Sep 032014
 

 

This is a second round-up for the day, collecting some of the news and new music I discovered yesterday that I thought were worth sharing around. In no particular order:

GORMATHON

I first wrote about Sweden’s Gormathon this past July upon setting eyes on Eliran Kantor’s wonderful cover art for their new album, Following the Beast, which will be released by Napalm Records during September in Europe and on October 17 in North America. Back then I didn’t have any music to share, but thanks to a tip from TheMadIsraeli I discovered that a few days ago they released an official music video for one of the new album tracks — “Absence of Trust”.

The best comment on the YouTube clip was this one: “New video from Saruman and his band directly from Isengard!” Visual resemblances aside, there’s something about the music that inspires such thoughts as well. It’s catchy-as-hell melodic death metal that bears resemblances to Amon Amarth, but with flavors of folk and power metal in the mix. Here’s the video: Continue reading »

Sep 032014
 

Amebix, once upon a time…

Yesterday was one of those days. One of those days, which seems to happen about every once every two days in the world of metal, where a big old dump truck of metal backed up to my door and caved it in with a big load of new metal things of varying shapes and sizes, all of which then began to gnaw on my fleshy parts. I won’t try to cover all of it in this one post, but I’ll make a start… with three items that have something in common.

AMEBIX? (NOT AMEBIX)

[The following is a revised version of what originally appeared here.)

A (black) rose by any other name…

No, there isn’t an Amebix any more, more’s the pity. Rob “The Baron” Miller announced the dissolution of Amebix in late 2012 following the release of the excellent Sonic Mass, and although he did say at the time that he and Roy Mayorga intended to work on new music “with a view to a new incarnation of the Amebix legacy, flying under a different banner”, it was clear that after the parting of ways by The Baron and his brother Stig, Amebix would not continue.

Although it appears that work between The Baron and Roy has not yet come to fruition, there is something else on the way that’s very exciting, albeit mysterious:  A few days ago the following clip appeared on YouTube and I saw it last night thanks to a friend (thank you KK).

And here it is: Continue reading »

Aug 312014
 

 

Yes, I’m feeling much better today, thank you for asking. My day-long hangover yesterday was so catastrophic that I couldn’t bring myself to listen to any metal at all — so you know it was a really bad one.  Having finally recovered overnight, I decided to do some catching up on this Sunday morning. In thinking about what music to package in this post from what I heard, I decided to make it a globe-trotting musical tour of the underground. It’s all death metal until the final two songs.

SULLEN

Sullen are a fairly new band from beautiful Isla Margarita in Venezuela whom I discovered after the band’s guitarist e-mailed us yesterday. They’ve recorded a four-song EP released earlier this month named Parasite In Agony, which includes a creepy intro, two original songs, and a cover of Venom’s “Resurrection”.

It’s a strong offering of tyrannical death metal that’s both thoroughly malignant and quite memorable. The songs are loaded with big, sour, earth-moving riffs, fine (and surprisingly soulful) guitar solos, viciously pugilistic percussion, and pleasingly throaty, blood-gargling vocals. I thoroughly really enjoyed this stomping, jagged-edged, skull-fracturing EP. It’s well-written, well-performed, and well-produced. Listen below. Continue reading »

Aug 292014
 

 

Those of you who can’t let a day go by without visiting our humble site, by which of course I mean all of you, have undoubtedly noticed that I haven’t been very good about posting round-ups this week. There are reasons, but I’ll just acknowledge my failure, express my deep regret, ask for God’s forgiveness, and try to turn the page (I got that sentence out of the Official Politicians’ Handbook For What To Say When You’re Caught In Bed With A Dead Girl Or A Live Boy).

Many, many things have happened over the last few days that are worth noting, but I’ll just mention three of them for now.

BYZANTINE

The resurrection of West Virginia’s Byzantine has been all but complete, with the release of a stellar comeback album in 2013 and the commencement of work for a follow-up record (To Release Is To Resolve) now in progress. But one thing has been missing: A Tour!

Well, finally, it appears that’s going to happen, too. Today the band announced the Release To Resolve Tour, which will be their first tour in 7 years. It begins and ends in West Virginia and includes an appearance at the CMJ Showcase in New York City. They will be supported by New York’s IKILLYA and by Thy Will Be Done from Providence, RI. The schedule as it currently exists (with a few specific locations still to be announced) is below: Continue reading »

Aug 272014
 

 

Here are a couple of news items and new pieces of album art that caught my eye. I don’t have much to add to the information sent to us in press releases — other than to say I am tremendously interested in both of these albums (which happen to come from the same label), and you should be, too! (Click the artwork to view larger images.)

BLUT AUS NORD 

Today Debemur Morti revealed the cover art (above) for the new album by Blut Aus Nord — Memoria Vetusta III – Saturnian Poetry. It was created by Kristian “Necrolord” Wåhlin (EMPEROR, BATHORY, DARK FUNERAL, DISSECTION, and many more), and it’s wonderful. The layout was conceived by Dehn Sora (known for his work for NEUROSIS and ULVER, among others).

The label further announced that the album has been scheduled for an October 10th release and will be available on Digipack CD, Gatefold 12″ LP, and a digital download version. Here’s the track list: Continue reading »

Aug 262014
 

I haven’t written one of these round-ups since late last week, and much has happened on the metal front since then, so I’m cramming quite a few items into this post that I thought were worth sharing. It’s a jumbo-sized playlist that should appeal to many tastes (and I still didn’t include every good thing I found!).

SUMAC

In late July, the super-talented drummer of Vancouver’s Baptists, Nick Yacyshyn, gave an interview to CVLT Nation in which he mentioned that he had recently spent a week writing, rehearsing, and recording with Aaron Turner (Old Man Gloom, Mamiffer, and Isis [the BAND, ferchrissakes]. He also posted a photo of Aaron Turner’s drum kit on his Facebook page, and he further mentioned that Brian Cook of Russian Circles, These Arms Are Snakes, and Botch was also involved in the project.

This juicy piece of news wasn’t widely reported, but yesterday brought further details via a Facebook announcement by Profound Lore. According to that announcement, the project’s name is Sumac; its core members do indeed consist of Yacyshyn, Turner, and Cook; and Profound Lore will be releasing Sumac’s “monumentally heavy debut album” in early 2015.

I’d call that some hot shit news. Continue reading »

Aug 242014
 

Black metal today comes in so many shapes and textures that’s it’s almost as diverse as “death metal”, its original thorned orthodoxy having blossomed into a garden of unearthly delights. In this post I’ve collected the diverse music of five black metal bands who I discovered last week. If there’s one thing they do have in common, it’s a skill in crafting melody (of all things).

MISÞYRMING

Misþyrming (“Mis-thyr-ming”) are an Icelandic band whose name came my way in rapid succession from an e-mail by NCS supporter eiterorm and an Eistnaflug-themed article by Kim Kelly. According to Kim’s article, “The Reykjavik-based project started out as a one-man endeavor and expanded when founder D.G. added drummer H.R.H. (also of Carpe Noctem) on drums.” I’ve written admiringly about Carpe Noctem before, so that kind of made three reasons to go exploring.

Misþyrming’s debut album Söngvar elds og óreiðu will be released in a collaborative effort by Fallen Empire and Terratur Possessions, and two of the songs are on Bandcamp now. The music is incendiary — perhaps the most destructive music of the five bands in this post — but when they back down from the flame-spewing they cast mesmerizing riff spells. And they do a damned fine job of flame throwing (with eerie ambience), too.

Don’t forget this band’s name — I’m confident it’s going to spread. Brilliant stuff. Continue reading »

Aug 222014
 

(Sometimes NCS contributor Leperkahn is going to his first metal festival and is looking for companionship. We do expect a full report.)

Leperkahn is going to a festival

First of all, I want to apologize for not writing here since roughly the Middle Ages (specifically, late April). I could come up with excuses (the surprising amount of things that went into high school graduation, a trip to Scandinavia, getting a job as a pizza delivery guy here in San Diego), but really it comes down to me being a lazy piece of shite, as I’ve spent equal amounts of time marathoning Star Wars and Lord of the Rings movies.

Anyway, I’m finally back, for the time being – I start college a month or so from the time I’m writing this, which will be a whole new can of worms to open, and, more pressingly, I’m filling some of the time in between (since I’m on a quarter system, I start really late, and thus most of my friends will be gone by the end of this week) with a trip to Paris, through a UChicago program called September in Paris.

Much of this wouldn’t mean much for anyone else in the NCS-sphere if my trip didn’t engulf the weekend upon which the inaugural Fall of Summer Open Air is happening in Torcy, France (just a short train/bus ride outside of Paris, or 30 minutes-ish by car). Continue reading »

Aug 222014
 

 

Here are a trio of new songs that I heard this morning that I enjoyed. Perhaps you will enjoy them, too. Obviously, I couldn’t resist grouping these three S bands together. Cool album covers for all of them, too.

SCAR SYMMETRY

Scar Symmetry’s sixth album is on the way. The title is Singularity (Phase I: Neohumanity). It has a cool album cover, don’t you think? Today the band released a lyric video for a single from the album named “Limits To Infinity”. The announcement came with these quotes from band members:

Per Nilsson: “I thought to myself… am I allowed to fuse death metal with AOR, and go extreme in both directions? I didn’t ask for permission, I just went and did it, and I’m pretty excited to hear what people are gonna think about it.”

Henrik Ohlsson: “‘Limits to Infinity’” unveils the malevolent plan of the elite, the hidden hand, and their discoveries regarding the secrets of the universe. The lyric elaborates on the decision makers’ long-term plan to merge with machines and colonize other planets.”

The music is a high-powered combination of jolting riffs/rhythms and catchy melody, deliciously ugly growls and soaring cleans, tumbling drums and a flickering solo. It hammers and it glides and I don’t think you’ll be able to remain still while it does its thing. Continue reading »

Aug 212014
 

 

We have three music premieres coming your way today, but before we begin rolling them out, here are a couple of quick notes that caught my eye this morning.

AT THE GATES

Unless you’ve been living under a rock, you know by now that Sweden’s At the Gates have recorded a comeback album entitled At War With Reality that’s due for release by Century Media on October 27th in Europe and October 28th in North America. Today the band revealed the cover art for the album (above), which was created by one of our favorite metal artists, Costin Chioreanu (twilight13media.com). As for the relationship between the art and the album, and how Chioreanu came to be involved in the project, we received a press release that included these statements.

From AtG vocalist/lyricist Tomas Lindberg:

“The concept of At War with Reality is based on the literary genre called ‘Magic Realism’. The main style within this genre is the notion that ‘reality’ is ever-changing, and needs to be constantly re-discovered and re-conquered. We felt that Costin’s artwork style would be the perfect visual contribution to this album, so he became the natural choice…” Continue reading »