly fulfilling, to watch a band achieving its true/final form.

This is not, in any way, an attempt to downplay the quality or value of said band’s previous work – which, in this case, includes an extremely solid debut in A Grief Observed and an even better (and emotionally deeper) second album in last year’s Where We Live, along with a couple of shorter, but equally intriguing, releases along the way – but an acknowledgement that growth, be it physical, emotional, or musical is an ongoing process whose end point we don’t always know in advance.

Case in point, even the most casual listener, on their first run through The Rain Will Cleanse, the third album in as many years from prolific “Post-Black Metal” group Chrome Waves, will quickly realise that the band have pretty much abandoned… or, perhaps it’s better to say, grown out of… their more blackened influences (the only real remnant being the scattered shrieks strewn here and there throughout cathartic closer “Aspiring Death”) in favour of a sound that favours the more emotive and expansive, Post-Rock, Post-Punk, and Shoegaze-inspired side of their identity.

It’s still recognisably the same band, yes, but is also just as clearly the next step, the next necessary step, in their ongoing evolution.

Call it the beginning of their post “Post-Black Metal” phase.

Continue reading »

SHADES OF BLACK: LIGHT OF THE MORNING STAR, BEASTIAL MAJESTY, THUNRAZ, CULT OF EIBON, SUN DESCENDS BLACK, NUUMMITE

 Exceptions to the Rule, SHADES OF BLACK  1 Response »
Aug 222021
 

 

I’m going to dispense with an introduction to today’s column, other than to say that what I’ve chosen is going to give you a strange trip from beginning to end.

LIGHT OF THE MORNING STAR (UK)

I was quite taken by both of this band’s first two releases, a 2016 EP named Cemetery Glow, and a 2017 debut full-length named Nocta, both of which were released by Iron Bonehead. Now there’s another album headed our way, via the band’s new label Debemur Morti Productions. DMP describes the new one in these words:

“Potently blending cinematic Deathrock, ghoulish Doom, heavy Post-Punk and atmospheric Black Metal, Charnel Noir is a hook-ridden exploration of the necromantic Undead which captures the restraint, tension and dark romanticism present in the great canonical Gothic works”. Continue reading »

SPEECH ACT – LETTERS ON EXTINCTION’S PIECE

 Album Reviews, Exceptions to the Rule  2 Responses »
Aug 172021
 

(Speech Act are a new-ish band from North Carolina, and Andy Synn has fallen pretty hard for their debut album, which was released just last week, despite the fact  that it contravenes our usual rules)

While all of us here at NCS share an abiding love for Metal, there’s definitely certain niches which we each seem to “specialise” in a little more than others.

Islander, of course, tends to stick more to round-ups than reviews, but – either way – if you see something you’ve never heard of, from a band who’ve either only existed for a hot minute or who’ve purposefully hidden themselves away in the shadows for the last several decades, then chances are they’ll be something he’s found and chosen to feature.

DGR, on the other hand, is our go-to guy for Grind, but also often swings the other way (as it were) by providing expert coverage of many of the big (or, at least, big-ish) and/or up-and-coming names from across the scene, and has proven himself a great pinch-hitter in those moments where the rest of us have dropped the ball on something we really should have written something about.

And, of course, then there’s our various (ir)regular contributors (some of whom are very irregular indeed), who each have their own special subjects which they like to focus on.

As for me? Well, while I cover just as much Death Metal and Black Metal (and its many permutations) as the next guy, chances are if you see something here that’s of the proggy or “Post-” variety, or that’s from the Hardcore end of the spectrum, or anything that features a lot of, gasp, clean singing, then it’s probably one of mine… like the album we’re about to discuss.

Continue reading »

AN NCS VIDEO PREMIERE: LUCIFER’S FALL — “TRIDENT STEEL”

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Jul 262021
 

 

Active since 2013, the Australian doom band Lucifer’s Fall follow in the footsteps of the greats, of Witchfinder General and Saint Vitus, of Pentagram and Reverend Bizarre. And they’re resuming their march with a new third album that’s set for release on August 8th by Sun & Moon Records. Its name is III – From the Deep, and today we bring you a video for the new record’s opening track, the epic “Trident Steel“.

This song alone demonstrates the variations that Lucifer’s Fall bring into their sounds, and the supernatural inspirations of both their lyrics and their music, while remaining true to the traditions of classic doom and heavy metal. And yes, it’s an exception to our porous rule about singing — for good reason. Continue reading »

AN NCS VIDEO PREMIERE: ARSENIC ADDICTION — “MOON AND SUN”

 Exceptions to the Rule, Premieres  1 Response »
Jul 232021
 

 

Although the command in our site’s name has always been subject to exceptions, it’s nevertheless true that those exceptions are rare and must be well-earned. The singing in the song that’s the subject of a stunning video we’re premiering today is one of those well-earned departures from our usual nastiness — though it’s joined with throat-slitting vocal viciousness.

The song in question is “Moon and Sun“, a thoroughly gripping track from the third (and most recent) album by the band Arsenic Addiction from Salt Lake City, Utah, the title of which is XIX. As you’ll discover, if you’re not already familiar with the song, it’s a multi-faceted affair that brings into play ingredients of gothic metal, melodic death metal, and symphonic metal (among others). It’s heavy and hard-hitting but also completely enthralling, and it’s disturbing as well as beautiful. Continue reading »

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