Sep 212015
 

Abhorrent Decimation-cover

 

Last week in a “Best of British” article on our site, Andy Synn reviewed Miasmic Mutation, the new album soon to be released by Abhorrent Decimation — and now we’re bringing you the premiere of a full-album stream, along with an interview of the band.

While referencing the likes of such stellar bands as Hour of Penance, Decapitated, and Man Must Die, Andy further wrote:

“This isn’t an album that feels derivative. It feels fresh. It feels vital. It feels… alive. In fact, it’s one of the most shamelessly infectious and irresistibly head-bang-able Death Metal albums that I’ve heard this year.”

Continue reading »

Sep 212015
 

Perihelion-Zeng

 

One good thing sometimes leads to another good thing. About two weeks ago I was excited to discover a music video for a track from a forthcoming album (Zeng) by the Hungarian band Perihelion. I wrote about the song (“Égrengető”) here, and now we find ourselves in the happy position of being able to bring you the premiere of another song from the same album, a track named “Vég se hozza el” (Hungarian for “Even the end will not bring relief”).

While “Égrengető” has its heavy moments, particularly as it builds toward the climax, much of its magic lies in the ethereal guitar melody and the experience of listening to Gyula Vasvári send his voice arcing into the sky. “Vég se hozza el” combines similar ingredients, but in different proportions. It starts in a blaze, takes a breath, and then pours out its intensity and passion in a stream of gleaming black water. Continue reading »

Sep 202015
 

Protolith-Dark

 

Almost five years have passed since Protolith released their debut album Light, and three years since their Sunsetter EP. But this Massachusetts-based band have now completed work on their second full-length, with a title that contrasts with the name of their debut: Dark. Today we’re happy to bring you a full streaming premiere of the new album in advance of its official release.

Dark represents a rare combination of genre-spanning musical styles, including sludge, doom, death, post-metal, and progressive metal. It’s evident that Protolith are adept at writing and performing in all of these fields, but what makes Dark such a fascinating achievement is the band’s success in blending them together so naturally within each song. Even with such marked contrasts in these musical styles, the music flows. The transitions feel organic, and at its best, Dark succeeds not just in transitioning between these different approaches but in uniting them. Continue reading »

Sep 182015
 

Soijl-Endless Elysian Fields

 

Soijl is the name of a project founded by Swedish multi-instrumentalist Mattias Svensson, whose past musical involvements have included the likes of Saturnus, Istapp, Vanmakt, and Nidrike. On Soijl’s debut album, Endless Elysian Fields, Svensson is joined by Henrik Kindvall of Skald (ex-Nidrike), who wrote the lyrics and provided the vocals. What the two of them have achieved is a powerful and moving work that’s enormously heavy, beautifully atmospheric, and emotionally devastating — and today we give you the chance to hear the entire album in advance of its September 21 release by Solitude Productions.

On the seven tracks included on the album, Svensson has crafted music that’s achingly anguished, each song built upon a bedrock of huge, moaning doom riffs from which tendrils of bereft guitar melody spiral upward like smoke from the dying embers of a funeral pyre. The songs are usually slow and majestic, spreading a heavy mantle of despair and heartache in their wake. Those calamitous bedrock riffs are dire enough to drag you bodily into a sinkhole of grief, but the lead guitar melodies are sublime, often ethereal, and even transcendent in their cold, alabaster purity. Continue reading »

Sep 182015
 

Zillah-Serpentine Halo

 

(Austin Weber introduces our premiere of a song from the new album by Scotland’s Zillah.)

We’ve been covering Zillah here at NCS since 2011 when Islander first shared their music with our readers and extolled their hard-to-categorize brand of death metal. Recently we were fortunate to premiere a song by them called “Made Flesh And Bone”, which will appear on their soon-to-be-released new album entitled Serpentine Halo. I was very surprised yet happy to see that as of this writing, “Made Flesh And Bone” has been played 1,986 times! Which to me says at least some of our readers must have enjoyed it. For those who liked that one, you’ll be equally pleased with the Zillah song we are premiering today: “Therefore I Am”.

While “Made Flesh And Bone” took its time building toward a blasting second-half conclusion, “Therefore I Am” is an adrenaline-fueled ride from start to finish. It’s a swirling maelstrom of venomous barks and chaotic, spidery riffing colliding with a deep bass low-end and an accomplished drum performance that drives the song forward into the demented void. Continue reading »

Sep 172015
 

WIndfaerer-Tenebrosum small

 

We have an embarrassment of riches. At the end of June we had the pleasure of premiering a song named “Celestial Supremacy” from the wonderful new album by New Jersey’s Windfaerer, and now — less than a week away from the release of Tenebrosum — we get to bring you another new song: “The Everlasting”.

When our old friend Phro provided his imaginative and evocative review of Tenebrosum, he described it as “seven tracks of pure frigid despair that could be summed up with three adjectives: Melancholy, punishing, and fierce.” All three adjectives could apply equally well to “The Everlasting” alone — but that wouldn’t exhaust the sensations inspired by the song. Continue reading »

Sep 172015
 

This Gift Is A Curse-All Hail the Swinelord

 

This Gift Is A Curse leave little doubt where their allegiances lie, given that their new album (and their first on Season of Mist) bears the title All Hail the Swinelord and is described by the band as “a metaphysical and ritual guideline for the crossing of the final threshold, into the shadows, to touch His black crown”. What we bring you today is the album’s penultimate track, a violent convulsion of sound named “We Use Your Dead As Vessels”.

But for a few howled words, there is no preparation for this conflagration, no warning at the start, no chance to take a breath before the onslaught begins. There is simply an immediate explosion of ferocity that then continues to tear through the song like a blast front, with no pity and no reprieve. It’s a torrent of frenzied percussion and dismal, threshing riffs, broken only by the shriek of feedback, and saturated with a sense of utter hopelessness. Everything is falling apart, and nothing can be done to stop it. Continue reading »

Sep 162015
 

Cover of Ruach raah - hate fanaticism

 

With a debut demo and two splits behind them, Portugal’s Ruach Raah are now on the brink of releasing their debut album, Hate Fanaticism, via War Arts Productions. As a sample of what it holds in store, today we’re premiering a track called “Arsonist“.

If you’re looking for modern production values and atmospheric melody, look elsewhere. “Arsonist” is a piece of primal, primitive, stripped-down black metal savagery. The sound is abrasive, caked in grit and choked with hate. No frenzied blast-beats, whirring chords, or Northern darkness are to be found here — just a lashing of poisonous riffs, neck-snapping percussion, and enraged, throat-scraping howls. But as raw and primeval as this music is, it’s catchy as hell right from the start. Continue reading »

Sep 152015
 

Contrarian-Polemic

 

Today we bring you the premiere of the title track to Polemic, the debut album by New York’s Contrarian, which is due for release on November 20 by Willowtip Records.

In a musical landscape overflowing with technical death metal bands, and a similarly large number of extreme metal bands displaying the “progressive” label based on little more than occasional ambient interludes in the midst of all the pummeling, it takes something special to stand out. Contrarian stand out.

Much as their name signifies, Contrarian’s approach to songwriting is unusual, and unusually good. To be sure, “Polemic” displays the kind of intricate, high-speed technical skill that opens eyes wide. Continue reading »

Sep 132015
 

Enshine-Singularity

 

The multinational collective known as Enshine released their debut album Origin in 2013, a record that our reviewer DGR praised as “devastatingly beautiful”, one that “takes us to that snow-filled, cold, and desolate place where we sometimes long to be and lets us sit and watch the world move as it speaks to us.” Now Enshine have completed their second album, entitled Singularity, and today we bring you the premiere of the album’s first advance track — “Adrift” — in advance of its October 18 release.

Origin was packed with atmospheric songs capable of taking listeners outside themselves and transporting them to vividly realized spheres crafted by their own imagination. We chose one of those songs (“Ambivalence”) for our list of 2013’s “Most Infectious” extreme metal songs, and “Adrift” has quickly become a candidate for this year’s list. Continue reading »