Mar 302012
 

Well, well, what a happy coincidence. We just posted TheMadIsraeli’s review of Meshuggah’s Koloss album, and minutes later I see that the band have released an official video for “Break Those Bones Whose Sinews Gave It Motion”.

My sweet fuck, this really is a heavy song, and the video is so damned much fun to watch. I don’t really need anything more than what it delivers — watching Tomas Haake methodically murder the drums, slo-mo headbanging by the rest of the band, Jens Kidman being . . . Jens Kidman, all against a black backdrop.

Do watch it after the jump. Continue reading »

Mar 292012
 

Josh Eldridge used to be head of publicity at Century Media Records, and then later in business development and A&R. I remember him fondly because he was the first major label rep who gave NCS a shot at a song premiere for a big-name band (Deicide’s “How Can You Call Yourself A God”). Later still, he became the head of marketing for The MuseBox marketing company and founded his own business called ConspiracyPR.

Now, in partnership with MuseBox, he has formed a new metal label called Gravedancer Records and has made a deal for worldwide distribution of the label’s first three signings by EMI. And these aren’t just any three signings. The first bands signed to Gravedancer are Byzantine, Chrome Waves, and Conan. This shows extremely good taste (not that we hold ourselves out as arbiters of taste, of course), and a reason to pay attention to what Eldridge and Gravedancer do next. Allow me to elaborate:

BYZANTINE

The revival of this West Virginia band, with the reuniting of Chris Ojeda and Tony Rohrbaugh, was one of the real bright spots of news in 2011. TheMadIsraeli interviewed both of them for this post in February, and we’ve been following their progress closely. Small pieces of awesome music have surfaced now and then, enough to make us confident that Byzantine’s next album will be something special. The most recent taste of what’s to come is a Chris Ojeda playthrough that has now appeared on YouTube. That’s the first thing that will greet you after the jump. Continue reading »

Mar 292012
 

In this post, two bands with new music, both swimming in the same musical sea. One old favorite and one new discovery: Tardive Dyskinesia (Greece) and NEOSIS (Switzerland).

TARDIVE DYSKINESIA

Our attachment to this band goes back to the early days of NCS when we featured their 2009 album Sea of See Through Skins in a post about “math metal” (a post that also included Textures, CiLiCe, and Hacride). What a quaint term “math metal” now seems. Those were the days before the term “djent” polluted our vocabulary, before everyone’s neighbor began writing off-kilter pneumatic riffs a la Meshuggah and calling them “songs”.

It’s been a long wait for a new TD album, though the band have periodically given us reasons to remember them, including a free recording of a live performance (featured here). But now they’re beginning the ramp-up process for release of their third album, Static Apathy in Fast Forward, which is due later this year. Recently, they started streaming a rough mix of a new song called “Prehistoric Man”, which will appear (though possibly in altered form) on the new album, and I’m really digging it.

The song features to good effect the band’s blend of turbulent, head-twisting rhythms and progressive-minded instrumental passages that first attracted us to them years ago, with perhaps a more prominent place for melody and a few other added ingredients as well. There’s quite a lot of clean singing in the song, though the mixing of clean and harsh vocals also appeared now and then on Sea of See Through Skins, but I think it works well in “Prehistoric Man”. Continue reading »

Mar 282012
 

Kartikeya are a Russian melodic death metal band we’ve written about frequently at this site (use the search box on this page and you’ll see what I mean). The leader of Kartikeya is a very talented dude named Roman “Arsafes” Iskorostenskiy. We’ve previously explored a few of his other musical projects besides Kartikeya — a Russian pagan-metal band called Nevid (Невидь) and Arsafes’ own solo effort, with a 2010 EP called A New Way of Creation. But there’s still more:

Arsafes and a Serbian singer named Aleksandra Radosavljevic have collaborated to create a project called Above the Earth. Together they’ve recorded a demo of music described as “Atmospheric/Ambient/Progressive Metal”. The first piece of music I heard was an excerpt from a song called “All Our Dreams”, which they posted on YouTube as a preview of the demo. The first thought that popped into my head as the music began was, “this sounds like Devin Townsend!”

And then today, they posted the first full song, and guess what? It’s a cover of “Supercrush” from DT’s Addicted album. Now, you know we don’t include much clean singing on this site, because it’s mainly my site and I don’t have much patience for clean singing in metal. But there are exceptions, to be sure, and Devin Townsend is one of them — and “Supercrush” happens to be one of my favorite DT songs.

So, I approached this cover with both excitement and fear — excitement, because I know Arsafes is one immensely talented guy, and fear, because how can a cover of a song like “Supercrush” do anything but pale in comparison to the original? Well, it turns out that my fears were groundless, because Above the Earth nail that fucking song. Continue reading »

Mar 282012
 

Work, work, work.  That’s me right now, though I would rather be blog, blog, blog. So this will be short.

MARDUK

You know Marduk. They’re from Sweden. They play tumultuous black war metal. They have a new album coming on May 28 called Serpent Sermon. The album cover is after the jump. So is the first song from the album, which premiered yesterday on Metal Hammer. It’s called “M.A.M.M.O.N.”

It’s not exactly what I was expecting from Marduk, which is not a bad thing at all. Yes, there are bile-vomiting vocals. Yes, there are weapon-like blast beats and double-bass. Yes, the guitars come in menacing waves. But there are changes of pace in which the guitars also ring out slow, chiming melodies while the bass audibly bounds along beneath them in a jazzy progression. Interesting. Continue reading »

Mar 272012
 

Through the miracles of modern wi-fi technology, I am writing and posting this piece from a Boeing 737-800 airplane crossing the vast, imbecilic American continent on my way from one coast to the other, because my fucking day job demands it.

My traveling conditions aren’t ideal. The tight-sphinctered woman sitting next to me is grumpy. I am nearly deaf, and even though I have the volume turned down, noisy metal is apparently still leaking from my earbuds and polluting her personal space. Fuck her, I can handle the acidic looks, because I’m doing this for you.

The man across the aisle from me has been using a nasal inhaler, and I don’t think he has a cold. His pupils are now the size of pin pricks. I know this because he is staring at me. Fuck him, too, if he doesn’t try to fuck me first.

Worst of all, I haven’t started drinking yet . . . but I intend to make up for lost time as soon as I click the “Publish” button on my blog software.

Here’s what I found this morning that I thought worth sharing: A band from Australia named Ocean of Zero, a band from Germany named Black Shape of Nexus, and a band from parts unknown named Crator (whose creepy artwork is up above and whose membership is very intriguing). All of these bands are new to me. Continue reading »

Mar 272012
 

Goatwhore’s 2009 music video for “Apocalyptic Havoc” is one of my all-time favorites. It’s not terribly fancy, though it’s well-made. There’s no story. It’s just the band playing in something that looks like the interior of a church (except for the inverted crosses), with assorted close-ups of spark-shrouded Ben Falgouth looking badass (which is not difficult, since I bet Ben Falgouth looks badass even when he’s asleep) and Sammy Duet looking serious and cool, carving those tasty riffs with the neck of his guitar almost vertical.

I’m sure the song has something to do with how much I like the video. To be honest, Goatwhore could have been filmed playing dominoes and eating shelled pecans in a NOLA icehouse and I still would have loved it, as long as “Apocalyptic Havoc” was blasting out of the speakers.

But now Goatwhore have gone and gummed up the video works. Yesterday, we witnessed the debut of the video for “When Steel and Bone Meet”, which is a track on their most recent album Blood For the Master (reviewed here by Andy Synn). They could have just let the song carry the video again, as they did for “Apocalyptic Havoc”, because the song is great. To borrow Andy’s word, “When Steel… is a bar-room brawl set to music, chains and fists flying in a drunken, grooving orgy of violence that manages to cram in a swaggering groove, pummeling power-riffage, and some switchblade soloing in barely more than 3 minutes.”

But no, they had to throw in brief shots of two unclothed chicks licking blood off each other. I mean, really, who wants to see that? Bor-ing. Continue reading »

Mar 262012
 

The first two bands featured in this round-up have been the subject of previous features at this site, so we already know and like their music. But what we have here are new music videos that are worth a gander. And then the third piece of this triad is a new song from a band called Vorkreist (sans video).

OUROBOROS

TheMadIsraeli reviewed this Australian band’s latest release, Glorification Of A Myth, back in June 2011. He described the music as “a mix of Pestilence, Dark Angel, some slight Cannibal Corpse-isms, Vader, and a good dose of neo-classicism in the melodic moments” — a powerhouse collection of “killer riffs” and “face-melting guitar antics”.

The new video is for a song from the album called “Sanctuary”. It confuses me. It’s clearly telling a story, but I haven’t figured it out yet. Are the children at the end younger versions of characters we’re seeing at the beginning? Why the leap off the cliff? And what’s the snake man chopping with that cleaver? If you get it, leave a comment.

The YouTube version of the clip includes the lyrics, which are much better than average for a metal song, but they haven’t helped me figure out the video. I’ll link to them after the video. Continue reading »

Mar 262012
 

Earlier this month, Andy Synn passed his 18-month anniversary as a writer for NCS. His first post was a review of Dimmu Borgir’s Abrahadabra album. In all that time, Andy has rarely mentioned that in addition to writing about metal, he is also the vocalist for a UK metal band called Bloodguard. Maybe it’s that famous British reserve, or perhaps it’s because Andy is a gentleman and a scholar in addition to being a writer and a howler. I, however, am not limited by good manners or any sense of humility, and I have some news about Bloodguard that needs to be spread like the plague.

First, the band have now set the official track-listing for their debut album, Patterns In The Infinite, and this is it:

1. Eye Of The Paradox
2. Vanguard
3. Footsteps (Of The Dead)
4. Our Lady Of The Flood
5. Black Math Ritual
6. Panopticon
7. Final Prayer
8. Bridgeburner

After the jump, you’ll find an album preview video that will give you a taste of what the songs sound like in their unmixed form, although the order of the samples in the video doesn’t match the track-listing. But first, there’s even bigger news, because I’ve discovered from Andy the identities of five guests whose talents will be enhancing Bloodguard’s new album — and it’s quite an exciting list: Arthur von Nagle (Cormorant), Michiel Dekker and Ivo Hilgenkamp (The Monolith Deathcult), Seth Hecox (Becoming the Archetype), and Demonstealer (Demonic Resurrection). Continue reading »

Mar 252012
 

This three-man black metal band from Greece is blowing my mind and not even leaving the tiniest scraps of tissue behind.

I discovered Enshadowed for the first time in January because I saw that fantastic album cover up there, and I promptly included them in this feature. The artwork — created by the band’s guitarist N.E.C.R.O and an unidentified friend who did the design for the Lucifer figure — is for the band’s third album and their first on the reliable Pulverised label: Magic Chaos Psychedelia.

The title of the album (which was recorded by Fotis Benardo of Septic Flesh) is descriptively accurate, at least based on a song called “Inner Psy-Trip” that was released for streaming yesterday. It swarms like demon hornets, it blasts like anti-aircraft armament, it shrieks like a black cloud of wraiths, it crawls with reptilian menace, it lurches like a damaged golem, it thunders like an orcish army on the march.

The tempo changes constantly, the guitars alternately buzz and chime, the music attacks voraciously but also reverberates with grim, even funereal melodies. It starts with teeth bared and ends with slow piano keys over an electronic drone. Fascinating song. Listen after the jump. Continue reading »